Francisco Pedemonte

참여 작품

A Boat Departed from Me Taking Me Away
Sound
In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.
I nostri giorni: Nuestros días
Sound
마이 리틀 레나타
Dialogue Editor
아르헨티나 북부 코리엔테스 지방, 라스밀(Las Mil)이라는 작은 마을을 배경으로 펼쳐지는 우정, 사랑, 힘의 관계를 보여준다. 감독은 영화 배경이 되는 지역의 역사나 정치적 상황을 전면에 드러내거나 일절 설명하지 않는다. 하지만 부재를 통해 실제 부재했던 힘을 묘사하는 방식으로, 영화 속에 어떤 공적인 힘도 등장하지 않게 함으로써 실제 정치권력이 수년간 주민들을 방치한 결과를 약물과 빈곤을 통해 드러낸다. 시나리오는 지방 생활의 관습을 보여주는 많은 이야기 속에서 이리스와 레나타 사이의 사랑 이야기를 탄생시킨다.
아들에게
Dialogue Editor
말기 암 진단을 받은 마리아 바스케스. 그녀는 가장 자기다운 방식으로 이 운명을 맞이하기로 한다. 바로 그녀만의 독특한 감성과 냉소적인 유머 감각을 발휘하기로 한 것. 병상에서 그녀가 몰두한 것은 네 살짜리 아들 토미를 위한 책 쓰기. 그녀는 아들이 엄마에 대한 기억을 영원히 간직하기를 바라는 마음으로 글을 써 내려간다. 그리고 소셜미디어에도 그녀만의 독특한 스타일로 투병 생활을 공유하는데 여기서 그녀의 인생 이야기는 큰 주목을 받게 된다. 그녀의 남은 생을 축복하기 위해 곁을 지키는 이들은 사랑하는 남편 페데리코와 절친한 친구들. 마리아는 그들과 함께 다양한 감정으로 충만한 마지막 나날들을 보낸다.
Overnight
Sound Designer
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
Night Shot
Dialogue Editor
Recording the everyday was always a way of relating to the world. One night the rape occurred and everything changed, although the recording continued. By revisiting these images a dialogue between light and darkness emerges, while strangeness remains before the world.
죽기에는 어려
Dialogue Editor
1990년 칠레의 여름. 소규모 가족들이 안데스산맥 바로 아래에서 도시로부터 떨어져 공동체를 이루며 살아간다. 소피아, 루카스 그리고 클라라는 신년 전야 파티를 준비하면서 자신들의 부모님, 첫사랑 그리고 여러 두려움과 맞선다.
Cycles
Producer
"CICLOS follows Ignacio Semeñuk, a 15 year old cyclist, as he faces the severeness of his training, his path to adulthood and his love life."
Cycles
Director
"CICLOS follows Ignacio Semeñuk, a 15 year old cyclist, as he faces the severeness of his training, his path to adulthood and his love life."
Blue Boy
Sound Designer
Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years.
I Am Here
Sound
For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.
Hermia & Helena
Sound Post Production Coordinator
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
Three Sentences About Argentina
Sound
Archival footage of Argentinian skiers is transposed into prompts for language exercises.
Magallanes
Sound Editor
Magallanes sees his humdrum life turn upside down the day Celina, a women he met in the violent years when he was a soldier with the Peruvian Army, jumps into his taxi in a Lima street. This unexpected re-encounter after 25 years with the dark past that unites them prompts Magallanes to embark on a daring plan to help Celina get money and find his own redemption.
Diseño de Sonido para Cine en Argentina
Francisco Pedemonte
Sound Design for Cinema in Argentina, by famous Sound Designers
나의 비디오 게임
Sound
로씨오는 이사와 전학을 앞두고 자신의 가장 친한 친구로부터 멀어지는 것에 대한 불안을 견뎌낼 수 없다. 여느날과 다름없던 날, 친구들과 오락실에서 게임을 하던 로씨오의 진심은 곡해되기 시작하는데...
The Ardor
Dialogue Editor
Kaí is a mysterious shaman who emerges from the Rio Paraná to help a poor farmer and his daughter, who are threatened by a band of cold-blooded mercenaries hired to force them to sell their land.
Tomorrow All The Things
Sound Editor
Julia and Diego spend a weekend taking care of Diego’s nephew, in a house far from the city. Everything goes on normally until Julia’s visit to the hospital changes completely their relation.
Viola
Sound
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
El sueño del perro
Sound Editor
The path of a man to restart his life after a personal tragedy that leads him to leave the city and move to an inhospitable place that allows him to be reborn.
About Buenos Aires
Writer
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
About Buenos Aires
Director
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Árboles y arbustos
Writer
”(…) Always green, up to 20 meters high. Right trunk, dark cut, slightly split, thin; rounded, broad, dense, dark, bright green, grayish or blackish crown. It has simple, persistent, hard leaves, with various shapes, ovate or lanceolate, 5 centimeters long ”.
Árboles y arbustos
Director
”(…) Always green, up to 20 meters high. Right trunk, dark cut, slightly split, thin; rounded, broad, dense, dark, bright green, grayish or blackish crown. It has simple, persistent, hard leaves, with various shapes, ovate or lanceolate, 5 centimeters long ”.
El cielo de los animales
Sound