Antoine Chappey

Beatrice, recently widowed by a far right sympathetic policeman, lives with her son & mother. She doesn’t like migrant and foreigners. When she meets Mokhtar, an Iranian entered illegally in France, her world crumbles. This is the beginning of a passionate love story leading Beatrice to defy her racist entourage and the law so that he can cross the Channel.

In the heart of Morvan, Nico, the last vet in the area, struggles to save his patients, his clinic, and his family. When Michel, his partner and mentor, announces his retirement, Nico knows that the hard part is yet to come. "Don't worry, I've found the next generation" Except that ... The next generation is Alexandra, a 24-hour graduate, brilliant, misanthropic, and not at all willing to return to bury herself in the village of her childhood. Will Nico manage to make her stay?

어느날 깨어나 보니 모든 기억을 잃은 상태. 누군가 자신을 이끄는 데로 따라가 본다. 그곳에서 만난 사람들을 통해 자 신을 기억해보려고 하지만, 그 역시 마찬가지. 그들의 제의 에 따라 같이 일을 하게 된 쥐스트는 그가 만나는 사람들을 자신이 처음 만났던 사람에게 데려다 주는 일을 하게 된다. 그러던 어느 날 지하철에서 자신을 기욤이라고 부르는 아 가트(주디스 쳄라)를 만나는 쥐스트, 그녀는 쥐스트에게서 자신이 10년 전에 만났던 한 남자를 떠올린다. 시간이 지날 수록 점점 가까워지는 두 사람. 하지만 어느 날 갑자기 쥐스 트의 모습은 아가트에게서 사라진다. 아무리 불러봐도 아가 트는 자신의 존재를 느낄 수 없는 상황. 과연 여기에는 어떤 일이 일어난 것일까?

Anna and Adam, a young couple from Paris with Polish Jewish origins, leave for the first time of their lives in Poland. They were invited to commemorate the seventy-fifth anniversary of the destruction of the birth village community of Adam's grandfather. If Adam is not very excited about this trip, Anna is excited to discover the land that is also her grandmother's. Finally - from what little she knows. Here they are, looking for their origins in a journey full of surprises, during which they will not find exactly what they came for.

17세기 고성에서의 의미 깊은 결혼식을 준비하는 웨딩 플래너 맥스. 하.지.만 오늘따라 유달리 실수 연발에 손발 전혀 안 맞는 직원들로 인해 돌발 사고는 계속되고 예민하고 까다로운 클라이언트는 실시간 ‘지켜보고 있다’ 모드에 요구 사항은 점점 늘어만 간다! 과연 맥스는 엉망진창 팀원들과 함께 결혼식을 무사히 끝낼 수 있을까?

After the French defeat of summer 1940, Addi Ba, a young Senegalese rifleman escapes and hides in the Vosges. Aided by some villagers, he gets false documents that allow him to live openly.

Who would kill a Carthusian monk and why? As the investigators will find out, the key to the mystery lies in the ultra-secret formula of the Chartreuse plant liqueur.

Ondine and Paul have loved each other. When she leaves him, he swears not to love again. To prove this to himself, he pursues the beautiful Camille, whom he intends to seduce and abandon. But Camille puts a spell on Paul whom she desires for herself alone. And, while falling under Camille’s charms, Paul has to deal with the memory of his past love.

1997 - An old notable French provincial family falls under the spell of a manipulator with no scruples able to make a whole family become paranoid.

Pierre Blum, 40, is a writer who had his time of glory in the early 2000s. One evening, on a casino terrace, he meets Joseph Paskin. This mysterious man, charismatic and manipulative, is influential in the world of politics and persuades Pierre to take on a strange mission that takes him back to a past he’d prefer to forget, and puts his life in danger. In the middle of all this, Pierre falls in love with Laura, a young extreme-left activist. But in this world of subterfuge, who can really be trusted?

