Nello Mascia

Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss.

20세기 초, 벨 에포크(the Belle Époque)의 나폴리에서는 극장과 영화관이 증가하고 있다. 위대한 코미디언 에두아르도 스카페타는 흥행왕이다. 성공은 그를 매우 부유한 사람으로 만들었다. 그의 태생에서 비롯한 겸손함으로, 그는 그의 희극과 나폴리 관객들의 가슴에서 풀치넬라를 대신할 펠리체 스키오시아모카의 가면과 캐릭터로 현장에 자신을 확고히 했다. 20세기 초 나폴리 출신의 위대한 코미디 배우이자 극작가인 에두아르도 스카페타에 관한 영화이다.

After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples' cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

Two boys and a girl perform a violent act in the name of the ideals they believe in, but a tragic accident will challenge their convictions.

A shot breaks the silence of the night, four men flee from the scene of the crime. Umberto "Yes and No", the infallible killer of the Caputo clan, has just killed the wrong man. Now he will have to account to the boss. Unfortunately, the victim is the nephew of Tonino O 'Infame, the city's most feared boss. But this does not seem to be the biggest problem: Umberto "Yes and No" hides a terrible secret.

Two contrasting visions of life: on the one hand, the "rock" and adventurous of the brave Livia, cellist without maternal instinct; on the other hand, the reassuring routine of his sister Tina, shy urban vigilant with an ardent desire for maternity.

서정적인 선율 속에서 뛰어다니는 세 남매를 보여주며 시작되는 이 영화는 19세기 이탈리아의 대표적인 낭만주의 시인 자코모 레오파르디의 삶을 소재로 한다. 엄격한 아버지의 교육 현장을 반영하는 초반부는 시대상을그대로 재현한 그림 같은 샷들로 구성되며, 전체적으로 19세기의 텍스처를 그대로 살린 실내 조명과 색감은 숭고미를 자아낼 정도로 감동적이다. 구속된 삶을 살았던 고향 레카나티에서부터 실연을 겪는 피렌체, 마지막 거처였던 나폴리에 이르기까지 실제 시인의 여정을 따라가다 보면 신체적 결함으로 인해 사랑과 동시에 죽음을 떠올려야만 했던 그의 시 세계에 한 발짝 더 가까이 다가갈 수 있다. 레오파르디 역의 엘리오 제르마노의 연기는 그야말로 타의 추종을 불허하며, 시를 읊으며 대단원을 장식하는 마지막 샷은 형언하기 힘든 감동을 준다. 모든 도서관 장면들은 실제 레오파르디가 작업했던 곳에서 촬영되었다고 한다. (이수원_2014년 제19회 부산국제영화제)

In a neighborhood overrun by crime, Enzo opens a judo school to help at-risk teens onto a different path and guide his son toward Olympic gold.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Mero, a skilled shipyard worker, is a single father. His son Lorenzo, born from a relationship with an Albanian girl, is his only reason for living. The father dreams that the boy will become a champion boxer, to make up for his own anonymous career as an amateur in the ring. This is why he puts him through a tough training program, teaching him day after day to throw punches and protect himself from life's low blows. The balance of this relationship is disturbed by the return of Lorenzo's mother Denisa and by the son's meeting with young Ana. Mero's trials are not over and he must face up to pain, his prejudices and the remoteness of Italy's north east.

아침 8시, 마르타는 이모 집에서 하룻밤을 보낸 후 도넛을 먹으며 집 주변을 서성인다. 갑자기 밴 한대가 마르타 앞에 서더니, 차 안의 남자 마리오가 자신의 농장으로 가자고 제안한다. 마르타는 이제 고작 6살의 어린 소녀이다.

The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

프로라가 운영하는 식당에서 고객, 직원들의 다양한 이야기, 대화들이 펼쳐진다.

Romeo, a lovelorn Roman musician in his 40s with 20 years since his only hit, consults a fortuneteller who predicts he'll find love and money with a foreign singer named for a flower. In Brussels he meets Marguerite, an older chanteuse who interprets Jacques Brel and loves her yappy dog.

Professor Alberto Sajevo sees a woman walking in downtown Turin and starts following her for days; he finally meets her and they start talking, but they both give fake names.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.