Two Bodies on a Beach (2019)

Agnès Varda presenta su nuevo documental en el que sigue demostrando que es toda una institución del cine francés, pero una oponente dura contra cualquier tipo de pensamiento institucional. Utilizando sus propias obras, Varda trata de ilustrar sus visiones e ideas y, también su vida. Una vida dividida en dos partes: en primer lugar, el período analógico (1954-2000), en el que se propuso cambiar la idea del cine y los documentales de ficción, y la segunda etapa (2000-2018) para explicar cómo la tecnología digital ha resultado ser un arma más con la que poder explicar el mundo que la rodea.

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.

A woman wakes up on a beach tied in a plastic press wearing only underwear and high heels. “Not again”, she sighs and decides to track down the enemy and strike back. She gets a companion from an older woman, who has been pushed to the borders of society. During their journey through classical cinematic landscapes these nameless women from different generations struggle to connect and understand each other’s perspectives while their passion for men and male attention gets in away.

Short film version of the app – loosely based on tarot – the maker developed as a graduation project. Barbie dolls and Lego versions of Bert and Ernie play the lead roles. Instagram filters give them all sorts of layers, emotions, and identities. The game enables players to discover their life’s goal.

How to ride a mechanical bull and not care that everyone is picturing you naked.

Soledad es una mujer joven que retorna a la casa de su abuela después de años de no haber tenido comunicación con su familia. Ella desea conectarse con la naturaleza, las prácticas espirituales de su familia y con su hermana con quien nunca desarrolló una relación. A su vez busca la manera de sanar el duelo de la muerte de hace años de su madre. Soledad se dará cuenta que el proceso es largo y agotador y la llevará a re conectarse con las personas a su alrededor y con ella misma.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

$avy investigates the historical, cultural, and societal norms around women and money.

According to Emma Pine (direction), Assumptions is a short film focusing on a young female point of view and her emotional behaviour. It aims to showcase the standards set for all women regarding appearance, emotion and attitude in everyday environments which ultimately condition them and the way they express themselves.

Noah, an insecure middle schooler, struggles to make sense of a momentary blackout she suffers from. Her mother who has already made her own assumption of the incident, seeks the help of Noah's sister.

Un viaje geográfíco y un viaje a través de las imágenes. Paisajes que observar y que dialogan con los paisajes ya observados en el cine de Theo Angelopoulos, Bego Vicario, Ruth Hillarp o Wim Wenders.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

La confiabilidad de la emitía está siendo cuestionada cuando, en el mundo altamente construido de Old Hollywood, la cineasta recuerda los recuerdos de su hogar de la infancia.

History of Dutch women working behind the scenes of moviemaking.

El mundo entero queda conmocionado el día en que, sin previo aviso, un O.V.N.I. aterriza en Washington y de él sale Klaatu, un alienígena de aspecto humano, acompañado de Gort, un androide. Klaatu pide reunirse simultáneamente con todos los gobernantes de la Tierra, para entregarles un mensaje muy importante, pero su petición es rechazada. Klaatu se da cuenta de que necesita comprender mejor cómo viven los humanos y, para ello, se hospeda en la casa de una mujer, madre de un chico, con el que Klaatu traba amistad.