춤과 노래로 모두 즐거움에 들떠있던 마을 축제날, 한 가족의 딸이자 누나였던 소녀 켈리가 돌연 자취를 감춘다. 아버지 알랭(프랑소아 다미앙)과 남동생 키드(피네건 올드필드)는 삶의 모든 것을 내던진 채 그녀의 행방을 찾아 나서지만 뚜렷한 단서를 찾지 못하고, 남겨진 가족의 일상은 지금까지와는 전혀 다른 방향으로 흘러가게 되는데…

Élise lives with her 10-year-old son Léo, whose father is deceased. She has a chaotic relationship with Paul her lover. They go from happy moments to intense feuds. Élise introduces him to Léo and in time, they get to know and appreciate each other.

At fifty Louis Gravet, a serious actor, would like to become a comedian. His brother Peter, a film director, has the idea of hiring him for the lead role of a comedy. Family circumstances, their wives, their children, niece, lead him to make another film, new and unexpected.

After she has been dumped by her boyfriend, Pauline allows her sister to take her to a palace on the Italian Riviera. Instead of savouring the delights of a carefree existence, Pauline prefers to take on the role of an amateur sleuth, convinced that a crime has been committed in the environs. She ropes a handsome lifeguard into her investigation...

It is the moment of the first holiday departures, the weather is nice and warm. Leo, aged nine, is alone with his father, his mother has just died. He does not know what he is going to do, tomorrow, or later.

An 18-year-old beauty develops an attraction to an older photographer.

Paule is pushing 50, as she repeatedly observes in her voice-over commentary. When she – a philosophy lecturer with a 10-year marriage and a 15-year-old daughter – learns that her husband is having an affair with a 28-year-old, this number takes on a special weight. The Internet site “L’âme-sœur” is supposed to help Paule get through her burgeoning midlife crisis...

The ambiguous suicide of a local beauty, weathergirl, cheese model, and Marilyn Monroe look-a-like finds an eager sleuth in David Rousseau, best-selling crime novelist. When Rousseau visits a remote Alps village for the reading of his friend's will he unwittingly, but irresistibly, gets caught in the tangled web of murder and small town politics in this off-beat mystery.

It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.

An Indian delegation, headed by Kuldip Badhwar, is going to Cateneau's French power plant to negotiate the purchase of four new generation nuclear reactors. Before signing the contract, the Indian representative requires guarantees on the safety of the installations and requests an emergency shutdown test of the reactor. But a succession of incidents occur and seem to turn to disaster.

Elsa, a woman with a long history of depression in the midst of a divorce from her husband of 12 years develops an obsession with a seven year old girl she sees at a birthday party when she comes to pick up her son Thomas. Determined to find out more about the girl, Elsa uses Thomas as a way into the girl's family by aiding to develop a friendship between Thomas and the girl's brother Jeremy so that in turn Elsa can then befriend the girl's mother Claire. She uses Thomas more and more in her pursuit of this obsession telling her employer and fellow employees that Thomas is seriously ill so that she can run off watch the girl (Lola) wherever she goes. Elsa even tells her parents lies that she is going out with a friend so they will baby-sit so Elsa can even go as far as hiding in the bushes outside of Lola's house and watching her at night.

"The choice of each period is intimate, as each period awakens a particular emotion in me. This emotion reflects what is around me, not everyone is able to recognise it -- that is the risk I take. I think that this is good enough reason to make a film that will make visible small yet revealing things in differeent ways. I believe in tropisms and that is what interests me in this film." -- Marie Vermillard [taken from London Film Festival 2006 catalogue]

칸영화제 60주년을 기념하여 조직위원장 질 자콥이 직접 제작과 편집을 맡고, ‘영화관(館)’ 하면 떠오르는 느낌을 주제로 역대 황금종려상 수상 감독 35명이 3분짜리 스케치 33편을 찍어 완성된 영화. 거장들의 개성 넘치는 작품 속에 그들만의 영화관(觀)이 엿보인다.

