Julien Verdier

A journalist’s six-minute interview with 25 years old former Nigerian sex worker Marta, is conveyed to the audience without any interruption. The suffering that Marta left behind and the wounds present in her soul are being reopened for the young woman during the interview. This life story that fits in six minutes drags the audience into the traces of the young woman’s past life.

A journalist’s six-minute interview with 25 years old former Nigerian sex worker Marta, is conveyed to the audience without any interruption. The suffering that Marta left behind and the wounds present in her soul are being reopened for the young woman during the interview. This life story that fits in six minutes drags the audience into the traces of the young woman’s past life.

A journalist’s six-minute interview with 25 years old former Nigerian sex worker Marta, is conveyed to the audience without any interruption. The suffering that Marta left behind and the wounds present in her soul are being reopened for the young woman during the interview. This life story that fits in six minutes drags the audience into the traces of the young woman’s past life.

A journalist’s six-minute interview with 25 years old former Nigerian sex worker Marta, is conveyed to the audience without any interruption. The suffering that Marta left behind and the wounds present in her soul are being reopened for the young woman during the interview. This life story that fits in six minutes drags the audience into the traces of the young woman’s past life.

A journalist’s six-minute interview with 25 years old former Nigerian sex worker Marta, is conveyed to the audience without any interruption. The suffering that Marta left behind and the wounds present in her soul are being reopened for the young woman during the interview. This life story that fits in six minutes drags the audience into the traces of the young woman’s past life.

A true story shot in a German Impressionistic style. In France during the Nazi occupation, Dr. Petiot (Michel Serrault) offered to help Jews escape the Nazis. They would come to his house, and he would kindly give them lethal "vaccinations" for their anticipated travel to Argentina. Then he would steal everything the brought with them (in addition to their up-front payment to him) and burn their bodies in his home-made crematorium.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

1957. For several months, Henri Charlègue, the ex-director of the newspaper "Alger democratic", banned, has been living in hiding. Suspected of belonging to the FLN, he is actively sought by paratroopers.

A young miller takes under her protection an orphan brought up by an old woman.

Cellist Gaspard is living in a big house in the country with his son and three nieces. He likes being quiet. One day, his modest car bumps into a Rolls-Royce, driven by Felicia, a young, beautiful, wealthy and temperamental woman. And she knows it. She is very angry at him because he seems not to be under her charm. She decides to seduce him, but Gaspard did not feel like letting his life being invaded by such a woman.

Over the course of one night, a gang of twelve criminals carry out a commando-like raid on a small town.

This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.

프랑스군과 영국군이 독일군에 쫓기는 상황에서 1940년 6월1일과 2일 프랑스 서북부 해안에서 벌어진다. 던커크 근처의 쥐트코트 해변에서는 독일군의 맹공을 피해 본국으로 후퇴하려는 영국군과 밀려온 프랑스군들이 엉켜있다. 이들 가운데 마이야를 위시한 110사단 소속의 프랑스 군인들을 중심으로 한 패잔병들의 생활을 통해 전쟁의 참모습을 고발하며 극한상황에 처한 인간들의 모습을 그려내고 있다.

The story of the couple from the very first meeting to break up told from a view of a woman, Francoise. The film shares the same plot with "Jean-Marc ou La vie conjugale", that tells the same story from another perspective.

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

불로뉴에서 중고가구점을 운영하는 엘렌은 20여년 만에 옛 애인 알퐁스를 만난다. 알퐁스와 엘렌은 과거의 기억을 떠올리고, 왜 자신들이 헤어지게 됐는가에 대한 불일치하는 기억을 드러내기 시작한다. 과거의 기억에 사로잡힌 인간들이 엮어내는 인간관계를 복합적으로 묘사한 작품으로 레네의 초기작 중에서도 가장 심원한 경지에 도달한 작품으로 평가받는다.

On a Christmas night, an ex-convict meets a beautiful Italian married woman who has got a lot of things to hide.

