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Hundred Faces for a Single Day (1972)

장르 : 다큐멘터리

상영시간 : 1시간 10분

연출 : Christian Ghazi

시놉시스

Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.

출연진

Micheline Daou
Micheline Daou
Madonna Ghazi
Madonna Ghazi
Salah Moukhallati
Salah Moukhallati
Mona Wassef
Mona Wassef

제작진

Christian Ghazi
Christian Ghazi
Director

비슷한 영화

뮌헨
전 세계의 이목이 집중된 1972년 뮌헨올림픽. 모두가 스포츠의 환희와 감동에 열광하는 가운데 끔찍한 인질 사건이 발생한다. 이 사건은 전 세계에 TV로 생중계가 되고, 팔레스타인 무장 조직 ‘검은 9월단’은 인질로 잡았던 이스라엘 선수단 11명을 살해한다. 전 세계는 엄청난 충격과 혼란에 휩싸이고, 팔레스타인은 이제 세계가 그들의 목소리로 귀기울이게 되었다고 자축한다. 하지만, 팔레스타인에 대한 보복을 결심한 이스라엘은 ‘검은 9월단’이 했던 것처럼 세계인의 이목을 끌 수 있는 비밀 공작을 준비하게 되고…. 이스라엘 정보기관 ‘모사드’는 최정예 요원들을 소집, 기록조차 없는 비밀 조직을 만들고 ‘검은 9월단’에 대한 복수를 명령한다. 조국애가 깊은 ‘모사드’ 출신 비밀 요원 ‘애브너(에릭 바나)’를 리더로 도주, 폭발물, 문서위조, 뒷처리를 담당하는 전문가들로 암살팀을 구성한다. 뮌헨 사건의 배후 인물로 지목된 팔레스타인인은 모두 11명. 이스라엘 비밀 요원들은 이들을 한 명씩 찾아내 치밀한 복수를 시작한다. 하지만 그들은 목표물을 제거할수록 조국의 임무와 복수의 정당성 사이에서 고민하기 시작하고, 살인에 대한 죄책감을 느낀다. 동시에 자신들 또한 누군지 모르는 암살팀의 표적으로 쫓기게 되는 아이러니한 상황에 빠져든다. 애브너와 비밀 요원들은 점점 더 큰 두려움과 죄책감에 사로잡혀가는데….
가버나움
칼로 사람을 찌르고 교도소에 갇힌 12살 소년 자인은 부모를 상대로 소송을 제기한다. 신분증도 없고, 출생증명서도 없어서 언제 태어났는지도 모르는 자인. 법정에 선 자인에게 왜 부모를 상대로 소송을 제기하는지 판사가 묻자 자인이 대답한다. ‘태어나게 했으니까요. 이 끔찍한 세상에 태어나게 한 게 그들이니까요.’
베이루트: 리미티드 아워
1972년, 레바논 베이루트의 외교관 ‘메이슨’은 부인과 함께 레바논 소년 ‘카림’을 돌본다. 그러던 어느 날, ‘카림’의 형이 뮌헨 참사 주범으로 밝혀지고, 때마침 습격한 그의 형 ‘라미’의 테러로 ‘메이슨’의 부인이 살해되고 만다. 10년 뒤 현재, 테러 사건 이후 폐인이 된 ‘메이슨’은 거절 못 할 제안에 의해, CIA 요원과 테러범의 목숨을 맞바꾸는 사상 초유의 인질 협상 작전에 투입되어 베이루트를 다시 찾는데…
Shelter
Naomi, an Israeli Mossad agent, is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn.
West Beirut
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.
Waves '98
Disillusioned with his life in the suburbs of segregated Beirut, Omar's unusual discovery lures him into the depth of the city. Immersed into a world that is so close yet so isolated from his reality, he finds himself struggling to keep his attachments, his sense of home.
Agent 505 - Death Trap Beirut
A couple of beautiful girls are murdered while sunbathing at a luxury hotel. The killer too is murdered, but able to reveal – before dying - that they were disposed of because the “knew too much”. Something bad is being planned in Beirut, and it has something to do with a man called The Sheikh, who has only four fingers. It seems this isn’t a lone incident. The Sheikh is also thought to be behind the assassination of several prominent scientists.
이것은 영화가 아니다
저명한 저널리스트인 로버트 피스크는 40년 동안 세계에서 가장 폭력적이고 첨예한 문제들에 대해 보도해왔다. 창 영 감독은 피스크가 전쟁으로 황폐해진 땅을 돌아다니며 사람들에게 진실을 알리고자 고군분투하는 모습을 거침없는 액션으로 포착한다.
Where the Spies Are
A local doctor is recruited as a cold war spy to fulfill a very important secret mission in the Middle East, only to experience that his mission is complicated by a sexy female double agent.
Falafel
Everything bad that can happen on the way to a party happens to young Tou on this nighttime trip though Beirut.
Hundred Faces for a Single Day
Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.
Hands Up!
The reunion of a group of former medical students results in a flood of bitter memories.
Adel Karam: Live from Beirut
Which part of a sheep is tastiest? What's so funny about funerals? A Lebanese comic answers your burning questions!
Face à la mer
Raymond Depardon had photographed the city of Beirut before it was destroyed and rebuilt. He films a long take of his photographs, like a circular panorama, producing a videoclip for the song "Face à la mer" by french rock band Les Negresses Vertes.
Homeland Gone
Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective identity to thrive as a community, politicians use the sectarianism for their corrupt ambitions. Unless there is a change, Lebanon will be lost forever.
Screaming in a Bottomless Ocean
A couple living together in an apartment in the city face a hard decision after an ambiguous turn of events.
나는 보고 싶다
July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...
Blind Flight
The true story of Irishman Brian Keenan and Englishman John McCarthy's extraordinary relationship as hostages of militias in Lebanon during the 1979-91 Civil War.
Alone with War
Beirut is a wonderful town. It's like you're at the center of everything. In Beirut, between 1975 and 1990, there was a civil war, everybody wanted to exterminate everybody. Today, war is over. It stopped a day, like that, after having corrupted our lives. I wanted to shoot the void it had left. Its ghostly presence. That wound...
Granular Film - Beirut
The capital of Lebanon burns through photo-chemical manipulation, specifically variations on Mordançage and Chromaflex film processing techniques. Still, the images from one of the oldest cities in the world remain recognizable... The footage is almost entirely edited in camera. The sound design includes field recordings, modular synthesizers, and Buzuk samples by Bob Lachapelle.