Tamás Dobos

참여 작품

Now or Never!
Director of Photography
On March 15, 1848, a young firebrand poet, Sándor Petöfi ignites the Hungarian Revolution with his passionate 'National Song', prompting the Austrians to dispatch a ruthless secret agent to assassinate him and suppress the uprising.
The Legend of the Gold Train
Director of Photography
In the endgame of WWII a few hundred bank employees and their family members rescued Hungary's entire gold reserves on a train from the Soviet army and were hiding it in a small Austrian village until the end of the war.
Perpetuity
Cinematography
Based on the Hungarian novel "Our Street" by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around - no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.
Erasing Frank
Director of Photography
Set in 1983, behind the Iron Curtain of Eastern Europe in Budapest, the film follows Frank, the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken to the police psychiatric hospital in an attempt to silence him, Frank will sacrifice everything to resist.
내츄럴 라이트
Director of Photography
제2차 세계대전, 점령당한 소련. 추축국의 일원인 헝가리는 독일의 소련 침공에 참여한다. 평범한 헝가리 농부였던 이스트반 세메트카는 군인으로 징병 되어 저항 세력을 정찰하는 특수부대의 상병으로 복무하게 된다. 외딴 마을로 가는 길에 그의 중대는 적의 공격을 받는다. 지휘관이 살해당하고, 세메트카는 통제할 수 없는 두려움과 광기에 빠져든 그의 중대를 이끌어야 한다
The Colonel Cries for The Red-Haired Woman
Cinematography
In an imaginary police department all the young policemen want to find the lost love of their old Colonel, but one of them starts to suspect that the Colonel doesn't remember her face anymore.
Willow
Director of Photography
Three Macedonian women have to contend with control over their bodies, tradition, loyalty, pregnancy and adoption. They have not set out to change the world or society, but their struggle to become mothers makes them unlikely heroines. The three bittersweet stories, one medieval, two contemporary, mirror and contrast one another, exploring themes of love, trust and motherhood.
Genesis
Director of Photography
The three stories within Genesis explore the notion of family: a woman in her late thirties rediscovers the faith she lost as a child; a mother goes to extreme lengths to ensure that her daughter is saved from the fate she was forced to endure; a Roma boy’s family are killed and the perfect world of his childhood is destroyed.
주피터스 문
Second Unit Director of Photography
뒷돈을 받으며 수용소에서 난민을 빼내주던 부패한 의사 '스턴'. 어느 날, 부상을 당한 시리안 소년 '아리안'에게 중력을 거스르는 특별한 힘이 있다는 것을 알게 된다. '스턴'은 국경에서 헤어진 아버지를 찾아주겠다고 돕는 척 하며 '아리안'의 신비한 능력을 자신의 돈벌이에 이용하는데… 과연 소년은 인생에 희망을 가져다 줄 천사일까? 아니면 그를 추락시킬 악마일까?
Father's Acre
Cinematography
Love makes a bad relationship between father and son all the more rancorous in this drama from Hungarian director Viktor Oszkar Nagy. A convict (Janos Derzsi) returns home after a long stretch in prison to a less than enthusiastic welcome; his son (Tamas Ravasz), now in his late teens, was left to fend for himself and tend the family farm on his own after his dad went away, and the youngster blames his father for his mother's untimely death. The father wants to mend his relationship with his son, but the young man makes no secret of his contempt for his dad, and only grudgingly allows him back on the farm.