Danielle Darrieux stars in this French thriller as a singer having an affair with her accompanist. When her husband dies in an automobile accident, the two lovers suspect each other of having murdered him. Soon after, they receive 45 rpm records with the dead man’s voice, threatening to come back.

In 1852, the famine on a desolate Britanny's island named Blaz-Mor, off the coast of Finistère. Some residents exalted hold responsible the young Moira (Renée Cosima), equivalent to a witch. The old Marnez (Charles Vanel), "head" of the island, is trying to restore calm and opposes Yann Le Heart (Henri Vidal), the fiancé of his daughter Louise Kermelen (Dany Carrel), who wants causing a shipwreck to save the island from famine.

A Dutch slave captain, on a voyage to Cuba, faces a revolt fomented by a newly captured African slave, Tamango. The slaves capture the captain's mistress, forcing a showdown.

24 hours in the life of a humble general practitioner. A very busy life to say the least... Like every other day, Dr. Forget works from morning till dusk (and even later). He sees patients in his consulting room or visits them either on house calls or at the hospital. But is today just another day? Not quite since on this very day, Junior, Dr. Forget's son, will know if he has passed or not his exam at the faculty of medicine.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

While celebrating his birthday, police inspector Basquier (Bernard Blier) recalls two of his most-celebrated cases. The first involves duplicitous moneylender Olga (Suzy Prin). The second concerns the brutal broad-daylight murder of innocent young Yvonne (Veronique Deschamps).

Young conductor Roberto Lombardini has never known his father who is actually a former musician, a failed piano player who has sunk into alcoholism.

Ireland, 1922. In the midst of a national uprising, Catherine, a young orphan employed in household chores, goes in search of her brother whom she has heard in a dream calling for help.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

부친도 없고 모친은 알콜중독에 문맹인 집안에서 자란 르네 르겡(마르셀 물루지 분)은 미래가 전혀없는 청년, 전쟁으로 인해 도시 생활은 피폐해지고 물물교환으로 그날의 먹거리를 구하는 시절, 그는 매춘녀가 된 누이를 죽인 독일군의 시체를 돈 받고 치워 주다가 레지스탕스인 인쇄업자 소티에(프랑수아 주 분)를 만나게 된 것이다. 빈?터리에 무식한 르네는 아무 의식없이 레지스탕에 가입하고 먹을 것과 술만 제공해 주면 임무대로 독일군이든 배신자들이든 모두 쏴 죽인다. 전쟁이 끝나고도 아무 죄의식 없이 살인을 한 르네는 경찰에 체포되고 사형수로 복역한다. 그는 아내 독살혐의를 받고 있는 의사 뒤투와(앙투완 벨페레 분)와 코르시카섬 출신으로 친구와 싸우다 살인을 저지른 지노(레몽 펠그렝 분)와 함께 감옥생활을 시작한다, 첫 번호를 받게된 신참내기 변호사인 아르노(클로드 레뒤 분)는 사형판결로부터 르겡을 구해내기 위해 열심히 변호를 한다. 르겡은 대통령에게 탄원서를 보내기 위해 감옥에서 처음으로 글을 배우며 희망을 품자 다른 사형수들이 하나둘씩 단두대로 끌려가는 광경을 보며 서서히 절망하게 된다. 지노와 의사 뒤투와가 차례로 사형 당하고 혼자 남은 르겡의 방은 또 다른 사형수들로 채워진다. 사형당할 때는 언제나 밤중에 갑자기 발걸음 소리도 죽인 채로 간수들이 들이닥치고 사전 통보도 없이 아무런 죽음에 대한 준비도 하지 못한 채 손발을 묶이고 끌려간다. 머지않아 죽음을 예견하는 르겡은 그 동안 보살펴 주지도 못했던 어린 동생 미셀(조르주 푸줄리 분)을 부탁하고 아르노는 부친에게 미셀을 데려간다.

Socially conscious and realistic treatment of hard working coal miners in the north of France, and a struggle between a younger and older engineer.