Two Bodies on a Beach (2019)

Агнес Варда, фотограф, художник по инсталляции и пионер французской новой волны, является вехой французского кино. Занимая место на театральной сцене, она использует фотографии и отрывки из фильмов, чтобы дать представление о своем неортодоксальном творчестве.

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.

A woman wakes up on a beach tied in a plastic press wearing only underwear and high heels. “Not again”, she sighs and decides to track down the enemy and strike back. She gets a companion from an older woman, who has been pushed to the borders of society. During their journey through classical cinematic landscapes these nameless women from different generations struggle to connect and understand each other’s perspectives while their passion for men and male attention gets in away.

Short film version of the app – loosely based on tarot – the maker developed as a graduation project. Barbie dolls and Lego versions of Bert and Ernie play the lead roles. Instagram filters give them all sorts of layers, emotions, and identities. The game enables players to discover their life’s goal.

How to ride a mechanical bull and not care that everyone is picturing you naked.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

$avy investigates the historical, cultural, and societal norms around women and money.

According to Emma Pine (direction), Assumptions is a short film focusing on a young female point of view and her emotional behaviour. It aims to showcase the standards set for all women regarding appearance, emotion and attitude in everyday environments which ultimately condition them and the way they express themselves.

Noah, an insecure middle schooler, struggles to make sense of a momentary blackout she suffers from. Her mother who has already made her own assumption of the incident, seeks the help of Noah's sister.

'Cold Lands' makes a personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

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A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extension ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home.

History of Dutch women working behind the scenes of moviemaking.

В разгар холодной войны в Вашингтоне совершает посадку летающая тарелка: в ней прибывают посланник Клаату и его могучий робот Горт, делегированные федерацией планет, чтобы поставить народам Земли ультиматум о прекращении ядерных испытаний. Запаниковавшие военные открывают по космолету огонь и ранят посланника. Клаату осознает, что единственный способ договориться с землянами — это узнать их изнутри: он совершает побег из госпиталя и начинает собственное исследование планеты.