어머니의 만류에도 불구하고 프랑스를 위해 군대에 지원한 알제리 청년 사이드. 한 전투에서 자신의 목숨을 구해준 '마르티네즈' 하사의 당번병이 된다. 오직 진급이 목표인 '압델카데르' 하사, 동생 결혼식을 위해 죽은 병사들의 호주머니를 뒤지는 불 같은 성격의 '야시르' 그리고 아름다운 프랑스 여인과 사랑에 빠진 '메사우드' 등 토착민 출신 병사들은 고된 훈련을 참아내며 계속되는 전투에서 승리를 거둔다. 하지만 식사와 진급, 편지검열 등 토착민 병사에 대한 불평등이 계속되고 '압델카데르'가 또다시 진급에서 밀려나자 프랑스 군인과 토착민 병사들 사이의 불신은 더욱 깊어진다. 결국 '사이드’를 비롯한 그의 동료들은 소기의 성과를 거둬 자신들의 정당한 권리를 찾고 그리운 고향으로 금의환향 하기 위해 독일군 점령하에 놓인 알자스 마을에 침투, 독일군과의 힘겨운 전투를 시작하게 되는데...

On a mission to loosen up, a miser's sets about buying a house in the country for his family.

At night she dreams about it, during the day she believes she's dreaming. However, Élise continues, reacts, and despite her pain, chooses life.

The four days following the death of a small town doctor, seen through the eyes of Nelly, his wife, a nurse.

경찰학교 졸업 후 막 파리로 배치를 받은 신참경찰 앙트완은 새로운 생활에 대한 기대로 부풀어있다. 한편 알코올 중독으로 휴직했다가 복직한 캐롤린 역시 다시는 술을 마시지 않겠다는 의지를 다진다. 캐롤린의 부하로 일하게 된 앙트완은 어느 날 은행 강도 사건을 맡는다.

Raymond (Bernard Blancan) is a very lonely peasant who lives so detached from the world that the peasants of the village nearby his family house consider him as dead for more than 30 years. None sees him but people know he is around and, as all secretly reproach themselves to not have helped the young Raymond after his all family death before he disappeared, they consider the family house as haunted by Raymonds ghost.When Frédéric (Antoine Chappey), Caroline (Lucia Sanchez) and their children come from the city to install themselves in the countryside, they know nothing about these villages tells and find in Raymonds family house a rare opportunity.

더이상 서로를 보며 아파해야할 이유도, 미워해야할 이유도 없다고 생각한 질과 마리옹, 이제 그들은 각자의 삶을 살아가려고 한다. 함께 살던 집도, 둘 사이에 태어난 아이도, 함께했던 추억도 이제는 더이상 그 둘을 묶어둘 수 없었다. 한때는 열렬히 사랑했던 질과 마리옹, 그 둘이 헤어질 수 밖에 없는 이유는....

A writer of novels in need of an editor accepts the contract offered to him by a famous writer: to eliminate his ex-wife against a large sum of money.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.

This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories. Encounters, joy, fear, first love, friendship, disappointment, the relationship between brothers and parents, the discovery of the vocation of acting and writing: all these elements weave together to create the irreplaceable fabric of an ordinary life whose particularities guide spectators back to their own personal stories.

This program of short films by Vincent Ravalec (Never twice, Le Masseur and Les Mots de l'amour) deals with themes such as desire and death through the journey of a group of characters.

A young female writer whose father was a militant activist struggles to come to terms with this cumbersome legacy.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

Fanfan leaves his friend Charles and thinks he can be accommodated by his friend, Joss. However, at the same time, Joss abandons the marital home. Fanfan and Joss have only to knock on the door of Manu, Fanfan's sister, who gathers them until Mytch, Manu's companion, throws everyone out. The three young women find themselves in the street and continue their run, while their lovers gang up to track them down. The mini-war of the sexes will flare up.

Matthieu and Eric are two brothers who work at the same factory as their father in Normandy. When his father is dismissed for smoking on the factory floor, Matthieu is incensed and tries to have him reinstated, in vain. His brother has just got married and, with a child and mortgage on the way, is reluctant to stir up trouble...

