Elías Querejeta

Full-length documentary about this very decisive moment in time for the future when ETA is apparently ceasing their violence. Using first-hand testimonies by people whose lives have either revolved or are still revolving around the consequences of the Basque 'conflict', Teri Ortega takes a close look at Basque Nationalist roots and offers spectators a group of experiences, emotions and stand-points that allow us to glimpse the end of suffering and hopes for peace, freedom and reconciliation. This is the Director's third full-length film about this particular subject in the wake of 'Assassination in February'(2001) and 'Persecuted'(2004).

Ana is a journalist taken by her work to all sorts of different places the world over. Ever since her youth, influenced by her father, the Universal Declaration of Human Rights and its contents have been a place from which she observes the individual and collective behavior of human development. She is also an expert in new technologies applied to communication. This circumstance, combined with her desire to improve human relations, leads her to draw up a document uncovering the terrible failures to observe Human Rights.

Ana is a journalist taken by her work to all sorts of different places the world over. Ever since her youth, influenced by her father, the Universal Declaration of Human Rights and its contents have been a place from which she observes the individual and collective behavior of human development. She is also an expert in new technologies applied to communication. This circumstance, combined with her desire to improve human relations, leads her to draw up a document uncovering the terrible failures to observe Human Rights.

Ana is a journalist taken by her work to all sorts of different places the world over. Ever since her youth, influenced by her father, the Universal Declaration of Human Rights and its contents have been a place from which she observes the individual and collective behavior of human development. She is also an expert in new technologies applied to communication. This circumstance, combined with her desire to improve human relations, leads her to draw up a document uncovering the terrible failures to observe Human Rights.

Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed away. Charo, the dead man's lover, explains the dire traits suffered by the paternal business: a hall with seven billiard tables.

Documentary about Al Lewis. He sits in the make-up chair and remembers part of his 92 years life.

Documentary about Al Lewis. He sits in the make-up chair and remembers part of his 92 years life.

January 1, 1936, general elections in Spain. Is the second time that women can vote. The electoral campaign shows clearly the differences between left and right. February 1, the 72% of the census has voted. Narrowly wins "Frente Popular". Since that moment, differences between right and left quickly pass from words to deeds. Soon, a militar conspiracy led by general Mola starts, and get the collaboration of chiefs that the Government of the Republic has shifted to peripheral locations: including Franco. Calvo Sotelo and Lieutenant Castillo are killed. The 'Dragon Rapide' flies from London to pick up Franco. The North African troops raise and the war becomes unstoppable.

January 1, 1936, general elections in Spain. Is the second time that women can vote. The electoral campaign shows clearly the differences between left and right. February 1, the 72% of the census has voted. Narrowly wins "Frente Popular". Since that moment, differences between right and left quickly pass from words to deeds. Soon, a militar conspiracy led by general Mola starts, and get the collaboration of chiefs that the Government of the Republic has shifted to peripheral locations: including Franco. Calvo Sotelo and Lieutenant Castillo are killed. The 'Dragon Rapide' flies from London to pick up Franco. The North African troops raise and the war becomes unstoppable.

Jeanne fled the Franco regime at the end of the 1930s. Married and mother of a little girl, she worked in a soap factory leading a peaceful life until the day she was asked to pass out leaflets in her factory. to Algerian workers.

A look at the effects of the American occupation of Iraq, told by various people living in Baghdad.

Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.

The condemned man Thomas Miller the day the U.S. Supreme Court halted his execution. That day began filming a new documentary about his case and that of other prisoners on death row. It also tells the story of Dorothy Miller, the partner of Thomas, who has set up a shelter for the families of those convicted by the Texas jail. From there Dorothy worked for the abolition of the death penalty.

