Baran Kosari

This is the story of Fahimeh Akbari, a leading lady in the musical and cultural history of Iran, an exceptional talent whose magical voice and unique style enriched both the folklore and urban musical landscapes of Iran, a pioneer who breathed new life into the music scene by introducing and marrying European tunes and rhythms with that of Gilan, Iran. Fahimeh Akbari, a figure so remarkable and revolutionary that her marked absence seems almost mythical. A familiar tale of a female artist mysteriously forgotten and seemingly erased from history books.

A man loses the ability to cry after the death of his younger brother. As he deals with grief and the separation from his wife, he tries to reconcile his job at a football website with depression and a lack of meaning in life.

Ahmad is a psychiatrist, believing in the treatment of the soul with the medicine in a positivistic and laboratorial way. But when his wife goes missing, he gets involved in his own delusions. Trying hard to find a trace of her, he goes to all of his friends. He desperately tries to act as a very democratic person, giving priority to his wife’s joy and pleasures. He is even willing to show that he would be happy if his wife marries one of his friends since he thinks the other one would be able to make her happier. But it seems that she’s notified that the matter of her happiness is absolutely not dependent on a “man”. Thus he sees that all his scientific beliefs are collapsed…

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...

The film is about a literature and sports teacher who has a karate class and his eyes are on the divorced mother of one of his students. But a whole other strange thing happens and even the foot of Jamshid Hashempour, the star of Iranian action movies of those years, opens up to the story and the cases become so complicated that you do not expect it.

얼마 전 프랑스에서 추방당한 아미르는 이란으로 돌아온 지 얼마 되지 않아 당장 변변한 직업이 없다. 항상 불만이 많은 아버지와 사이가 좋을 수 없지만 아버지의 집에 얹혀살 수 밖에 없는 상황이다. 어느 날 아버지가 일하는 도살장의 냉동창고에서 시신 여러 구가 발견되고 아버지는 억울하게 누명을 쓸 처지가 된다. 아들은 진범이 누구인지는 모르지만 일단 아버지를 도와 시신들을 은폐한다. 하지만 실종된 아버지를 찾는 딸에게 특별한 감정을 느끼게 되고 비밀을 지켜야 하는 일은 더욱 복잡해진다. 그는 위험한 범죄에 휘말리는 와중에 전세를 역전하려고 한다.

What ordinary people like. What she likes is custom

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

After a long time, three sisters come back to their paternal house. They face a caretaker along with their mother struggling with Alzheimer's. But there is no trace of the father who has disappeared in an early morning. A dead body is found, but none of the sisters are going to identify the body due to the hatred rooted in their hearts. There is a dark secret in the family, but no one intends to talk about it.

Jalal, a dropouts philosophy student, realizes that her sister Mary, who has a Bipolar disease, is married to a bourgeois man named Shahrokh who is addicted to football betting. He left the house angrily, and goes to his friend's house, Bahman, who is an underground composer. He meets a strange taxi driver named Nasser on his way. They spent a strange night together.

Asma's previous suitor Yaser ruins her wedding Ceremony. Her brother Jamal accidentally kills Yaser's brother. Yaser's odd suggestion in order to forgive Jamal, endangers Asma's Marriage.

Iran's national women’s futsal team makes the Asian Games final in Malaysia. But at the airport on departure day, the team captain finds her husband hasn’t signed the document to permit her exit from the country.

A man has returned after a few years of separation from his family and wants to take back his house from his wife, son, daughter-in-law, and grandson. His son, who farms leeches in the basement and hopes to get rich by doing that, tries to reconcile his father with his mother to stay at home, but his mother intends to marry someone else. The grandson who is just 9 years old, falls in love with his teacher at school and this causes problems in both the boy and the teacher's family.

It is few days left to Amir's 40th birthday but an incident enters him into a big crisis which makes him to begin searching for a solution.

Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.

The story narrates the story of the life of a nursing woman who lives with her child in special circumstances, and she experiences adventures due to events and mistakes.

Qasem is a roadblock employee at the municipality, trying to improve his life while facing problems with his wife Narges.

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

Revenge may have irreversible consequences.

Twelve strangers embark on the Trans-Asia Express, a four-day train journey from Tehran to Istanbul. But not everyone is who they pretend to be or seem to be,

Two families who live in neighborhood in south of Tehran have different looks to life. These differences make some troubles for both.

The depressed Shirin wanders around at her father's funeral. Unexpectedly, she sees a man very much like her father. Regardless of her uncle's objection, Shirin is enchanted by the idea of finding out that man. Reluctantly, her uncle acknowledges that the man is her father's illegitimate child. Looking at gloomy daughter, Shirin's mother tells her about some past events, especially about an unexpected truth that Shirin is her father's adopted daughter. It seems to be clear that Shirin and that man have no blood bond. But her father's mistress tells a different story.

Tuska decides that before her trip to Europe she wants to film Tehran from north to south with her camera. Her brother and friends are accompany her in this. But during that some troubles are happen to them.

