Fabian Stumm

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

당시 독일에서 동성애자라는 이유만으로 감옥에 가야 했던 한스라는 남자의 1945년부터 1969년까지의 여정을 추적한다. 동성애자 박해라는 주제를 다룬 정치영화이면서 주인공 한스와 그가 수감 중에 만난 종신수 빅토르의 러브스토리. (제26회 부산국제영화제)

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

Funded by the German Federal Cultural Foundation and the Munich Documentation Centre for the History of National Socialism.

Unsatisfied with his his place in New York's art scene, Artist Peter Bjorn relocates to Berlin in search of change. Meanwhile in a remote Polish village, Alicia prepares to become a nun but, feeling home in nature, her reveries continually distract her from her religious path. Both lost in their own ways, their friendship leads them to yet another new beginning.

MIDDLE OF BEYOND blends fiction, news clips, and animation recounting ten days in the life of Malte Krumm, a month after the latest US elections. The film depicts the numbness of a world flooded by information and social media activity, where the borders between reality and illusion are crumbling and narcissism and self-promotion overshadow moral values.

Mila and Charly use this way of escapism to avoid facing their respective crises. Hoping to find new ways of coping with their inner dead ends, they decide to take a trip to the sea but not take into account that they are taking themselves with them.

A dark cloud is creeping over Berlin. As the citizens go about their daily activities, Kore is haunted by a black shadow – a menacing memory from the past. Meanwhile, a full-grown bear escapes from its cage, throwing the whole city into a panic. There is no way out – Kore must face her worst fear.

The film centers around the lives of three men - three generations of a family which are all entangled in the effects of gambling addiction.

A political activist falsly accused of being a terrorist is put into prison by a government hoping to gain information by subjecting him to chemical waterboarding.

한물간 예술가가 자살한 것으로 오해받으면서 오히려 작품의 가치를 인정받게 된다는 내용의 현대판 동화이다. 작가의 형 행세를 하며 거짓 상황을 이어가지만, 매력적이고 집요한 여기자와 가까워지면서 모든 계획이 위기에 빠진다. 두 사람은 서로에게 삶의 진정한 가치와 사랑에 대해 일깨워 준다.

Bella is a single mother business and mother trapped in the normal everyday insanity. Nevertheless, she is happy. But from now on, everything gets out of hand. The house, in which the elderly-shared apartment of Bella's father and their own physiotherapy practice are located, is to be sold and renovated. Bella would not be Bella if she was not determined and would fight with all her might against the injustice and sale of the house. But as she juggles with family, her practice, PR campaigns, demos and squatters, Bella needs to realize that even her power is not endless.

After getting kicked out of her home, Manou, a young drifter, hitchhikes a ride with troubled sales rep Johannes. Their chance encounter on this hot summer day offers an escape from their struggles but reality soon enters the picture.

1916년 7월 29일 부다페스트. 세 명의 병사가 전쟁에 쓸 물자로 연료를 찾기 위해 벨라 키스의 주택을 방문했다. 하지만 그들은 기름통에서 연료가 아닌 끔찍한 것을 발견했다. 은행을 털고 몸을 숨길 곳으로 정한 산 속의 호텔로 향하는 다섯 명의 친구들. 알 수 없는 분위기로 가득한 호프만 호텔에 묵게 된 그들에게 이상한 일들이 벌어지기 시작하는데… "이 영화는 20세기 초에 일어난 사건을 바탕으로 제작되었다"

1945년 봄 연합군의 폭격 후 독일의 저항은 붕괴된다. 나치였던 아버지는 자살하고 어머니가 감옥에 간 뒤 로어는 여동생 리즐, 쌍둥이 남동생 귄터와 위르겐 그리고 막내 페터와 함께 남겨진다. 그들은 살아남기 위해 전쟁의 상흔으로 피폐해진 독일 땅을 가로질러 900km 떨어진 북부지역의 할머니 집으로 가야만 한다. 패배한 조국의 혼돈을 목격하면서 로어는 신비스러운 분위기의 젊은 유태인 난민 토마스를 만난다. 환영 받지 못한 채 토마스는 로어의 가족을 따라가게 되고 로어는 혐오와 열망이 교차하는 미묘한 감정을 느낀다. 유태인인 토마스에 대해 로어는 저항과 편치 못할 친절함을 느끼지만 토마스의 도움을 받아가며 점차적으로 로어와 그녀의 동생들은 가까워진다. 하지만 로어가 토마스를 믿어야 할까? 믿지 않는다면 그녀의 동생들은 어떻게 될까? 그들은 살아남을 수 있을까? 로어는 전쟁 후 황폐화된 현실을 직시하며 사랑, 죄 그리고 용서의 본질에 대해 다시 생각하게 된다.

A day at the factory. Bekel is called to the boss. Through a chain of events the two men are forced to examine their place in this world.

A portrait of two teenagers, growing up in a council estate, whose lack of prospects brings them closer to each other.

Nils Philippi, advertising photographer, accuses himself of being an incorrigible hypocrite. He's been that way since he was a child, said what earned him recognition, what made him look good. He knows his problem, he just can't get rid of it. Nils illustrates his suffering to his analyst, putting himself in the limelight once again.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.