Cinematography
When a pair of bumbling crooks hijack the Harrington and Sons toy store, a pair of kids stumble into the heist and are forced to team up with a female security officer to save Christmas.
Camera Operator
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
When Matt accidentally shrinks himself and is captured by the ants whom he has unwittingly been squashing, he must find a way to escape their clutches and his impending death sentence.
Camera Operator
Тяжело больная девушка Милла устала от чрезмерной опеки со стороны постоянно обеспокоенных родителей. Пытаясь почувствовать вкус жизни, она знакомится с мелким наркоторговцем Мозесом, в которого влюбляется без памяти. Эти отношения не устраивают родителей и привносят хаос в жизнь всех окружающих.
Cinematography
Shy Lucy is keen to please her enigmatic best-friend Alice, but when a double Tinder date with two older men turns ugly, she must fight to protect Alice and in the process recognises deeper feelings she has for her.
Cinematography
In a desperate bid for attention, 11-year-old Keira compulsively steals from pregnant women at her local aquatic centre. But her actions put her at risk of losing the only family she has.
Director of Photography
Милый мальчик — получеловек-полуолень — пускается под защитой мрачного друга в опасное приключение в надежде начать новую жизнь.
Cinematography
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
Cinematography
Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.
