허블 우주 망원경을 수리하기 위해 우주를 탐사하던 라이언 스톤 박사는 폭파된 인공위성의 잔해와 부딪히면서 우주 공간에 홀로 남겨진다. 탑승했던 왕복선은 파괴됐고 산소는 희박해져간다. 홀로 남겨졌다는 공포가 그녀를 휘감아 가던 순간, 그녀의 앞에 베테랑 동료 우주비행사인 매트 코왈스키가 구세주처럼 나타난다. 인공위성의 잔해가 지구를 한 바퀴 돌아 다시 덮쳐오기까지 걸리는 시간은 단 90분. 그 전에 그들은 우주 왕복선과 가까이 있는 ISS로 이동해서 소유즈를 활용해 지구로 귀환하기로 하는데...
모두가 갈망하는 공중도시와 그들을 위해 존재하는 고철도시로 나누어진 26세기. 고철 더미 속 모든 기억을 잃은 채 깨어난 알리타는 마음 따뜻한 의사 이도의 보살핌으로 새로운 삶을 시작한다. 이도는 사이보그인 알리타에게 특별한 과거의 비밀과 영혼이 존재한다는 사실을 깨닫고 미스터리한 과거로부터 그녀를 지키고자 한다. 한편 새로운 친구 휴고는 알리타가 위험한 고철도시를 헤쳐나갈 수 있는 방법과 함께 기억을 되찾도록 돕는다. 알리타가 자신의 과거에 다가갈수록 도시를 지배하는 악랄한 세력들이 그녀를 노리며 제거하려고 하는데...
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An Italian parody of the biggest U.S. blockbusters such as "Gladiator, " "Harry Potter", "Fast and Furious" and "The Da Vinci Code".
영화 《크레이지 리치 아시안》의 홍콩 갑부로, 미국의 코미디 뉴스쇼 《데일리 쇼》의 기자로 유명한 로니 쳉. 그가 미국을 사랑하는 이유는? 많은 사람들이 미국에 건너와 살고 싶어 하는 까닭은? 그의 신랄하고 진솔한 대답을 듣는다.
까오예는 부모님의 비행기 사고로 엄청난 재산을 상속받지만 도박으로 전재산을 날리고 싸움에 휘말려 감옥 신세를 진다. 출소 이후 초라한 삶을 사는 까오예는 어느 날, 방을 잘못 찾아온 매춘부 모모와 만나게 된다. 그녀의 돈을 배로 불려 주겠다고 유혹하는 까오예. 자신만만하게 카지노 게임을 하지만 결국 모든 돈을 잃은 그들은 점점 더 위험한 게임에 빠져든다. 한편 하룻밤 새 가까워진 둘 사이에는 알 수 없는 미묘한 기류가 흐르기 시작하는데…
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.
In this one-of-a-kind fantasy comedy, Didi is an aspiring actress trying to prove herself to her superstar sister. She keeps having the same dream about love affairs of a woman named Xu Chunmei, who owns a spaceship restaurant known for a noodle soup with ancestral secret recipe. After overcoming countless hardships, Didi finally gets her long expected career breakthrough, but life takes unexpected turns at the same time and the truths about her dreams start to unveil. A hilarious and tearful ode to the golden age of local variety entertainment, reputed TV host and best-selling author Kevin Tsai's directorial debut stars his longtime partner Dee Hsu(Little S) in the most influential TV show in the Chinese speaking world, Kangsi Coming.
Chan is a Chinese factory worker who lives alone. Every night, she suffers from horrific nightmares involving the woman in the apartment next door, a Japanese office lady.
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
Shortly after The Third Solar Term of the Chinese Calendar (the Awakening of Insects), Qizhe returns home to spend his spring break with his mother. After meeting a man who he originally met online, he begins to lose control of his double life- one which is living true to himself, and the other, which is pretending to be the perfect son.
When a mysterious person gatecrashes Madhav and Sufi's wedding, the couple are forced to face past secrets and reevaluate their definitions of what makes a family.
A self-portrait short film on 16mm from a trans male perspective.
A 3-D short subject in which the narrator goes to a creepy old house in search of his missing aunt. There he encounters the Frankenstein monster, a witch, a wooden Indian who comes to life, and assorted other monsters and frightening characters, all of whom manage to throw something toward the camera.
An inventor makes contact with Mars via television. The film is notable for using the 3-D process called Teleview, similar to today's alternating frame 3-D systems. Shown in 3-D only at the Selwyn Theater in New York City, it was previewed as Mars Calling at a trade and press screening on 13 October 1922, premiered as M.A.R.S. on 27 December 1922, and ran through 20 January 1923. A 2-D version was distributed as Radio-Mania in 1923–1924.
In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.
Once finished her studies and the stage in the U.S.A., Jane Dimao returned to her town in Asia, to start her profession as psychologist with the specialization in woman's sexual pathologies. In carrying out her activity , Jane will have the opportunity to face with different patients, anyone of them with different sexual problems. Her involvement towards her patients background and the reading of the book she wrote with her good friend and teacher Nicole Wilson, will bring her to experience the same stories being told by her patients. That's why Jane will find herself committed in different sexual situations with no limits to her transgression. This will make her aware of an unknown deep part of herself. She will be abused… she will prostitute herself in a brothel in the outskirts of her town… she will give herself to strangers in a partners swingers club... she will experience sex in all its aspects.
다리밑에서 꽃을 팔던 가난한 소녀 미도리는 홀어머니가 돌아가시자 어느 서커스단에게 팔려가게 된다. 하지만 이 서커스단은 프릭쇼라는 기형적인 사람들을 구경거리로 삼는 곳이였다. 이곳에서 미도리는 매일 단원들에게 학대를 당하게 되는데...
킴은 딸을 생각하는 싱글맘이고, 딸인 헤일리는 남자친구와 데이트를 하고 자정에 키스를 하고 싶어한다. 도시의 연례 전통인 타임스퀘어에서 볼 떨어뜨리기를 담당하게 된 클레어는 일이 잘못 되어가자 자신이 해고 시켰던 전기수리공을 다시 불러 그것을 수리하게 한다....
