Producer
Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.
Writer
Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.
Director
Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.
Producer
세기의 천재 아인슈타인과 영국 캠브리지의 학자 에딩턴 사이에 있었던 실화를 다룬 드라마
