Hundred Faces for a Single Day (1972)

O governo israelense envia uma missão secreta de retaliação para matar onze pessoas ao redor do mundo depois que terroristas palestinos assassinam onze atletas israelenses nas Olimpíadas de Munique em 1972.

Aos doze anos, Zain carrega uma série de responsabilidades: é ele quem cuida de seus irmãos no cortiço em que vive junto com os pais, que estão sempre ausentes graças ao trabalho em uma mercearia. Quando sua irmã de onze é forçada a se casar com um homem mais velho, o menino fica extremamente revoltado e decide deixar a família. Ele passa a viver nas ruas junto aos refugiados e outras crianças que, diferentemente dele, não chegaram lá por conta própria. Sobrevive graças à sua esperteza nas ruas, cuida da refugiada etíope Rahil e seu bebê Yonas. É preso por um crime violento e, enquanto cumpria uma pena de cinco anos, ele processa seus pais por negligência.

Um diplomata americano foge do Líbano em 1972 depois de um trágico acidente em sua casa. Dez anos depois, ele é chamado de volta para a cidade de Beirute para negociar a vida de um amigo que deixou para trás.

Naomi, an Israeli Mossad agent, is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn.

In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.

Disillusioned with his life in the suburbs of segregated Beirut, Omar's unusual discovery lures him into the depth of the city. Immersed into a world that is so close yet so isolated from his reality, he finds himself struggling to keep his attachments, his sense of home.

A couple of beautiful girls are murdered while sunbathing at a luxury hotel. The killer too is murdered, but able to reveal – before dying - that they were disposed of because the “knew too much”. Something bad is being planned in Beirut, and it has something to do with a man called The Sheikh, who has only four fingers. It seems this isn’t a lone incident. The Sheikh is also thought to be behind the assassination of several prominent scientists.

For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.

A local doctor is recruited as a cold war spy to fulfill a very important secret mission in the Middle East, only to experience that his mission is complicated by a sexy female double agent.

Everything bad that can happen on the way to a party happens to young Tou on this nighttime trip though Beirut.

Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.

The reunion of a group of former medical students results in a flood of bitter memories.

Which part of a sheep is tastiest? What's so funny about funerals? A Lebanese comic answers your burning questions!

Raymond Depardon had photographed the city of Beirut before it was destroyed and rebuilt. He films a long take of his photographs, like a circular panorama, producing a videoclip for the song "Face à la mer" by french rock band Les Negresses Vertes.

Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective identity to thrive as a community, politicians use the sectarianism for their corrupt ambitions. Unless there is a change, Lebanon will be lost forever.

A couple living together in an apartment in the city face a hard decision after an ambiguous turn of events.

July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...

The true story of Irishman Brian Keenan and Englishman John McCarthy's extraordinary relationship as hostages of militias in Lebanon during the 1979-91 Civil War.

Beirut is a wonderful town. It's like you're at the center of everything. In Beirut, between 1975 and 1990, there was a civil war, everybody wanted to exterminate everybody. Today, war is over. It stopped a day, like that, after having corrupted our lives. I wanted to shoot the void it had left. Its ghostly presence. That wound...

The capital of Lebanon burns through photo-chemical manipulation, specifically variations on Mordançage and Chromaflex film processing techniques. Still, the images from one of the oldest cities in the world remain recognizable... The footage is almost entirely edited in camera. The sound design includes field recordings, modular synthesizers, and Buzuk samples by Bob Lachapelle.