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Houses of Poverty (1936)

장르 : 다큐멘터리, 드라마

상영시간 : 29분

연출 : Henri Storck

시놉시스

Borinage left Henri Storck profoundly disturbed by injustice and social poverty. When he was offered a chance to make the film he undertook an in-depth survey into the working class and slums and shouldered his camera as a militant filmmaker. In a plot of Walloon slums he staged characters and situations as examples. All shots work on intensity, the filling of the frame, which gives the impression of being unable to breathe, of being trapped, closed in. And in the face of this overflowing misery is the emptiness of the expressions, the absence of emotion. Survival is all. But the message of hope is there, with the destruction of slums (the hovels are demolished as if getting rid of a tyrant) and the construction of garden cities surrounded by trees in bloom and a future of song, leaves one with the impression that man’s dignity has been safeguarded.

출연진

제작진

Henri Storck
Henri Storck
Director
Henri Storck
Henri Storck
Editor

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오발탄
송철호는 박봉에 시달리는 가난한 계리사다. 양쪽에 난 사랑니로 치통을 앓고 있는 그는 충치 하나 뽑을 여유 없이 하루하루 힘겹게 살아간다. 그에게는 늘 ‘가자’고 외쳐대는 정신이상의 노모와, 영양실조에 걸린 만삭의 아내, 그리고 제대 후 변변한 직장 하나 없이 사고만 연발하는 동생 영호가 있다. 그 외 여동생 명숙과 막내동생 민호, 그리고 신발을 사달라고 졸라대는 어린 딸이 있다. 월급날에도 선뜻 치과에 가지 못하고, 딸아이 사줄 신발을 뒤적거리다가 슬며시 놓아버리고 말 정도로 가난한 살림살이. 명숙은 상이군인으로 제대한 경식과 서로 사랑하는 사이지만 경식은 자신의 아픈 다리 때문에 명숙을 멀리 한다. 결국 양공주로 밤거리에 나서게 되는 명숙. 한편 영호는 다방레지이자 영화배우인 미리에게 영화에 출연할 것을 제의받지만, 자신의 옆구리에 난 관통상 때문인 것을 알고 박차고 나와 버린다. 한편 영호는 우연히 군대시절 야전병원에서 만났던 설희를 다시 만나게 된다. 설희의 집에까지 간 영호는 설희의 옆집에 산다는 시를 쓴다는 청년으로부터 적의에 찬 시선을 받는다. 몇일 뒤 설희와 하룻밤을 보내는 영호. 다음날 설희의 집을 찾아간 영호는 설희가 이웃집 청년에 의해 살해당했음을 알게 된다. 설희의 방에서 실탄이 든 권총을 숨겨가지고 나오는 영호. 영호는 은행을 털 결심을 하고 박하사에게 운전을 부탁한다. 그러나 총소리에 놀란 박하사는 도망가 버리고 영호는 돈이 든 가방을 들고 도주하다가 잡히고 만다. 경찰서에서 집에 돌아온 철호는 출산을 하던 아내가 위독하다는 말을 듣는다. 병원에 달려가나 아내는 이미 숨을 거둔 상태. 철호는 휘청휘청 걷다가 치과에 들어가 사랑니를 뺀다. 다른 쪽도 마저 빼줄 것을 요청하는 철호에게 의사는 출혈이 심해 위험하다며 거절한다. 그러나 철호는 다른 치과에 가서 마저 사랑니를 뺀다. 택시에 올라탄 철호, 노모가 계신 집으로 가다가 다시 방향을 바꿔 경찰서로 가자고 한다.
사랑과 희망의 거리
비둘기를 파는 소년을 충격적으로 묘사한 오시마 나기사 감독의 첫 데뷔작. 비둘기의 귀소본능을 이용해, 같은 비둘기를 몇번이나 팔고 있는 가난한 소년과 부르조아 소녀의 교우를 통해 현대사회의 밑바탕에 숨겨져 있는 계급적인 단절에 절망한다는 충격적인 내용이다. 특히, 소년이 비둘기를 사살한다는 강렬한 라스트 씬과 영화작가의 탄식이 스크린 곳곳에서 신음처럼 들려오는 멋진 작품.