An Adopted Movie From Orginal Title 'Lipstick"

I'm not Angry! is the story of Navid, a starred and expelled university student who - while trying to provide the least requirements of a normal life -, tries not to get angry when he is faced with the immoralities prevalent in the society, and does all he can to keep his love, Setareh.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

It is about a boy named Ghahraman who changes his life when he starts working in a laboratory

A young woman fleeing Iran via Turkey will do whatever it takes to reach the West. One evening she meets a young Turkish-Iranian man outside a club in Istanbul and offers to get him into the club for free. A a relationship develops between them and she convinces him to leave Turkey with her. They initially approach a relative of the young man, who owns a carpet shop, to help them escape but between drugs and fiery temperaments things seriously misfire. They then try to to hustle for the money they need to pay for fake passports and visas but in the carpet bazaar of Istanbul they are out of their depth.

The film is about the lives of two affluent families that are collapsing.

Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).

A corrupted police officer insists on bribing a broke man, so he has to go to everybody and do everything in order to be able to pay him in the very night.

A man, who has some kind of a disease and eats a lot, enters a poor and large family to marry their mother.

During the rule of Taliban in Afghanistan, about 3 million illegal Afghani immigrants entered Iran and caused numerous problems for the Iranian society to accept them. This film depicts the story of a 17 year old rural girl by the name of Mahi (Fish), who comes from a war-stricken family in southern Iran. Mahi falls in love with Heiran, an Afghan student who has come to their village to work. However, Mahi's family being strictly against her marriage to Heiran, force Mahi to choose one between her family and an Afghan boy.

A man takes another man's girl as a hostage and goes to a deserted house outside of Tehran. But there another destiny is waiting him.

harming drama set in a rural area of post-war Iran. This heartwarming story follows a thoughtful young woman who serves as a leader to the community and a seemingly naive young man who is smitten with a local girl. The film observes their customs and traditions in the tranquil setting of their natural environment. Despite the irreparable damage to their lives due to the war, the villagers remain warm-hearted and kind to those they encounter. The past haunts their lives, but their hearts remain pure and strong in war torn times.

Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who seems to be his girlfriend and is in need of some money to repair her father's car with which she has had an accident the day before. Each of the house's residents have their own fish to fry and they also want their satellites installed as soon as possible.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Tofigh-e Ejbari is a day-in-the-life of a superstar, Reza, and all the pluses and minuses that such degree of fame brings with it in terms of dealing with friends, family, fans and general public.

During the Iran-Iraq War, a disabled young woman is taken captive by Iraqi Baathist forces in Khuzestan Province. Her brother, along with his fellow combatants, tries to free his sister from the clutches of the enemy.

The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab

As the days of several different people unfold, their separate lives are about to become linked by a tragic car crash which kills two women. Affected by their involvement in the accident in different ways, neither Amir or Mr Naseri will ever be the same again. How will the tragedy affect their relationships with those around them in this absorbing drama? Written by IMVBox.com

Babak is more than just an unemployed engineer living with his parents in his 20s. He possesses a supernatural sense of hearing, so strong he can hear through solid walls and over great distances. But Babak is not the only one with bizarre, unexplained powers. A group of extraordinary individuals begin to emerge and find each other. Will they learn to use their powers for anything other than their own selfish means? With experimental sequences and innovative camerawork, director Iraj Karimi takes a whimsical look at a band of youths brought together through their abilities, but bound by their lack of purpose.

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

A young beautiful lady leaves the overprotective and familiar environment of her hometown and moves to the city to set off her college studies. There, she will have to face a new life alone, with all the experiences and dangers that this may imply.

The manager of a successful travel agency, Arman, has just got away with committing huge financial fraud. Now he intends to flee the country before the authorities can catch up to him.

When forced to divorce his wife by family and social pressure because her mother is a prostitute, Nazar (Khodaparast) works double shifts to pay back the loan he took out for his impulsive wedding and to pay some ongoing restitution to his sweet jilted bride, Reyhaneh (Kosari). When he falls behind in the payments he flees the police and ends up in the desert with an uncommunicative old man (Gharibian) who catches poisonous snakes for their venom. These two are forced to coexist in the desert, because Nazar is unwilling to return to the city and wants to catch snakes to make enough money to settle his debts. His verbose, chattering annoys the reticent old man until Nazar's life is endangered. Written by Maple-2

Documentary by Rakhshan Bani-Etemad, an Iranian female director. This film portrays two aspects of the Iranian presidential election of 2001.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)

Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.

Aboard the top deck of a cruise ship, Baran, a young wealthy girl, notices a native boy who is dancing joyfully to beating drums. Baran arrives at a plush hotel on the mainland, however she seems somewhat disconsolate. Later she finds the native boy again and they begin to bond, playfully exploring the beach resort together. Later, the two go aboard a row-boat and the native dives down into the water to collect a pearl from the seabed for her. However, the ending leaves the audience to wonder if he was a figment of Baran's longing imagination all along. Well-shot and with a strong performance from Baran Kosari, this film perfectly captures the bittersweet pangs of young love.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

A sharp-edged look at people who live outside the constraints of Islamic law.