Director
"Agrilogistics" looks at recent technological transformations in contemporary industrial agriculture.
Cinematography
On January 24th, 1954, Mamaddi, aged 22, took a boat from Le Havre to New York. But her journey began earlier in her hometown movie theater, with images coming off the screen and never disappearing: a beautiful Cadillac, a young woman, the blue sky.
Director
Future Foods revolves around the making of plastic food at the workshops of Replica LTD, one of the few UK based companies that still manufactures props for films, advertisements and displays. The perception of food, its appealingness and palatability through a constructed image, come into play when observing these hand-crafted manufacturing processes through a camera. A phone conversation with the CEO of a Finnish future foods' start-up introduces us to a cutting edge technology consisting of the production of a new protein generated from water, electricity and CO2 captured from the air. "Solein" is a new technology that speculates with a near future without agriculture and land use effects.
Editor
Entrails, a flock of sheep, one spring. The cooing of doves and songs hummed. Some vultures, bones, flowers and many hands. Hands which feed, milk, stroke, shear, film; hands that kill. Hands which inhabit the doubts and contradictions about using other species.
Director
The wolf no longer inhabits the land that once formed part of its territory, and only through its outlines can we get closer to it; remnants of wolf traps, predator urine imported from the US, a dung-hill used to feed scavenger birds and archers that shoot at replicas of animals. Reserve constructs a story about the fragile balance of a territory after the disappearance of the predator, where the complex co-existence between humans and non-humans presents a distinctly marked anthropogenic ecosystem.
Editor
Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.
Sound
Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.
Director
"LYCISCA, shot in Karrantza, an historic mining area of Bilbao and also one of the most rural areas of the province, departs from the myth of the Carranza Wolf, but portrays the industrial farming system, as well as the system by which museums exploit animal life and geology." - Anthology Film Archives