스페인의 항구 마을 비고. 실직한 부두 노동자 다섯 명이 모여 있다. 즐거울 것 하나 없는 일상에서 유머를 잃지 않는 산타. 아내와의 갈등을 키워가고 있는 호세. 환상의 세계에 사는 러시아 이민자 세르게이. 자기의 곤궁한 처지를 숨기고 살아가는 아마도르. 다섯 명 중에서 유일하게 취업을 위해 노력하는 리노. 동네 술집에서 시간이나 죽이는 그들. 하지만 지루하고 때로는 견디기 힘든 삶의 무게로 짓눌리는 그들에게도, 일터로 향하던 햇빛 찬란한 월요일의 꿈만은 놓을 수 없는 희망이다!

A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.

A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.

This documentary looks at "the back of the world": small children working as quarrymen in Peru, Kurdish political refugees from Turkey, and families and inmates awaiting the end on Mississippi's Death Row.

This documentary looks at "the back of the world": small children working as quarrymen in Peru, Kurdish political refugees from Turkey, and families and inmates awaiting the end on Mississippi's Death Row.

When three estranged sisters, Gloria, Ana and Lidia, meet up again on the death of their mother, Adela, they find themselves obeying her somewhat eccentric last wishes. Though their mother has spent the last 30 years without uttering a single word, she has left very clear written instructions of what she wants done after her death.

When three estranged sisters, Gloria, Ana and Lidia, meet up again on the death of their mother, Adela, they find themselves obeying her somewhat eccentric last wishes. Though their mother has spent the last 30 years without uttering a single word, she has left very clear written instructions of what she wants done after her death.

The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.

Bored 15-year-old school chums Rai Manu and Javi dream of sexual adventures and exotic resorts while the well-off population of Madrid flock to the beaches on a summer holiday. The youths hang around the concrete wasteland killing time by reading the sex classifieds and pushing their luck. They masturbate, thieve, fight with their families and get involved in a drug bust. Finally Rai, the most daring and restless of the trio - gets shot while trying to steal stereo gear from a car. Each adolescent faces a dreary home life but when they get together they enjoy each other's company to the full. The film is an engaging mixture of comedy drama and the pathos of life in a Madrid neighborhood.

Sensationalistic group portrait of New York City ‘’club kids,’’ makes you long for those good old days when Andy Warhol’s self-appointed superstars brought a certain humor and bohemian sense of style to his semi-improvised films.

Loosely (and controversial) adaptation of the novel "All Souls" by Javier Marias. It tells the story of a Spanish professor at Oxford who witnesses the return of a very popular man there.

Loosely (and controversial) adaptation of the novel "All Souls" by Javier Marias. It tells the story of a Spanish professor at Oxford who witnesses the return of a very popular man there.

Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya

한 과학자에 의해 만들어진 인간인 크랭크는 완벽한 인간이 아닌 조로증 환자이다. 크랭크는 꿈을 꾸기 위해서 아이들을 유괴해서 그들을 꿈을 훔치고 있다. 남자는 차력 등의 재주를 보여주는 힘이 장사인 광대로 크랭크에게 잡혀간 동생을 찾기 위해 어린 도둑 일당인 미에트와 함께 크랭크의 본거지인 '잃어버린 아이들의 도시'에 도착한다. 거기에는 난장이 비스마스 부인과 실패한 복제인간들이 크랭크의 지배하에 아이들을 납치해와 그들의 꿈을 훔치고 있다. 그러나 아이들은 크랭크를 무서워해서 언제나 악몽만을 꾸게 된다. '잃어버린 아이들의 도시'에 도착한 남자는 그와 함께온 몇명의 아이들과 함께 탈출을 시도한다

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.

A small family of travelers arrives after a long journey at a village hut, which they claim as home. The family consists of Damian, a mute but skilled hunter, his wife Priscila, and their two children, a mute son named Pablo and a beautiful daughter named Agueda. Before long, Don Rodrigo, the feudal lord of the village, sets his sights on both Priscila and Agueda.

