Cinematography
When a pair of bumbling crooks hijack the Harrington and Sons toy store, a pair of kids stumble into the heist and are forced to team up with a female security officer to save Christmas.
Camera Operator
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
Divorced, lonely and inept with the web, a 50-year-old man decides to try his hand at finding love online – with spectacularly catastrophic results.
Director of Photography
When Matt accidentally shrinks himself and is captured by the ants whom he has unwittingly been squashing, he must find a way to escape their clutches and his impending death sentence.
Camera Operator
Milla, uma adolescente que está muito doente, apaixona-se por Moses, um pequeno traficante de drogas —para o desespero dos pais da menina. A jovem começa a ter uma nova vontade de viver, mas, aos poucos, vai deixando de lado os valores tradicionais e a moralidade. Ela começa a mostrar a todos ao seu redor —os pais, Moses, uma vizinha que está grávida— como é viver sem ter nada a perder. O novo comportamento de Milla poderia ser um desastre para a família, no entanto, em vez disso, ela ensina como ver graça no caos da vida.
Cinematography
Shy Lucy is keen to please her enigmatic best-friend Alice, but when a double Tinder date with two older men turns ugly, she must fight to protect Alice and in the process recognises deeper feelings she has for her.
Cinematography
In a desperate bid for attention, 11-year-old Keira compulsively steals from pregnant women at her local aquatic centre. But her actions put her at risk of losing the only family she has.
Director of Photography
Set in 1780, Sweet Tooth is a dark and magical fairy tale film inspired by the classic story of Hansel and Gretel by the Brothers Grimm, but it is the untold story of the wicked witch and her infamous gingerbread house.
Cinematography
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
Cinematography
Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.
