Director of Photography
On March 15, 1848, a young firebrand poet, Sándor Petöfi ignites the Hungarian Revolution with his passionate 'National Song', prompting the Austrians to dispatch a ruthless secret agent to assassinate him and suppress the uprising.
Director of Photography
In the endgame of WWII a few hundred bank employees and their family members rescued Hungary's entire gold reserves on a train from the Soviet army and were hiding it in a small Austrian village until the end of the war.
Cinematography
Based on the Hungarian novel "Our Street" by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around - no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.
Director of Photography
Set in 1983, behind the Iron Curtain of Eastern Europe in Budapest, the film follows Frank, the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken to the police psychiatric hospital in an attempt to silence him, Frank will sacrifice everything to resist.
Director of Photography
World War II, occupied Soviet Union. István Semetka is a simple Hungarian farmer who serves as a Sub-Lieutenant in a special unit scouting for partisan groups. On their way to a remote village, his company falls under enemy fire. As the commander is killed, Semetka has to overcome his fears and take command of the unit as he is dragged into a chaos that he cannot control.
Cinematography
In an imaginary police department all the young policemen want to find the lost love of their old Colonel, but one of them starts to suspect that the Colonel doesn't remember her face anymore.
Director of Photography
Three Macedonian women have to contend with control over their bodies, tradition, loyalty, pregnancy and adoption. They have not set out to change the world or society, but their struggle to become mothers makes them unlikely heroines. The three bittersweet stories, one medieval, two contemporary, mirror and contrast one another, exploring themes of love, trust and motherhood.
Director of Photography
The three stories within Genesis explore the notion of family: a woman in her late thirties rediscovers the faith she lost as a child; a mother goes to extreme lengths to ensure that her daughter is saved from the fate she was forced to endure; a Roma boy’s family are killed and the perfect world of his childhood is destroyed.
Second Unit Director of Photography
医療ミスによる訴訟で病院を追われた医師シュルテンは、難民キャンプで働きながら違法に移民を逃すことで賠償金を稼いでいた。ある日、被弾し瀕死の重傷を負った少年が運び込まれるが、シュルテンは少年が空中を浮遊する力のあることを発見し、彼を連れてキャンプを抜け出し一儲けしようと企むのだったが・・・。
Cinematography
Love makes a bad relationship between father and son all the more rancorous in this drama from Hungarian director Viktor Oszkar Nagy. A convict (Janos Derzsi) returns home after a long stretch in prison to a less than enthusiastic welcome; his son (Tamas Ravasz), now in his late teens, was left to fend for himself and tend the family farm on his own after his dad went away, and the youngster blames his father for his mother's untimely death. The father wants to mend his relationship with his son, but the young man makes no secret of his contempt for his dad, and only grudgingly allows him back on the farm.