A small family of travelers arrives after a long journey at a village hut, which they claim as home. The family consists of Damian, a mute but skilled hunter, his wife Priscila, and their two children, a mute son named Pablo and a beautiful daughter named Agueda. Before long, Don Rodrigo, the feudal lord of the village, sets his sights on both Priscila and Agueda.

As he does at the end of every summer, Antonio climbs onto his roof to sweep out his chimney. From this vantage point, he sees that repairs have begun on one of the neighbouring houses - the one formerly inhabited by the "Nazi" (a guy's name), which after ten years of abandonment is known to the whole neighbourhood as the "mystery house". With the arrival of fall, Antonio will uncover love, deception, and death, by watching through his window.

As he does at the end of every summer, Antonio climbs onto his roof to sweep out his chimney. From this vantage point, he sees that repairs have begun on one of the neighbouring houses - the one formerly inhabited by the "Nazi" (a guy's name), which after ten years of abandonment is known to the whole neighbourhood as the "mystery house". With the arrival of fall, Antonio will uncover love, deception, and death, by watching through his window.

A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.

Water is a constructive element of life and man needs to order it, distribute it and above all, appreciate it as a necessary good.

Drama on juvenile delinquency, unemployment and drugs. Jon, a boy of twenty, gets up at seven o'clock and from that moment we can see how he lives the friendship, love, family relationships and his dark passion for drugs.

Drama on juvenile delinquency, unemployment and drugs. Jon, a boy of twenty, gets up at seven o'clock and from that moment we can see how he lives the friendship, love, family relationships and his dark passion for drugs.

The childhood, love adventures, and ordinary life of Tasio, a coal maker in rural Navarre.

This fantasy about a young man who becomes a bear, who becomes a young man again is equally ambivalent in its identity -- it is a drama that becomes a comedy that becomes a satire, and is not quite a straightforward fable. After the young man runs away from being shackled to a cabin, he spends the winter in a cave and emerges as a bear (obviously a man wearing a bear suit). He is taken in by a writer who teaches him how to use a computer, which somehow poses no problem. The bear speaks like the young man and for awhile tries working as a computer operator, undoubtedly raising questions about the standards in that field. While invited to tea one afternoon, the bear kills a dog in self-defense and is forced to head back to his cave for the winter -- where he emerges after a long hibernation as the young man. In retrospect, contact with the computing world had quite a transforming effect.

This fantasy about a young man who becomes a bear, who becomes a young man again is equally ambivalent in its identity -- it is a drama that becomes a comedy that becomes a satire, and is not quite a straightforward fable. After the young man runs away from being shackled to a cabin, he spends the winter in a cave and emerges as a bear (obviously a man wearing a bear suit). He is taken in by a writer who teaches him how to use a computer, which somehow poses no problem. The bear speaks like the young man and for awhile tries working as a computer operator, undoubtedly raising questions about the standards in that field. While invited to tea one afternoon, the bear kills a dog in self-defense and is forced to head back to his cave for the winter -- where he emerges after a long hibernation as the young man. In retrospect, contact with the computing world had quite a transforming effect.

스페인 북부 도시에 사는 소녀 에스트레야는 어느 날 아버지에게 다른 여자가 있을지도 모른다는 의심을 하게 된다. 아버지는 그 여자의 정체에 대해 한 마디도 해주지 않지만, 에스트레야는 막연히 그 여자가 남쪽에 있을 거라 생각하며, 한 번도 가보지 못한 남쪽에 매혹을 느낀다.

Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

Short documentary on the history of spanish football with the colaboration of the Real Sociedad football club.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

Ana and her husband Antonio arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch.

A drama teacher casts a woman in a play about torture, and the two eventually become lovers. As production of the play develops, the director begins to receive threatening letters.

A mature man tries to ease his loneliness with fleeting encounters with friends, his lover, old acquaintances and his teenage daughter.

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and she decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with his father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa takes a decision about her life.

