Sophie Farkas Bolla

출생 : , Montreal, Quebec, Canada

약력

Sophie Farkas Bolla is a Canadian film editor based in Montreal, Quebec.

참여 작품

아샤의 땅
Writer
엄마와 형제들과 함께 삼촌 집으로 이사 가게 된, 희귀병을 앓고 있는 9살 소년 줄스는 신비로운 새 친구 아샤와 함께 자신의 병을 낫게 할 치료제를 찾아 모험을 떠난다.
아샤의 땅
Director
엄마와 형제들과 함께 삼촌 집으로 이사 가게 된, 희귀병을 앓고 있는 9살 소년 줄스는 신비로운 새 친구 아샤와 함께 자신의 병을 낫게 할 치료제를 찾아 모험을 떠난다.
Coyote
Editor
A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary Mexican living in Montreal. However, Camilo wants to get back on track and an opportunity to recover his culinary passion finally presents itself. Everything is in place for this new beginning when Camilo receives a visit from his daughter Tania, with whom he had cut ties because of her drug addiction. She tells him that he is a grandfather and asks him to take care of the child while she undergoes her umpteenth rehab. The arrival of this grandson will upset Camilo’s plans. There will be a new beginning for him, certainly, but not as he imagined it.
Miette
Editor
Through the encounter between a director and a scarred young woman, Miette explores how guilt shapes our personal narrative and relationships.
On My Way
Editor
Winter storm’s night. In his last breaths of life, Jules (35 y/o) imagines himself at home, taking one last look at his daughter. As he gaze around, he notices Sara (9 y/o) is immersed in reading a comic book. Jules feels that he doesn’t have much time left. He knows this moment with Sara will be his last, and it will be short. Too short. But all he wants, is to take his time.
플랫폼 노동의 습격
Editor
무척 인간적인 과학 기술 다큐멘터리로 우버, 아마존, 딜리버루 같은 기업에서 일하는 전 세계 노동자들의 삶을 조명하며, 플랫폼 경제가 실제로 어떤 비용을 초래하고 있는지를 폭로하는 작품이다.
Stateless
Editor
In 2013, the Dominican Republic stripped the citizenship of anyone with Haitian parents, rendering over 200,000 people without nationality, identity or homeland. Exploring this complex history and politics.
빈즈
Editor
실화를 바탕으로 한 이 영화는, 1990년 오카 위기라고 알려진 무장 대치 기간 동안 빠르게 성장해 전사가 되어야 하는 청소년기의 한 모호크 소녀에 관한 이야기이다. (2021년 제9회 서울구로국제어린이영화제) 프로그래머 노트 캐나다의 모호크 족이 골프장 건설에 저항하며 대규모 충돌이 일어나고, 이는 곧 심각한 인종 간의 갈등으로 번진다. 빈스는 가족 모두가 위기에 처한 상황에서 자신의 정체성을 지키며 성장한다. 영화는 당시의 실제 상황을 담은 뉴스 영상을 교차하는 방식으로 빈스의 이야기 속에 역사적 기록을 함께 담았다. (2021년 제16회 부산국제어린이청소년영화제 / 박정민)
The Music Lesson
Editor
Seb, mariachi musician by night and guitar teacher by day, is by all accounts, a failed artist. Like a ghost wandering through his own life, Seb follows outside expectations and comically drifts further away from his dream of becoming a songwriter.
The Internet of Everything
Editor
A disillusioned early adopter and internet evangelist, feels a sense of responsibility to engage with the problems the internet has created and wants to see where we went wrong. 'The Internet of Everything' is a documentary that examines the hype and hubris hurtling towards the next frontier in the Internet's evolution.
2월의 방문
Editor
기억은 보이는 것과 다를 수 있다. 캐나다에 사는 사라는 우루과이 시골에 사는 친할머니 마그다를 만나러 가지만, 그곳에서 마주한 기억은 여전히 희미하기만 하다. 어린 시절 추억 속의 기찻길과 마을, 그리고 학급 친구까지 모든 것은 멀게만 느껴진다. 토론토국제영화제의 캐나다 장편 데뷔 작품상 수상자인 캐서린 예르코비츠는 대사로 가득 찬 이 참을성 있고도 게으른 영화 속에서, 각각의 캐릭터가 편안한 리듬과 함께 흘러갈 수 있도록 한다. 그러다 긴장은 점점 고조되고, 중요하지 않은 것처럼 보였던 것들이 가장 중요한 것임이 드러난다. (2020년 제5회 울주세계산악영화제/ 필립 치아)
Pôle Sud
Editor
La respiration de l'abeille
Editor
Violette (60 years old) has a hoarding disorder. Barbara is a social worker. She visits Violette to help her. But what if the one who needs help isn’t the one we think of?
Wild Skin
Editor
A woman finds a baby python in her apartment and has a strange connection with it. Together, both snake and woman begin a transformation into something new.
Angry Inuk
Editor
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
Letters to the Prime Minister
Editor
In the heart of the Montreal district of Parc-Extension, a poet of Haitian origin settles in a café to collect the stories, requests, and dreams of neighbors. Why? Because voters decided to write to their MP, now the 23rd Prime Minister of Canada.
Fragments
Editor
Chloe, a straight talking film director, tries to convince her friend Sam to be an actor in her next short film. Just after finding out that he once again didn’t get into medical school, Sam meets Alex, a hypochondriac 18 year old. A love triangle forms in these self-reflexive, humoristic fragments filled with sex talk , set in New Orleans.
When Monsters Were Real
Editor
It is said that long, long ago, the wild children were bestowed the gift of eternal youth. But one day, one of them started growing up and according to legend, grew so much he turned into a monster. Ravenous, he ate the smallest children and spread terror in his wake. Forced to seek protection, the village chief decided to banish the children who had become too tall before they had a chance to transform. The forest emu would come get them and escort them to the world of monsters, where they disappeared forever.
When Monsters Were Real
Screenplay
It is said that long, long ago, the wild children were bestowed the gift of eternal youth. But one day, one of them started growing up and according to legend, grew so much he turned into a monster. Ravenous, he ate the smallest children and spread terror in his wake. Forced to seek protection, the village chief decided to banish the children who had become too tall before they had a chance to transform. The forest emu would come get them and escort them to the world of monsters, where they disappeared forever.
When Monsters Were Real
Director
It is said that long, long ago, the wild children were bestowed the gift of eternal youth. But one day, one of them started growing up and according to legend, grew so much he turned into a monster. Ravenous, he ate the smallest children and spread terror in his wake. Forced to seek protection, the village chief decided to banish the children who had become too tall before they had a chance to transform. The forest emu would come get them and escort them to the world of monsters, where they disappeared forever.
Amazing Grace
Editor
Montreal, December 31, 1933. Inside the storefront window of the grand Ogilvy store, a young worker watches passersby with envy. Tonight, she has nowhere to go. When the store closes, she finds herself outside admiring a party in a neighboring house. She notices a young man. In spite of the cold, she doesn’t move, looking at the young man, and she is softly swept away into a world of dreams.
Antoine
Editor
A sensitive depiction of the real and imaginary worlds of a little six-year-old boy, who is lucid, confident and blind.
Trophy
Editor
Dominique, a shy and introverted teenager, wants just one thing: to become the best hockey player in her league. Her father, acting as her personal trainer, expects no less. But when she secures a coveted trophy, whose win is it?