Gérard Meylan

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

20년 간의 수감 생활을 마치고 돌아온 다니엘은 이미 재혼해 가정을 꾸린 아내 실비와 재회한다. 모두의 축복 속에 아기 글로리아가 태어났지만, 예상치 못한 사고, 숨겨져 있던 비밀이 폭로되며 가족들을 벼랑 끝으로 몰기 시작하고 다니엘은 마지막 선택을 해야한다. 가족들을 위해, 글로리아를 위해.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

남프랑스 시골 마을에서 만난 두 소년, 화가를 꿈꾸는 폴과 글을 쓰는 에밀은 어린 시절부터 희망, 좌절, 꿈과 사랑까지 모든 것을 공유한다. 서로를 동경하고 무척 아끼면서도, 냉혹한 평가 또한 서슴지 않으며 함께 성장하는 두 사람은 청년이 된 후, 파리에서 다른 예술가들과 교류하며 화가와 작가의 길로 들어선다. [테레즈 라캥], [목로주점] 등을 출간하며 명성을 쌓는 에밀과 천재적인 재능이 있음에도 세상의 인정을 받지 못하는 폴. 한때는 모든 것을 함께했지만, 엇갈리는 운명을 맞이하고 에밀이 비참한 화가를 주인공으로 한 소설을 발표하자 폴은 에밀을 찾아가는데...

1975년 프랑스, 마피아들 간의 피 비린내 나는 영역싸움과 10대들에게까지 마약이 퍼진 무법천지 마르세유. 조직범죄 담당 치안 판사로 승진한 ‘미셸’(장 뒤자르댕)은 ‘프렌치 커넥션’ 사건을 맡아 마약 범죄를 뿌리뽑기 위한 전쟁을 시작한다. 그는 마르세유를 장악하고 대량으로 헤로인을 제조해 미국까지 유통하는 악명 높은 ‘잠파’(질 를르슈) 조직을 소탕하기 위해 고군분투한다. 하지만 작전은 번번히 실패하고 경찰 내부까지 마피아 조직과 결탁한 세력이 있다는 것을 알아챈다. 그러나 결정적인 단서를 찾지 못한 채 수사는 미궁 속으로 빠져든다. 어느 날, 미국에서 ‘잠파’ 조직의 단서가 발견되면서 ‘미셸’은 다시 팀을 꾸려 수사를 진행한다. 궁지에 몰린 조직원들은 최후의 방법을 강구하게 되고, 이 칼날은 예상치 못한 방향으로 향하게 되는데…

Ariane is having her birthday party but no one comes. She decides to leave at the seaside and take part with her life that disappointed her.

Nono, a Dutch kid lacking two days being thirteen, runs away from problems at home and, disguised as a girl, takes up with the world's cleverest thief, who unbeknownst to Nono, may hold the bizarre key to his true identity.

Lucas and his team are after a gang of Serbian criminals using NATO-issued weapons. As the investigation leads him to Paris, Lucas attempts to reconnect with his estranged daughter, a young narc officer.

February 25, 1994, Yann Piat is executed at point blank range by two gunmen on a motorcycle. Its first victories for the FN in 1986 to his ambition in 1994 to take the town hall of Hyères under the banner of the UDF, Yann Piat methods and a speech that upset both policies, businessmen, and middle.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

Centers on three childhood friends: Muriel, Francois and Rene. Partners in crime (burglaries, to be precise), the three end their "criminal" activities after one of their attempted burglaries fails. They vow never to see each other again until, however, Muriel's son is kidnapped, which leads the three to join forces again to get the ransom money.

This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

Her parents and a former lover try to help a woman out of an apparently unjustified catatonic condition.

For over twenty years, Robert Guédiguian has been making films that occupy an essential place in French cinema. In film after film, he evokes the social chronicle of his working-class childhood. We witness an adventure rich in reflections on the film director’s profession, political commitment, the intimate relation between real and fictional characters, and a shared desire to create.

Eric returns to his hometown to marry Edith. A beautiful summer, a woman he loves, a beautiful wedding: everything is in place for the party to be successful. But Eric's mother and brother disappear and his father remains imperturbable.

착실한 남편과 안정적인 가정을 가진 마리-조(아리안 아스카리드)는 1년 전부터 마르코(제라르 메이랑)라는 남자를 사랑하게 되지만, 여전히 남편인 다니엘(장-삐에르 다루셍)과의 관계도 흠잡을 곳 하나없이 원만한데...

Jean-Henri Roger's Lulu stars Elli Medeiros as the title character. Lulu is a transsexual who lives with John (Gerard Meylan). One of the town drunks she serves at her bar accuses her of killing a local criminal. A detective (Bruno Putzulu) starts a quirky investigation into the charge. A journalist (Jean-Pierre Kalfon) with affectionate feelings for Lulu figures in the plot. Lulu was shot on Digital Video.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Three men and a woman from a city in the south of France made a pact as teenagers to never forget that they were children of the poor.

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

Max, who dreams of adventures, abandons his studies at 18 to become involved in the navy. He becomes the sailor 512.

Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.