This film is a documentary about the poet Leopoldo Panero. His widow and his sons talk about death in general in this special case, and also about their own family problems.

In Extremadura, Spain, Pascual Duarte, a humble, simple and ignorant peasant, condemned to a boring and humiliating existence with no future, commits a horrible act during a day of such heat that enervates his disturbed mind and his anger, which he will not be able to calm down until, after following a bloody path of senseless violence, he faces his own tragic destiny.

In Extremadura, Spain, Pascual Duarte, a humble, simple and ignorant peasant, condemned to a boring and humiliating existence with no future, commits a horrible act during a day of such heat that enervates his disturbed mind and his anger, which he will not be able to calm down until, after following a bloody path of senseless violence, he faces his own tragic destiny.

엄마인 마리아가 지병을 앓다 죽자 아나는 아버지 때문이라며 독약이라고 생각되는 가루를 탄 음료수를 아버지에게 먹인다. 그 때문인지 아빠 안셀모도 죽게 되고, 아나와 이레네, 마이테는 졸지에 고아 신세가 된다. 죽은 엄마 아빠의 자리를 대신해 세자매는 이모와 거의 식물인간이나 다름없는 외할머니와 살게 된다. 영화는 아빠 안젤모의 죽음으로부터 시작해서 방학을 끝내고 다시 학교로 가는 세자매의 모습을 담은 간단한 줄거리를 가지고 있다. 그러나 이 영화는 시간을 가로지르며 아빠가 죽은 해인 현재를 중심으로, 부모가 살아있었을 때인 과거와 어른이 되어 '현재'를 회상하는 '미래'의 모습을 뒤섞어 프랑코 독재 정권 말기의 스페인 중산층 가족의 모습을 입체적으로 담아내고 있다. 프랑코 체제에 맞섰던 사우라의 긴 예술적 투쟁의 완성점을 이루는 걸작. 세 자매 중 둘째 아나는 한밤 중 아버지의 복상사를 목격하고 자신이 독살했다고 믿는다. 병으로 죽은 엄마에 이어 아버지마저 죽자 이모가 할머니와 세 자매의 보호를 맡는다. 아나는 계속 엄마의 환영을 보는 한편 이모를 독살하려 한다.

영국인 여자 가정교사가 어머니가 지배하는 어느 집안에서 세 아들의 희생물이 된다. 그 젊은이들은 각각 군사적 탄압, 성적 폭력, 그리고 교회를 상징한다. 깐느 영화제 심사위원 특별상.

40대의 독신남 루이스는 어머니의 유골을 가족묘지에 옮기기 위해 어린 시절 여름을 보냈던 세고비아의 작은 마을로 찾아간다. 그곳에서 친지들과 재회하며 그는 과거의 일들을 하나씩 떠올리게 된다. 회상장면을 플래쉬백을 사용하지 않고 현재의 인물이 직접 과거 속으로 들어가는 방식으로 처리하면서 스페인 내전으로 인한 의식의 분열과 기억의 파편화를 보여주는 독특한 작품. 프랑코 치하 말기에 제작된 영화로 사우라 특유의 은유와 쓸쓸한 상실감의 정서가 작품을 채우고 있다.

1940년, 스페인 카스티야의 작은 마을, 다섯살 소녀 아나는 일곱살인 언니 이사벨과 함께 마을회관에서 상영하는 을 보러 간다. 아나는 착한 괴물인 프랑켄슈타인이 여자 아이를 죽였을까 궁금해지고 그것을 언니에게 물어본다. 언니는 "영화에 나온 건 모두 거짓말이야. 괴물은 아이를 죽이지 않았어. 괴물은 아직도 세상 어딘가에 돌아다니고 있어. 아무도 괴물을 죽일 수 없어. 난 그 괴물을 봤어."라며 거짓말을 한다. 언니의 말을 들은 아나는 괴물을 찾으러 집을 나서는데...

