Armenia (2006)

히로시마 원자폭탄 10배의 위력을 지닌 지진이 닥치고 아르메니아의 300개에 달하는 도시들이 지구상에서 사라졌다. 폐허가 된 도시 ‘레니니칸’에 가족을 찾으려는 사람들이 모이기 시작하고 과거 군인이었던 ‘콘스탄틴’의 지휘로 구조를 시작하는데…

On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute power in his post-soviet nation. With total access to all key players, this documentary tells the story of what happened in the next 40 days.

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.

Artyom (Armen Dzhigarkhanyan) is a scientist who buries himself in his work after the woman he loves dies during the war. He is informed of his sweetheart's death by a young woman, and soon love blossoms between the lonely doctor and the emerging beauty. This is the big-screen debut of Margarita Terekhova in the popular film that was seen by over 20 million in the USSR.

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

In search of the truth behind the story of Noah's Flood, Joanna Lumley and her team examine the theory that Noah's Ark was preserved on Mount Ararat, in Turkish Armenia.

Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

The feature film is based on true events that changed two families forever. The story, both comical, satirical and a tragedy begins in the city of Yerevan, Armenia. Grigor Janoyan, a professor of agriculture at the University of Yerevan, dies from a freak accident, almost as strange as the events that soon follow. In accordance with Armenian tradition, the relatives bring the deceased into their home for the "viewing" by his friends and family before the burial. The family, consumed with grief fails to realize that the body on the dining room table is not Grigor. A friend of the family, while paying respects, discovers the mistake. Grigors look-a-like, Ruben Pashayan was the head of Armenia's organized crime families. Trouble is inevitable, but as the story continues, Grigor's son Hayk and his friends begin the quest of finding his father's body.

Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.

Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.

The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.

Inspired by true events, this is a film about a childhood friendship, torn apart by the horrific Hamidian massacres infiltrated by the Ottoman Empire under the rule of Sultan Abdul Hamid II (1894-1896).

Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.