Two Bodies on a Beach (2019)

지난 60여년 동안 연출했던 작품을 통해 그녀의 영화 속에서 살아 숨쉬는 모든 것들과 함께 웃으며 행복해했던 관객들에게 사랑과 기쁨을 전한다!

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.

A woman wakes up on a beach tied in a plastic press wearing only underwear and high heels. “Not again”, she sighs and decides to track down the enemy and strike back. She gets a companion from an older woman, who has been pushed to the borders of society. During their journey through classical cinematic landscapes these nameless women from different generations struggle to connect and understand each other’s perspectives while their passion for men and male attention gets in away.

Short film version of the app – loosely based on tarot – the maker developed as a graduation project. Barbie dolls and Lego versions of Bert and Ernie play the lead roles. Instagram filters give them all sorts of layers, emotions, and identities. The game enables players to discover their life’s goal.

How to ride a mechanical bull and not care that everyone is picturing you naked.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

$avy investigates the historical, cultural, and societal norms around women and money.

According to Emma Pine (direction), Assumptions is a short film focusing on a young female point of view and her emotional behaviour. It aims to showcase the standards set for all women regarding appearance, emotion and attitude in everyday environments which ultimately condition them and the way they express themselves.

Noah, an insecure middle schooler, struggles to make sense of a momentary blackout she suffers from. Her mother who has already made her own assumption of the incident, seeks the help of Noah's sister.

'Cold Lands' makes a personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extension ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home.

History of Dutch women working behind the scenes of moviemaking.

UFO가 지구에 접근하자 이를 발견한 관측소의 과학자들은 즉시 정부에 알린다. 워싱턴을 계속 하강하는 UFO와 전군에 내려진 비상 계엄령. 탱크를 비롯하여 중화기로 무장한 군대가 UFO의 도착 예정지를 향해 출동한다. 마침내 UFO는 워싱턴의 한 공원에 착륙하고 이를 포위한 군대는 발포 준비를 한다. 이때 UFO에서 한 남자가 걸어 나와 무장을 해제하고 그들에게 대화를 요구한다. 그러나 한 군인이 당황하여 총을 쏘고 부상을 당한 외계인은 자리에 쓰러진다. 이때 UFO에서 나와 무장군인들을 향해 광선을 발사하는 로봇 한순간에 탱크를 비롯한 무기들이 녹아 내리고 UFO를 둘러싸고 있던 군중들은 혼비백산하여 도망간다. 다시 로봇이 무기를 빼앗긴 군인들을 향해 광선을 발사하려 하려는 순간 이를 저지하는 외계인. 곧이어 앰블 런스가 달려오고 그는 군인병원으로 호송된다. 그날밤, 외계인은 백악관에서 찾아온 사람들에게 대통령과의 면담을 요청하지만 그뜻이 무시당하자, 외계인은 병원을 탈출하는데...