Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.
Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.
넨과 엥겔은 고정된 눈과 초점없는 눈빛이 닮아 쌍둥이라고 불린다. 그들은 서로 사랑하는 사이지만 언제부턴가 엥겔이 넨과의 섹스를 거부한 상태다. 암흑계의 대부 폰타나는 동료들과 함께 부패한 경찰을 매수해 정부의 돈을 수송하는 트럭을 습격, 강탈하는 계획을 세운다. 넨과 엥겔 그리고 쿠에보 역시 폰타나의 강도 계획에 참여하게 된다.
