Kent Jones

다이앤은 매사추세츠 서부에서 홀로 살아가며 언제나 스스로는 뒷전으로 둔 채, 다른 사람을 챙기며 하루하루 살아간다. 강물처럼 빠르게 흘러가는 시간 속에서 그녀는 돌이켜본 자신의 인생이 눈앞에서 소멸해가는 모습을 지켜본다. 영화는 평범한 동시에 비범한 경험을 하는 한 여성의 삶을 추적한다.

다이앤은 매사추세츠 서부에서 홀로 살아가며 언제나 스스로는 뒷전으로 둔 채, 다른 사람을 챙기며 하루하루 살아간다. 강물처럼 빠르게 흘러가는 시간 속에서 그녀는 돌이켜본 자신의 인생이 눈앞에서 소멸해가는 모습을 지켜본다. 영화는 평범한 동시에 비범한 경험을 하는 한 여성의 삶을 추적한다.

Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale discuss the unique qualities of "Johnny Guitar," its lasting appeal and the influence the film had on some prominent directors during the years.

Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale take a closer look at the feminist overtones in "Johnny Guitar."

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

1962년, 프랑수아 트뤼포는 알프레드 히치콕에게 일주일에 걸친 긴 인터뷰를 제안한다. "새", "싸이코", "현기증", "이창" 등 숱한 명작을 남긴 ‘서스펜스의 대가’ 알프레드 히치콕과 그런 히치콕을 흠모했던 씨네필이자 ‘누벨바그의 기수’였던 프랑수아 트뤼포. 일주일간의 대화 속에서 드러나는 히치콕의 작품세계와 두 감독의 우정!

1962년, 프랑수아 트뤼포는 알프레드 히치콕에게 일주일에 걸친 긴 인터뷰를 제안한다. "새", "싸이코", "현기증", "이창" 등 숱한 명작을 남긴 ‘서스펜스의 대가’ 알프레드 히치콕과 그런 히치콕을 흠모했던 씨네필이자 ‘누벨바그의 기수’였던 프랑수아 트뤼포. 일주일간의 대화 속에서 드러나는 히치콕의 작품세계와 두 감독의 우정!

독보적인 스타일로 새로운 영화 문법을 탄생시킨 천재 감독, 그러나 그 외에는 거의 알려진 것이 없는 은둔 아티스트. 신비로운 베일에 싸인 그는 대체 누구인가?

The story of Picard, a Plains Indian of the Blackfeet nation, as he returns from WWII and begins experiencing unexplainable symptoms shortly thereafter. He travels to the famous Winter Hospital in Topeka, Kansas, where he meets Devereux, thus beginning a professional and personal friendship guided by compassion and understanding of Native American culture.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Film-maker Martin Scorsese looks back over the impact of The Statue of Liberty on the twentieth century, her evolution and what she meant to people of the past and what she continues to mean after September eleventh, 2001.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.