Himself
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Writer
Director
Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).
Cinematography
A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.
Writer
A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.
Director
A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.
Writer
La Cinémathèque offered the filmmaker Marcel Hanoun to make a retrospective of his work, a new film, the one of his choice: a "free" film, which means free to the filmmaker of to see and hear what he wants, who he wants, and, ideally, to make it known and heard by everyone.
Director
La Cinémathèque offered the filmmaker Marcel Hanoun to make a retrospective of his work, a new film, the one of his choice: a "free" film, which means free to the filmmaker of to see and hear what he wants, who he wants, and, ideally, to make it known and heard by everyone.
Himself
La Cinémathèque offered the filmmaker Marcel Hanoun to make a retrospective of his work, a new film, the one of his choice: a "free" film, which means free to the filmmaker of to see and hear what he wants, who he wants, and, ideally, to make it known and heard by everyone.
Executive Producer
A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.
A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.
Writer
A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.
Director
A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.
Himself
Feature film.
The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
Writer
The detention of Ingrid Betancourt reviewed and revisited by a fiction.
Director
The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
Director
The detention of Ingrid Betancourt reviewed and revisited by a fiction.
Cinematography
The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.
Editor
The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.
Writer
The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.
Director
The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.
Self (archive footage)
Film produced as part of the Festival Pocket Films Forum Images.
Director
Film produced as part of the Festival Pocket Films Forum Images.
Writer
Inspired by the Cantat-Trintignant drama.
Director
Inspired by the Cantat-Trintignant drama.
Self
Marcel Hanoun, one of the most innovative of filmmakers, gives us what he names "a lesson in cinema." Frederique Devaux and Michel Amarger filmed this piece at his country house, composing an abundantly rich portrait. Film clips and sparks of theoretic bravura testify to the feverish creativity and the drunken agitation behind which lurks the ever-composed voice of the filmmaker.
Writer
An interrogation on the real identity of each one.
Director
An interrogation on the real identity of each one.
Writer
Essay on the attacks of September 11, 2001.
Director
Essay on the attacks of September 11, 2001.
Writer
In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.
Director
In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.
Cinematography
An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.
Writer
An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.
Director
An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.
Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.
Lighting Artist
A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.
Cinematography
Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.
Editor
Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.
Director
Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.
Director
A brief meeting with the writer and playwright Roland Topor in his studio.
Writer
A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.
Director
A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.
Scenario Writer
A baker knew the cosmonaut child who now revolves around Earth.
Cinematography
By reviving memories that remain of her disappeared friend, Sabine tries to resurrect and mourn.
Editor
By reviving memories that remain of her disappeared friend, Sabine tries to resurrect and mourn.
Writer
A baker knew the cosmonaut child who now revolves around Earth.
Director
A baker knew the cosmonaut child who now revolves around Earth.
Writer
By reviving memories that remain of her disappeared friend, Sabine tries to resurrect and mourn.
Director
By reviving memories that remain of her disappeared friend, Sabine tries to resurrect and mourn.
Himself
Film about Marcel Hanoun at work while making his film Les amants de Sarajevo in 1993.
Cinematography
Portugal, at the beginning of the century. The suffering of a peasant and his daughter. The lack of communication and the emptiness of mechanical lives. A third character, a mysterious woman to whom the peasant pays courteous visits... abyss of bodies. Petrified figures, eternal wandering. Death roams in a declining world where words have given way to gestures, sounds and lights.
Editor
“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.
Cinematography
“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.
Writer
“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.
Director
Portugal, at the beginning of the century. The suffering of a peasant and his daughter. The lack of communication and the emptiness of mechanical lives. A third character, a mysterious woman to whom the peasant pays courteous visits... abyss of bodies. Petrified figures, eternal wandering. Death roams in a declining world where words have given way to gestures, sounds and lights.
Director
Director
Editing excerpts from classical concerts «Winter Keyboards» Shot at the castle of Grand Jardin in Joinville in February 1993.
Director
“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.
Producer
Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)
Editor
Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)
Writer
Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)
Director
Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)
Editor
The life of the writer, journalist and painter Borvine Frankel, who crisscrossed Europe and the world.
