Robert Guédiguian

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

A young couple whose relationship is challenged when the husband is rendered impotent after being shot at the front.

The heroine of this film is immortal. She is over 2600 years old. This is the self-portrait of the oldest city in France. A city whose landscapes bear the scars of a destiny that has spared it no trials. Gateway to the Orient, crossroads of trade and immigration, Marseille is a mosaic with 111 districts and 200 nationalities. Rebellious, chaotic, in turn desired, torn apart, transformed, it is reborn each time from its ashes. Marseille tells us more about the history of France and sheds light on what France is today.

Mali, 1960. The youth of Bamako dance the twist to rock and roll music newly imported from the West and dream of political renewal. Samba, a young socialist, falls for spirited Lara during one of his missions to the bush. To escape her forced marriage, she secretly flees with him to the city. But Lara’s husband won’t let them be and the Revolution soon brings painful disillusions as they dream of a future together.

Mali, 1960. The youth of Bamako dance the twist to rock and roll music newly imported from the West and dream of political renewal. Samba, a young socialist, falls for spirited Lara during one of his missions to the bush. To escape her forced marriage, she secretly flees with him to the city. But Lara’s husband won’t let them be and the Revolution soon brings painful disillusions as they dream of a future together.

Mali, 1960. The youth of Bamako dance the twist to rock and roll music newly imported from the West and dream of political renewal. Samba, a young socialist, falls for spirited Lara during one of his missions to the bush. To escape her forced marriage, she secretly flees with him to the city. But Lara’s husband won’t let them be and the Revolution soon brings painful disillusions as they dream of a future together.

백수나 다름없지만 사랑스러운 배우 에티엔은 감옥에서 연극 워크숍을 운영한다. 그곳에서 연극과는 어울리지 않는 수감자들을 모아 사뮈엘 베케트의 유명한 희곡 고도를 기다리며를 상연한다.

20년 간의 수감 생활을 마치고 돌아온 다니엘은 이미 재혼해 가정을 꾸린 아내 실비와 재회한다. 모두의 축복 속에 아기 글로리아가 태어났지만, 예상치 못한 사고, 숨겨져 있던 비밀이 폭로되며 가족들을 벼랑 끝으로 몰기 시작하고 다니엘은 마지막 선택을 해야한다. 가족들을 위해, 글로리아를 위해.

20년 간의 수감 생활을 마치고 돌아온 다니엘은 이미 재혼해 가정을 꾸린 아내 실비와 재회한다. 모두의 축복 속에 아기 글로리아가 태어났지만, 예상치 못한 사고, 숨겨져 있던 비밀이 폭로되며 가족들을 벼랑 끝으로 몰기 시작하고 다니엘은 마지막 선택을 해야한다. 가족들을 위해, 글로리아를 위해.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

1844년, 아내 예니와 함께 프랑스 망명길에 오른 26세의 카를 마르크스. 파리에서 공장주의 아들이면서도 노동자 계급에 대해 연구하는 프리드리히 엥겔스를 만나게 되고, 엥겔스는 마르크스가 새로운 세계의 비전을 구상하는 것에 영향을 미친다. 수많은 폭동과 정치적 격변 속에서 경찰의 검열과 급습에 맞서 당시 체계적이지 않았던 노동운동을 주도하게 되는 두 청년! 르네상스 이후 가장 완전한 이론적, 정치적 변화를 이끈 오만하지만 열정적이며 뛰어난 통찰력을 지닌 역사적 인물, 카를 마르크스와 프리드리히 엥겔스! 두 친구의 젊은 날의 이야기가 시작된다.

Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.

Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.

Ariane is having her birthday party but no one comes. She decides to leave at the seaside and take part with her life that disappointed her.

Ariane is having her birthday party but no one comes. She decides to leave at the seaside and take part with her life that disappointed her.

Ariane is having her birthday party but no one comes. She decides to leave at the seaside and take part with her life that disappointed her.

척박한 땅에서 선과 악이 대립하는 코믹한 ‘쿠르드 웨스턴’. 사담 후세인의 몰락 후, 쿠드르족의 전쟁 영웅이자 경찰인 바란과 초등학교 교사 고벤드는 부패한 부족장이 지배하는 터키 국경의 무법지대로 파견된다. 그곳에서 그들은 환영 받지 못하는 이방인일 뿐이다.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

Lyon, France in 1970s, Sibylle, Corinne, and Georgette are sisters who share everything, as they live with their Italian mother. Sibylle is the only blonde in the family, except for their father who abandoned them, and she feels isolated. She dreams of meeting her French father one day.

