Scratch-As-Catch-Can (1931)

The magical tale of a mouse who sets foot on a woodland adventure in search of a nut. Encountering predators who all wish to eat him - Fox, Owl and Snake - the brave mouse creates a terrifying, imaginary monster to frighten them away. But what will the mouse do when he meets this frightful monster for real?

미야자키 하야오 감독이 스스로 만들고 내레이션까지 한 작품입니다. 작품 속에서 미야자키 하야오는 의인화된 돼지의 모습으로 나와 비행 기계들에 대해 설명을 합니다. 19세기 서양인이 상상하던 미래의 비행 기계가 유머러스하게 소개되며, 그 비행 기계들이 문명의 발전과 함께 발전해나가는 모습을 풍부한 상상력을 통해 그려놓았습니다. 이 작품에 등장하는 비행기계들의 묘사를 위해 사용된 기법은 "하울의 움직이는 성"에도 활용되었다고 합니다.

The remaining fragments of an early Ozu film. It is the simple story of two friends who live together in a poor tenement and who share about everything in life (food, hopes, work...). Everything goes well until they gallantly rescue a young (and pretty) woman injured in a road accident. Since the lady has nowhere to go, the two good-hearted friends invite her to their home. She soon becomes their housemaid and they soon begin to seek her favors. Alas, she falls for a young student she has met in the neighborhood, much to the two friends' dismay.

A look at the life of Bob Kane, the creator of Batman.

Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

어두침침한 방 안에 남자와 여자가 있다. 방 밖으로 희고 밝은 해부실이 줄지어 있고 그곳에서는 인간을 대상으로 한 해부가 은밀히 진행 중이다. 아무래도 남자와 여자는 다음 해부 대상인 듯하다. 로코코 화가 장 오노레 프라고나르의 회화에서 영감을 받은 이 퍼핏 애니메이션은 내러티브는 존재하지만 그 주제나 의미는 쉽게 파악되지 않는다. ‘개인이 시스템 내에서 어떤 영향력을 미칠 수 있는가’와 같은 주제를 암시하는 작품이다.

Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.

First film produced by Laugh-O-Gram Studio, as part of demo reel. This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

A desperate, but not very bright, young man tries to find where he parked his car in a massive underground parking garage in Cannes, France when his pregnant girlfriend goes into labor.

침대에서 잠든 아름다운 여인의 머리맡에 머리빗이 놓여 있다. 빗은 여인의 마음과 꿈에 침투하는 것만 같다.

While filming a Teddy Bear in stop-motion, a man accidentally unleashes supernatural dark forces. A short horror film by Robert Morgan

기이한 이미지에 집착하는 퀘이 형제의 독특한 취향이 이 애니메이션에서 완벽하게 실현된다. 16세기에서 17세기 회화 작품에서는 보는 각도에 따라 감상이 달라지도록 하는 테크닉이 유행했는데, 퀘이 형제는 여기에서 그 기법을 사용해 시각적 효과를 주고 있다.

After adopting a hippie lifestyle, a man finds his home life enhanced while becoming isolated at work.

When a woman's husband leaves town, she begins to see odd things happening in her house. Afraid that gangsters are after her, she becomes increasingly anxious.

Fatty and Al are Minta's suitors. After Fatty sics his dog on him, Al marks Fatty for roughing up by two thugs, but the plan backfires.

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

A man with arachnophobia buys a poisonous bird spider and sets it free in his apartment.

The Seed follows the events surrounding a homeless veteran named Ken Mercado, played by Will Yun Lee. Living along the banks of the Los Angeles River, he is attacked by masked men in black vehicles, invisible to the eye. To any passers-by, Mercado appears to have some sort of mental illness, but as he is chased throughout the city, it is revealed to the audience that he is not in fact paranoid, but rather the victim of a government conspiracy. Sung's adversaries are visible to him, yet only visible to the audience part of the time. At the end of the film, an alien ship is visible in the sky, watching the scene.

In a solemn, haunted environment, a small bug crawls over the silhouette of a house.