Cinematography
The life of the writer, journalist and painter Borvine Frankel, who crisscrossed Europe and the world.
Director
Writer
The life of the writer, journalist and painter Borvine Frankel, who crisscrossed Europe and the world.
Director
The life of the writer, journalist and painter Borvine Frankel, who crisscrossed Europe and the world.
Writer
A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.
Cinematography
A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.
Director
Director
A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.
Director
Cinematography
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
Lighting Technician
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
Writer
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
Director
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
Editor
Inspired by the detention of Jean-Paul Kauffmann and Michel Seurat in Lebanon, hostages and improbable currency for terrorists...
Cinematography
Inspired by the detention of Jean-Paul Kauffmann and Michel Seurat in Lebanon, hostages and improbable currency for terrorists...
Writer
Inspired by the detention of Jean-Paul Kauffmann and Michel Seurat in Lebanon, hostages and improbable currency for terrorists...
Director
Inspired by the detention of Jean-Paul Kauffmann and Michel Seurat in Lebanon, hostages and improbable currency for terrorists...
Cinematography
A sculptor carves and transforms himself.
Editor
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Cinematography
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Writer
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Director
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Self
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Cinematography
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
Writer
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
Director
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
Director
Two New York women, Kristin and Doreen, live a black and white life, but in color of Gene Tierney, a star of 40’ Hollywood melodrama, while listening to the old songs of Marilyn Monroe. They go from one extreme to the other (from dream to reality, from day to night, from black and white to color), and so travel symbolically through this timelessness. Kristin disappears and Doreen is lost is the big city. Her meetings with Marcel, a filmmaker, then David, a sculptor, accomplish nothing, and she is destroyed by daylight. But her Memory of Gene Tierney triumphs over night and death, and Cinema can continue.
Editor
A young man and an older woman are prepared for a funeral ceremony, theirs.
Writer
A young man and an older woman are prepared for a funeral ceremony, theirs.
Director
A young man and an older woman are prepared for a funeral ceremony, theirs.
N°60
Reel 7 of Gérard Courant's on-going Cinematon series.
Director
This film is believed to be lost.
Cinematography
Two beings, a man and a woman, coming from elsewhere, find themselves in a church in ruins after all life on Earth has disappeared.
Director
The first verse of an elegy by Louise Labbé, a Lyon poetess, the subject of an unfinished project.
Writer
Two beings, a man and a woman, coming from elsewhere, find themselves in a church in ruins after all life on Earth has disappeared.
Director
Two beings, a man and a woman, coming from elsewhere, find themselves in a church in ruins after all life on Earth has disappeared.
N°60
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Editor
In a montage alternating with moments of Nigel Rogers' interpretation of the most beautiful passages from "Orpheus," the opera by Striggio and Monteverdi, La Nuit Claire is an evocation of the celebrated myth, within which images of the love between its two modern protagonists, Anne and Julien, are inscribed. - BAM/PFA
Writer
In a montage alternating with moments of Nigel Rogers' interpretation of the most beautiful passages from "Orpheus," the opera by Striggio and Monteverdi, La Nuit Claire is an evocation of the celebrated myth, within which images of the love between its two modern protagonists, Anne and Julien, are inscribed. - BAM/PFA
Director
In a montage alternating with moments of Nigel Rogers' interpretation of the most beautiful passages from "Orpheus," the opera by Striggio and Monteverdi, La Nuit Claire is an evocation of the celebrated myth, within which images of the love between its two modern protagonists, Anne and Julien, are inscribed. - BAM/PFA
Camera Operator
A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.
Editor
A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.
Writer
A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.
Director
A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.
Director
The floral park of Moutiers in Varengeville (Normandy).
Editor
This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.
Cinematography
Director
Cinematography
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
Editor
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
Writer
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
Director
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
On a Mediterranean cruise, a young man hired as a tour guide is intrigued by the beauty of a female interpreter hiding behind her sunglasses. He makes advances to her by venturing into a series of strange stories.