After years in prison, a gang of criminals are deported from Bavaria and arrive as free immigrants to America. They kill an Indian by accident and do different jobs such as cleaning latrines, until they get installed in an abandoned house next to an Indian woman. One day someone will propose to perpetrate a robbery ...

A man (José Luis López Vázquez) walks into a bar and shoots four people dead. Next day everybody is talking about the murders. The police know who the killer is and have his photo, but the man himself remains at large. Blanca (Serena Vergano), a lonely librarian, receives a letter from him, declaring his love for her. Apparently he has been a regular at the municipal library, although Blanca denies ever having noticed him.

The greedy relatives of a paralysed 45-year-old amnesiac millionaire go to extreme lengths to help him recover his memory.

Miguel is a married architect with children; Blanca, an attractive young woman who has attempted suicide by cutting her veins. The relationship between them develops through continuous persecutions, first of him to her and then to him. In their meetings, they reflect on their empty lives, loneliness, boredom and obsession with death.

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.

Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).

Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.

Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with her and tries to seduce her, but she mockingly pushes him away from her. He then finds that Ana, his nurse, bears a troubling resemblance to Elena. He decides to gradually transform Ana into Elena…

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.

Filmed in 1963, but not released in Spain until 1967, the film depicts the failed romance between a bourgeois french tourist girl and a spanish working class boy.

A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy as and old friend seeks retribution because Antonio had once stolen his girl.

A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy as and old friend seeks retribution because Antonio had once stolen his girl.

이 영화가 발표된 1965년은 스페인의 프랑코 독재가 계속되던 때였다. 스페인은 군인들의 통제하에 있었고, 민병대들은 소형 기관총을 가지고 모든 중요한 도시 길모퉁이를 지키고 있었다. 이 작품은 군부 독재의 사슬에 묶인 스페인 중산층의 정신분열을 견고한 형식미 속에 담긴 폭력미학으로 담아내고 있다. 베를린 영화제 은곰상 수상작 사업가인 호세는 스페인 내전에 참전했던 경험을 갖고 있다. 호세는 역시 참전용사이며 사업을 하고 있는 친구 빠꼬와 호세의 사업협력자이자 과학소설 애호가이기도 한 루이스, 그리고 젊은 엔리께를 자신의 사냥터로 초대해 함께 토끼 사냥을 하자고 제안한다. 그렇게 네 명의 남자들이 스페인 내전의 전쟁터이기도 했던 곳에서 그들만의 사냥을 시작한다. 자기만의 총을 갖고, 언덕에 야영천막을 친 그들은 찌는 듯한 더위와 목마름 속에서 알 수 없는 광기를 발산하기 시작한다. 세 명의 백발의 용사들 사이에 긴장감이 돌기 시작하고, 토끼들은 사냥꾼들에게 정면으로 맞선다. 토끼들은 무자비하게 살육되고, 어린 엔리께는 두려움에 떤다. 그리고 그들의 광기는 또 다른 사냥꾼의 죽음으로 연결된다.

A bank employee changes his life radically after the tragic death of his wife in a car accident along with a widower industrial.

Barcelona in the early sixties: black and white chronicle of the ups and downs in the relationship of several young couples of the Catalan bourgeoisie during the time between two Saint John's eve festivals.

A peculiar walk through the Basque city of San Sebastián along twisting roads never traveled by guidebook users.

A peculiar walk through the Basque city of San Sebastián along twisting roads never traveled by guidebook users.

What does it mean to look back? Where do we look back from? Juxtaposing extracts from the play Black Henry (2018) by Filipino-American playwright Luis Francia with locations of Basque colonial history, ‘They Speak Too’ attempts to make apparent the spectre of empire as it exists in the Basque Country. Reading these extracts translated into Spanish, filmmaker Anna de Guia-Eriksson introduces a dialogue between language, forms of registry and the physical manifestations of history, which her own person as a Filipino is included.