Camera Operator
Focus Puller
런던 북부에 사는 중년 부부 앤디와 웬디는 쌍둥이 딸과 함께 살고 있다. 요리사인 앤디는 낡아빠진 푸드트럭을 사들이는데, 그는 트럭을 고쳐 장사를 할 계획을 세운다. 명랑한 에어로빅 강사 웬디는 남편의 계획에 대해 회의적이지만, 그의 꿈을 지지한다. 한편, 두 딸 나탈리와 니콜라는 외모만큼이나 성격이 서로 너무나 다르다. 배관공 조수로 일하는 나탈리는 선머슴 같지만, 누구보다 아빠가 행복해지길 바란다. 아무 일도 하지 않는 니콜라는 냉소적이며, 심지어 가족들에게조차 적대적이다. 어느 밤, 자기혐오에 빠진 니콜라는 과식 끝에 먹었던 것들을 억지로 게워내며 괴로워한다. 마이크 리는 이 소란스러운 가족의 생활을 들여다보면서 매일매일 이어지는 삶의 이면에 가라앉아 있는 고통과 분노를 쌉싸래한 웃음을 통해 들추어낸다.
Clapper Loader
Vic Mathews teaches a remedial class at the Blessed Edith Semple School in Scotland. Some at the school are trying to discover the two more miracles that would promote the late Edith Semple to sainthood; Mathews, a non-believer, wishes the school would concentrate on teaching the children. He becomes confused, however, when he is involved in possibly miraculous events himself! Written by George S. Davis
Production Manager
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
First Assistant Camera
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
