Forgotten Women (1931)
장르 : 드라마
상영시간 : 1시간 7분
연출 : Richard Thorpe
각본 : Adele Buffington, Wellyn Totman
시놉시스
Acting on a tip from former stage actress Fern Madden, who is now working as a movie extra, Jimmy Burke, a Hollywood reporter, publishes an article revealing an independent film producer to have mob connections. As a result of the story, Jimmy becomes city editor.
할리우드에선 아무도 안 써준다고? 그럼 스스로 스타가 되는 수밖에. 돌러마이트라는 선정적이고 코믹한 캐릭터로 무대를 휩쓴 루디. 그는 돌러마이트를 영화로 만들면 흑인 관객을 끌어모을 수 있다고 확신한다. 코미디, 관능, 액션! 이렇게 재밌는데 망할 리가 있나. 할리우드를 뒤집으러 그가 간다.
할리우드의 황금기였던 1943년, 최고의 몸값을 자랑하던 천재 시나리오 작가 ‘달튼 트럼보(브라이언 크랜스톤)’는 정치 스캔들에 휘말려 블랙리스트에 오르게 된다. 한 순간에 명예와 부 모든 것을 잃게 된 트럼보는 가족을 지키고 계속 글을 쓰기 위해 가짜 필명으로 활동을 시작하는데…
영화 속 영화의 형식이다. 이제 퇴물이 되어버린 영화 감독은 성공적인 영화를 만들 계획을 가지고 있다. 스크린에 누드로 출연해도 그녀의 건전한 정신을 보여주기로 유명한 여배우를 캐스팅하는데...블레이크 에드워즈 감독은 1970년대 초 할리우드의 영화 제작 방식에 상당한 불만을 품고 있음이 분명하다. 영화를 호전시키는 몇가지 요소들이 눈에 띄긴 하지만 신랄한 풍자극을 그야말로 명쾌하게 뽑아내기에는 역부족이었다. 제멋대로 만들어진 영화.
On the set of Cleopatra, Hollywood's most beautiful star, Elizabeth Taylor, fell into the arms of one of the world's greatest actors, Richard Burton - and she didn't leave. Their subsequent white-hot, scandalous love affair gave rise to the paparazzi and they became the most hunted and photographed couple on earth. Their rocky, passionate, relationship, born in front of the cameras, was subsequently captured in a series of films, including The V.I.P.s and Who's Afraid of Virginia Woolf? The last of the great, extravagant stars, flaunting diamonds, yachts and private planes, they continually seized the headlines. They even divorced and married again - only to divorce again - but remain in each other's hearts. This Elizabeth Taylor - Richard Burton story is a no-holds barred account of their undying, but impossible love.
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Rosanna Arquette talks to various actresses about the pressures they face as women working in the entertainment industry.
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How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
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