Screenplay
Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.
Director of Photography
Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.
Director
Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.
Writer
"봄"은 현대 소설과 동등한 위치에 있는 보기 드문 작품이다. 수많은 비유와 유추, 자동 인용으로 가득 차 있는 "봄"은 신문을 오려내는 인간의 흥미와 다를 바 없는 구실에 지나지 않는다. 이 영화의 본질은 바르트가 카탈리시스, 즉 유인반응이라 불렀던 것으로 구성된다. 즉 모든 요소가 이야기의 부분적 요소로 작품과 직접적으로 연관되지 않고, 오히려 지연시키고 전복시키는 것이다. 아눙은 자신의 작품을 문학적 소설과 결별하고자 했고, 영화를 회화와 음악과 동등한 수준으로 만들고자 헌신해왔다.(도미니크 노게즈)
Director
"봄"은 현대 소설과 동등한 위치에 있는 보기 드문 작품이다. 수많은 비유와 유추, 자동 인용으로 가득 차 있는 "봄"은 신문을 오려내는 인간의 흥미와 다를 바 없는 구실에 지나지 않는다. 이 영화의 본질은 바르트가 카탈리시스, 즉 유인반응이라 불렀던 것으로 구성된다. 즉 모든 요소가 이야기의 부분적 요소로 작품과 직접적으로 연관되지 않고, 오히려 지연시키고 전복시키는 것이다. 아눙은 자신의 작품을 문학적 소설과 결별하고자 했고, 영화를 회화와 음악과 동등한 수준으로 만들고자 헌신해왔다.(도미니크 노게즈)
Editor
While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.
Cinematography
While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.
Writer
While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.
Director
While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.
Director
A short documentary on the city of Bruges.
Camera Operator
작품 생산의 주체와 대상에 대해 묻는 질문에 대해 마르셀 아눙은 거창한 방식으로 대답하지 않는다. 일련의 드라마틱한 행위를 보여주는 것과는 달리 그는 "여름"에서 젊고 아름다운 주인공의 삶의 순간들 사이에 초점을 맞춘다. 그는 파편화된 장면, 재구성한 이미지와 문, 창, 활인화로서 거울과 같은 프레임들을 다루고 이 모든 것은 드라마와 캐릭터의 발전이 부재한 곳에서 반복적 행동의 일종의 카탈로그로 관객과 마주한다. 순수한 진부함으로 특징지어지는 이러한 순간들은 결국 실재 대상을 이야기의 균열로 빠져들게 한다. 이야기의 서스펜스나 절정에 기여하지도 극적으로 진행되지도 않기에 이런 모든 일련의 장면, 시퀀스, 이미지는 다른 어떤 감독들에게는 자르고, 제거하고, 삭제되어야 할 것이지만 바로 이렇게 확립된 거리감으로 인해 아눙은 자신의 영화의 핵심적 의미인 대립, 욕망과 실재 사이의 논쟁적 관계를 드러낼 수 있는 것이다. 이런 방식으로, 작품 생산의 주체와 대상에 대한 질문은 더 정확한 방식으로 재구성된다. 즉 자신이 바라는 바와 이러한 욕망을 충족시키기 위해 어떻게 실재를 변화시키고자 하는가 말이다.(나초 까지가)
Editor
작품 생산의 주체와 대상에 대해 묻는 질문에 대해 마르셀 아눙은 거창한 방식으로 대답하지 않는다. 일련의 드라마틱한 행위를 보여주는 것과는 달리 그는 "여름"에서 젊고 아름다운 주인공의 삶의 순간들 사이에 초점을 맞춘다. 그는 파편화된 장면, 재구성한 이미지와 문, 창, 활인화로서 거울과 같은 프레임들을 다루고 이 모든 것은 드라마와 캐릭터의 발전이 부재한 곳에서 반복적 행동의 일종의 카탈로그로 관객과 마주한다. 순수한 진부함으로 특징지어지는 이러한 순간들은 결국 실재 대상을 이야기의 균열로 빠져들게 한다. 이야기의 서스펜스나 절정에 기여하지도 극적으로 진행되지도 않기에 이런 모든 일련의 장면, 시퀀스, 이미지는 다른 어떤 감독들에게는 자르고, 제거하고, 삭제되어야 할 것이지만 바로 이렇게 확립된 거리감으로 인해 아눙은 자신의 영화의 핵심적 의미인 대립, 욕망과 실재 사이의 논쟁적 관계를 드러낼 수 있는 것이다. 이런 방식으로, 작품 생산의 주체와 대상에 대한 질문은 더 정확한 방식으로 재구성된다. 즉 자신이 바라는 바와 이러한 욕망을 충족시키기 위해 어떻게 실재를 변화시키고자 하는가 말이다.(나초 까지가)
Cinematography