2차 대전 중 독일군 점령하의 파리. 아르메니아에서 망명한 시인 미삭 마누치안은 이상을 위해 죽는 것과 사람을 죽이는 것은 별개라고 생각하지만, 외국인 젊은이들로 구성된 레지스탕스를 이끌게 되면서 이상과 현실이 다르다는 것을 깨닫는다. 그의 활약으로 레지스탕스 내에는 그의 이름을 딴 마누치안 네트워크까지 생겨나게 되고, 나치군은 프랑스 경찰과 협력해서 그들을 소탕하기 시작한다. 나치 점령 당시 파리에서 활동했던 외국인 레지스탕스의 실화를 바탕으로 한 감동 대작. (2010년 4회 서울충무로국제영화제)

2차 대전 중 독일군 점령하의 파리. 아르메니아에서 망명한 시인 미삭 마누치안은 이상을 위해 죽는 것과 사람을 죽이는 것은 별개라고 생각하지만, 외국인 젊은이들로 구성된 레지스탕스를 이끌게 되면서 이상과 현실이 다르다는 것을 깨닫는다. 그의 활약으로 레지스탕스 내에는 그의 이름을 딴 마누치안 네트워크까지 생겨나게 되고, 나치군은 프랑스 경찰과 협력해서 그들을 소탕하기 시작한다. 나치 점령 당시 파리에서 활동했던 외국인 레지스탕스의 실화를 바탕으로 한 감동 대작. (2010년 4회 서울충무로국제영화제)

Centers on three childhood friends: Muriel, Francois and Rene. Partners in crime (burglaries, to be precise), the three end their "criminal" activities after one of their attempted burglaries fails. They vow never to see each other again until, however, Muriel's son is kidnapped, which leads the three to join forces again to get the ransom money.

Centers on three childhood friends: Muriel, Francois and Rene. Partners in crime (burglaries, to be precise), the three end their "criminal" activities after one of their attempted burglaries fails. They vow never to see each other again until, however, Muriel's son is kidnapped, which leads the three to join forces again to get the ransom money.

It’s summer and the beginning of the long vacation period for eleven-year-old Martin, who lives on a farm, and, at a loss, observes his family’s disintegration : his mother lives locked-up in her room ; his older brother, who he adores, drowns himself in drink ; and his father, dominated by Martin’s grandmother, is a helpless onlooker to the family’s collapse. Although Mistigri, his cat, and Malika, the Moroccan maid, afford him some comfort, Martin is determined to put an end to this confusion.

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

A young journalist (Lespert) helps the French President compile his memoirs.

Her parents and a former lover try to help a woman out of an apparently unjustified catatonic condition.

For over twenty years, Robert Guédiguian has been making films that occupy an essential place in French cinema. In film after film, he evokes the social chronicle of his working-class childhood. We witness an adventure rich in reflections on the film director’s profession, political commitment, the intimate relation between real and fictional characters, and a shared desire to create.

착실한 남편과 안정적인 가정을 가진 마리-조(아리안 아스카리드)는 1년 전부터 마르코(제라르 메이랑)라는 남자를 사랑하게 되지만, 여전히 남편인 다니엘(장-삐에르 다루셍)과의 관계도 흠잡을 곳 하나없이 원만한데...

착실한 남편과 안정적인 가정을 가진 마리-조(아리안 아스카리드)는 1년 전부터 마르코(제라르 메이랑)라는 남자를 사랑하게 되지만, 여전히 남편인 다니엘(장-삐에르 다루셍)과의 관계도 흠잡을 곳 하나없이 원만한데...

착실한 남편과 안정적인 가정을 가진 마리-조(아리안 아스카리드)는 1년 전부터 마르코(제라르 메이랑)라는 남자를 사랑하게 되지만, 여전히 남편인 다니엘(장-삐에르 다루셍)과의 관계도 흠잡을 곳 하나없이 원만한데...

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

Two friends with very different personalities decide to write a script for a movie. Their discussions and confrontations are constant, but the story slowly takes shape around a poor family that has a small car repair business. Times are hard and will have to fight to prevent a multinational tear down the garage.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

How the mothers of a deprived suburb of Marseille will create a solidarity committee under the aegis of the parish priest. Gathered in assembly, they will invent a solution to the endemic misery of their city.

Three men and a woman from a city in the south of France made a pact as teenagers to never forget that they were children of the poor.

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.

Everybody takes advantage of Fernand who has just come out of prison.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.