Editor
A steel mill about to close divides a city in southern Italy. The conflict between environmentalism and labor is posed in apparently unsolvable terms. The director embarks on a contemporary drama with expositive clarity, power and good faith—history is also written in the present tense.
Director
Producer
In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.
Editor
Director
Editor
An elderly couple debates whether to cut down an ancient acacia tree that has witnessed the major memories of our lives.
Editor
Bernardo is fifty years old and feels overwhelmed, confused, almost devastated; surrounded by the violence typical of a society that is slowly collapsing. With relationship problems, difficulties in conceiving a child and a woman who cannot - and does not care - dive into his deepest conflicts. Bernardo finds no rest anywhere. His head is about to explode when he decides to take a little vacation with Diana at their house in Tigre. They will not go alone: Nancy, an islander and house cleaner, will be part of a key night for Bernardo.
