Maite Alberdi
출생 : 1983-03-29, Santiago, Chile
약력
Maite Alberdi is a Chilean audiovisual director, producer, screenwriter and film critic.
She is internationally recognized for her documentaries La once (2014) and Los niños (2016), for which she won the award for best female documentary director at the Amsterdam Documentary Film Festival (IDFA), the most important festival of its kind in the world. She graduated as an audiovisual director from the Pontificia Universidad Católica de Chile, and also has a degree in aesthetics and social communication from the same university. She has worked as an editor, sound designer, executive producer and director of photography in various national films and documentaries.
In June 2018 she was invited to join the Academy of Motion Picture Arts and Sciences in the United States.
At the Sundance Film Festival, her fourth feature film, The Mole Agent (2020), was released.
Producer
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Screenplay
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Director
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Producer
It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.
Executive Producer
It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.
Screenplay
Since he was born, Rai has defied all medical prognoses, today he turns one year old and her mom treasures his imperfectly perfect normality.
Director
Since he was born, Rai has defied all medical prognoses, today he turns one year old and her mom treasures his imperfectly perfect normality.
Screenplay
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
Director
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
Thanks
Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.
Screenplay
83살의 할아버지 세르지오는 어떤 여인이 요청한 특별한 비밀 임무를 맡는다. 한 노인 요양원에 잠입해 자신의 어머니가 잘 지내고 있는지, 혹시 직원들에게 학대를 받는 건 아닌지 감시해달라는 것이다. 세르지오는 낯선 분위기 때문에 처음에는 요양원에 잘 적응하지 못하지만, 시간이 흐를수록 사람들과 예상외의 즐거운 시간을 보내며 복잡한 감정에 빠진다. 임무만 간단히 수행할 계획이었지만 이곳의 노인들과 어느새 정이 들고 만 것이다. 유머러스한 화법으로 나이듦과 외로움의 문제, 그리고 노인들이 나누는 우정의 순간을 따뜻하게 그린 논픽션 기반의 극영화.
Executive Producer
83살의 할아버지 세르지오는 어떤 여인이 요청한 특별한 비밀 임무를 맡는다. 한 노인 요양원에 잠입해 자신의 어머니가 잘 지내고 있는지, 혹시 직원들에게 학대를 받는 건 아닌지 감시해달라는 것이다. 세르지오는 낯선 분위기 때문에 처음에는 요양원에 잘 적응하지 못하지만, 시간이 흐를수록 사람들과 예상외의 즐거운 시간을 보내며 복잡한 감정에 빠진다. 임무만 간단히 수행할 계획이었지만 이곳의 노인들과 어느새 정이 들고 만 것이다. 유머러스한 화법으로 나이듦과 외로움의 문제, 그리고 노인들이 나누는 우정의 순간을 따뜻하게 그린 논픽션 기반의 극영화.
Director
83살의 할아버지 세르지오는 어떤 여인이 요청한 특별한 비밀 임무를 맡는다. 한 노인 요양원에 잠입해 자신의 어머니가 잘 지내고 있는지, 혹시 직원들에게 학대를 받는 건 아닌지 감시해달라는 것이다. 세르지오는 낯선 분위기 때문에 처음에는 요양원에 잘 적응하지 못하지만, 시간이 흐를수록 사람들과 예상외의 즐거운 시간을 보내며 복잡한 감정에 빠진다. 임무만 간단히 수행할 계획이었지만 이곳의 노인들과 어느새 정이 들고 만 것이다. 유머러스한 화법으로 나이듦과 외로움의 문제, 그리고 노인들이 나누는 우정의 순간을 따뜻하게 그린 논픽션 기반의 극영화.
Other
In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.
Producer
로스 레에스 (“왕”)는 칠레의 수도 산티아고에서 가장 오래된 스케이트 공원이다. 이 이야기는 이 곳의 진정한 왕에 관한 이야기이다. 질주하는 스케이트보드와 시끄러운 십대들이 가득한 이 개방된 공간에 풋볼과 촐라, 길 잃은 두 마리의 개들이 자리잡았다. 에너지가 넘치는 촐라는 주변에 굴러다니는 공을 가지고 놀기를 좋아한다. 스케이터들이 그들의 묘기를 보여주는 공간에 공을 놓고 그들이 떨어지기 직전에 다시 잡으려고 한다. 좀 더 나이가 많은 풋볼은 촐라가 공을 떨어뜨릴 때까지 참을성 없이 바라보며 짖는다. 풋볼과 촐라 주위에 있는 십대들은 매우 다른, 때론 문제가 있는 환경에서 왔다. 그들은 그들 각자의 이야기를 우리에게 보이스오버로 전한다.
Screenplay
40년째 다운증후군 환자를 위한 학교에 다니는 친구들은 학교가 지루하기만 하다. 어느새 50대에 가까워진 그들은 이제 독립한 성인으로 존중받을 자유를 원한다. 집을 사려 돈을 모으고, 사랑하는 연인과 미래를 약속하며, 직업을 찾기도 하지만, 가족들은 여전히 그들을 성인으로 인정해주지 않는다. (2017년 제 14회 EBS 국제다큐영화제)
Producer
40년째 다운증후군 환자를 위한 학교에 다니는 친구들은 학교가 지루하기만 하다. 어느새 50대에 가까워진 그들은 이제 독립한 성인으로 존중받을 자유를 원한다. 집을 사려 돈을 모으고, 사랑하는 연인과 미래를 약속하며, 직업을 찾기도 하지만, 가족들은 여전히 그들을 성인으로 인정해주지 않는다. (2017년 제 14회 EBS 국제다큐영화제)
Director
40년째 다운증후군 환자를 위한 학교에 다니는 친구들은 학교가 지루하기만 하다. 어느새 50대에 가까워진 그들은 이제 독립한 성인으로 존중받을 자유를 원한다. 집을 사려 돈을 모으고, 사랑하는 연인과 미래를 약속하며, 직업을 찾기도 하지만, 가족들은 여전히 그들을 성인으로 인정해주지 않는다. (2017년 제 14회 EBS 국제다큐영화제)
Executive Producer
After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.
Executive Producer
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Producer
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Director
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Thanks
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
Researcher
5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.
Screenplay
5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.
Camera Operator
5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.
Director
5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.
Thanks
The comedian Timoteo is the leader of a cross-dresser circus that has toured through Chile for forty years. Today his advanced age and health are reason for concern regarding the continuity of the show.
Screenplay
PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.
Screenplay
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Researcher
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Director
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Screenplay
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Sound
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Editor
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Director of Photography
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Executive Producer
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Director
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Sound
Script
Director