작품 생산의 주체와 대상에 대해 묻는 질문에 대해 마르셀 아눙은 거창한 방식으로 대답하지 않는다. 일련의 드라마틱한 행위를 보여주는 것과는 달리 그는 "여름"에서 젊고 아름다운 주인공의 삶의 순간들 사이에 초점을 맞춘다. 그는 파편화된 장면, 재구성한 이미지와 문, 창, 활인화로서 거울과 같은 프레임들을 다루고 이 모든 것은 드라마와 캐릭터의 발전이 부재한 곳에서 반복적 행동의 일종의 카탈로그로 관객과 마주한다. 순수한 진부함으로 특징지어지는 이러한 순간들은 결국 실재 대상을 이야기의 균열로 빠져들게 한다. 이야기의 서스펜스나 절정에 기여하지도 극적으로 진행되지도 않기에 이런 모든 일련의 장면, 시퀀스, 이미지는 다른 어떤 감독들에게는 자르고, 제거하고, 삭제되어야 할 것이지만 바로 이렇게 확립된 거리감으로 인해 아눙은 자신의 영화의 핵심적 의미인 대립, 욕망과 실재 사이의 논쟁적 관계를 드러낼 수 있는 것이다. 이런 방식으로, 작품 생산의 주체와 대상에 대한 질문은 더 정확한 방식으로 재구성된다. 즉 자신이 바라는 바와 이러한 욕망을 충족시키기 위해 어떻게 실재를 변화시키고자 하는가 말이다.(나초 까지가)
Writer
작품 생산의 주체와 대상에 대해 묻는 질문에 대해 마르셀 아눙은 거창한 방식으로 대답하지 않는다. 일련의 드라마틱한 행위를 보여주는 것과는 달리 그는 "여름"에서 젊고 아름다운 주인공의 삶의 순간들 사이에 초점을 맞춘다. 그는 파편화된 장면, 재구성한 이미지와 문, 창, 활인화로서 거울과 같은 프레임들을 다루고 이 모든 것은 드라마와 캐릭터의 발전이 부재한 곳에서 반복적 행동의 일종의 카탈로그로 관객과 마주한다. 순수한 진부함으로 특징지어지는 이러한 순간들은 결국 실재 대상을 이야기의 균열로 빠져들게 한다. 이야기의 서스펜스나 절정에 기여하지도 극적으로 진행되지도 않기에 이런 모든 일련의 장면, 시퀀스, 이미지는 다른 어떤 감독들에게는 자르고, 제거하고, 삭제되어야 할 것이지만 바로 이렇게 확립된 거리감으로 인해 아눙은 자신의 영화의 핵심적 의미인 대립, 욕망과 실재 사이의 논쟁적 관계를 드러낼 수 있는 것이다. 이런 방식으로, 작품 생산의 주체와 대상에 대한 질문은 더 정확한 방식으로 재구성된다. 즉 자신이 바라는 바와 이러한 욕망을 충족시키기 위해 어떻게 실재를 변화시키고자 하는가 말이다.(나초 까지가)
Director
작품 생산의 주체와 대상에 대해 묻는 질문에 대해 마르셀 아눙은 거창한 방식으로 대답하지 않는다. 일련의 드라마틱한 행위를 보여주는 것과는 달리 그는 "여름"에서 젊고 아름다운 주인공의 삶의 순간들 사이에 초점을 맞춘다. 그는 파편화된 장면, 재구성한 이미지와 문, 창, 활인화로서 거울과 같은 프레임들을 다루고 이 모든 것은 드라마와 캐릭터의 발전이 부재한 곳에서 반복적 행동의 일종의 카탈로그로 관객과 마주한다. 순수한 진부함으로 특징지어지는 이러한 순간들은 결국 실재 대상을 이야기의 균열로 빠져들게 한다. 이야기의 서스펜스나 절정에 기여하지도 극적으로 진행되지도 않기에 이런 모든 일련의 장면, 시퀀스, 이미지는 다른 어떤 감독들에게는 자르고, 제거하고, 삭제되어야 할 것이지만 바로 이렇게 확립된 거리감으로 인해 아눙은 자신의 영화의 핵심적 의미인 대립, 욕망과 실재 사이의 논쟁적 관계를 드러낼 수 있는 것이다. 이런 방식으로, 작품 생산의 주체와 대상에 대한 질문은 더 정확한 방식으로 재구성된다. 즉 자신이 바라는 바와 이러한 욕망을 충족시키기 위해 어떻게 실재를 변화시키고자 하는가 말이다.(나초 까지가)
Producer
20 years later, the recreation of the trial of a simple man that confesses himself as a war criminal, Carl Emmanuel Jung.
Writer
20 years later, the recreation of the trial of a simple man that confesses himself as a war criminal, Carl Emmanuel Jung.
Director
20 years later, the recreation of the trial of a simple man that confesses himself as a war criminal, Carl Emmanuel Jung.
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Editor
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Producer
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Cinematography
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Writer
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Director
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Director
Cinematography
Short film made in Spain.
Producer
