Cinematography
When a pair of bumbling crooks hijack the Harrington and Sons toy store, a pair of kids stumble into the heist and are forced to team up with a female security officer to save Christmas.
Camera Operator
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
When Matt accidentally shrinks himself and is captured by the ants whom he has unwittingly been squashing, he must find a way to escape their clutches and his impending death sentence.
Camera Operator
무료하고 권태로운 삶의 한가운데 뛰어든 모지스로 인해 처음으로 강렬한 생의 감각을 느끼게 된 밀라. 위험하지만 짜릿한 첫사랑을 경험하는 밀라는 자신과는 완전히 다른 모지스로 인해 세계의 모든 것을 더욱 예리하게 느끼게 된다. 일상을 새롭게 감각하는 밀라를 바라보는 사람들 역시 살아있다는 것이 얼마나 기쁘고 소중한 일인지 깨달으며 치유받는다.
Cinematography
Shy Lucy is keen to please her enigmatic best-friend Alice, but when a double Tinder date with two older men turns ugly, she must fight to protect Alice and in the process recognises deeper feelings she has for her.
Cinematography
In a desperate bid for attention, 11-year-old Keira compulsively steals from pregnant women at her local aquatic centre. But her actions put her at risk of losing the only family she has.
Director of Photography
Set in 1780, Sweet Tooth is a dark and magical fairy tale film inspired by the classic story of Hansel and Gretel by the Brothers Grimm, but it is the untold story of the wicked witch and her infamous gingerbread house.
Cinematography
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
Cinematography
Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.