Short film made in Spain.
Director
Director
August 15, the day of the Assumption of the Virgin, a very old opera played by the people of Elche, which some transvestites: the Virgin is a Boy.
Director
Short film made in Spain.
Cinematography
A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.
Producer
A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.
Director
A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.
Editor
Processions during a holy week in Valladolid.
Cinematography
Processions during a holy week in Valladolid.
Director
Director
Processions during a holy week in Valladolid.
Cinematography
A visual and sound montage about a fighting bull in the arena.
Editor
A visual and sound montage about a fighting bull in the arena.
Cinematography
A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
Producer
A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
Director
A visual and sound montage about a fighting bull in the arena.
Director
A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
Writer
Françoise, a thirty-year-old single typist lives only for her Sunday release. On this day, she attends a horse race under pretext of perfecting her taste for elegance and refinement. Georges, a neighbor widower, begins to court her.
Director
Françoise, a thirty-year-old single typist lives only for her Sunday release. On this day, she attends a horse race under pretext of perfecting her taste for elegance and refinement. Georges, a neighbor widower, begins to court her.
Director
이 영화의 플롯은 신문 뒷면의 기사에 영감을 받았다. 아눙은 이 기본적인 골격에서 시작해 지금까지 만들어진 그 어떤 장편영화보다 더 정교하고 엄격히 통제된 형식적 구조를 만들었다.
Producer
이 영화의 플롯은 신문 뒷면의 기사에 영감을 받았다. 아눙은 이 기본적인 골격에서 시작해 지금까지 만들어진 그 어떤 장편영화보다 더 정교하고 엄격히 통제된 형식적 구조를 만들었다.
Writer
이 영화의 플롯은 신문 뒷면의 기사에 영감을 받았다. 아눙은 이 기본적인 골격에서 시작해 지금까지 만들어진 그 어떤 장편영화보다 더 정교하고 엄격히 통제된 형식적 구조를 만들었다.
Cinematography
Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.
Writer
Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.
Director
Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.
Cinematography
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
Director
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
Writer
Gérard de Nerval, hallucinated poet, framed through period illustrations.
Director
Gérard de Nerval, hallucinated poet, framed through period illustrations.
Writer
This film is believed to be lost.
Director
This film is believed to be lost.
Marcel Hanoun wedding by Jonas Mekas