Nicolas Lanson, a young stockbroker, lives a fast life of money and luxury until the day his high-risk initiatives cause the fall of the bank. He flees with a price on his head. On the run, Nicolas meets Charlotte, pregnant for a man who doesn't want her. Although Nicolas isn't her type, Charlotte seduces him once she discovers his identity. Little does Nicolas know, Charlotte is not leading them to see her brother, but an older lover who just happens to be a cop.

A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.

Raphaëlle André is a brillant lawyer. The enigmatic death of her husband lead her into an investigation where she discovers new sides of the life of her late husband.

Solange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: carpet, tile, faucets. He's also a hothead, subjecting Sonange to tantrums. While she's often quiet and withdrawn, she longs to be a singer. When by chance she meets Mylène, an accomplished, beautiful Parisian writer she admires, Solange gives her a demo tape. Mylène is encouraging, a friendship of sorts develops, and when Solange despairs after a series of personal, emotional setbacks, she heads for Mylène's doorstep in Paris. Does a singing career await, and what about Patrick?

French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.

Twenty-four hours in the life of a young musician, Noël Akchoté, in his dealings with improvisation, technique, money, concerts, studios, guitars, history, independents, majors. Between fiction and documentary, between laughter and seriousness, a "jazz" portrait.

Max is a kind of modern Zadig embarked upon an existential and sentimental quest. Jewish and Russian all rolled into one, he quickly feels cramped in his native Ukraine. One day, he leaves his parents, family and enemies for the city of his dreams: Paris. He discovers the capital and the occasionally ferocious and complex ways of its natives.

A group of young unemployed people from Le Mans (France) decide to create a new political party.

The life of a family of boatmen flows gently along the water when a desperate man, wanting to throw himself off a bridge, lands on the pile of sand they were carrying. The film is preceded by a short film by the same author, "Someone", which recounts the memory of fifteen years of frequenting the same barber.

Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.

After fatally shooting a stalker, Parisian bar-maid Lea must live the life of the title reptile. At the time of the killing she was living with Francis, a much older American ex-con. After committing the murder, the fleeing and frightened Lea is saved by Paris paper boys Jean and Luc. Later she tells her sad story to hard-drinking Moskowitz, a middle-aged cop who secretly desires her. His unrequited love leads to tragedy. Meanwhile, Lea continues living with Francis, but also shacks up with Luc while trying to avoid the jealous cop.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. One day, she meets Gérald, her brother's former boyfriend, who persuades her to move into his apartment. He soon takes control over Sandrine's life, organizing erotic rendezvous for her, taking her to her clients and waiting for her until she is through with her task.

When Chloe, a young Parisian, decides to take a long-overdue vacation, she has to find someone to look after Gris-Gris, her beloved cat. Everyone, including her gay male roommate, refuses to help her, but she finally makes an arrangement with the elderly Madame Renée, who often watches over other peoples' cats and dogs. However, when Chloe comes back, Madame Renée tells her that unfortunately the cat has been lost, and the unlucky owner goes on a search for her dear animal friend. While looking for the cat, she meets many colorful characters who populate the neighborhood.

Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that time, who died one month before due to an overdose. They remember their teenage, their laughs, their dreams, their stupid pranks... a description of the French youth in the middle of the seventies. Part of ARTE's series "The high school years".

In the sixties, in a suburb near Paris, Martine wants to lose her virginity.

In 1980s Paris, a series of murders captures public attention. Meanwhile, the gorgeous Daiga moves from Lithuania to Paris, immigrant musician Théo struggles to raise his young son, and Théo's brother, a gay transvestite named Camille, sings and dances in a cabaret for a living. All three grapple with isolation and the problems of modern living, but one of them could be so desperately alienated that they have a hand in the serial murders.

Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.

Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...

Actor and singer on the decline, Sergio, alcoholic, goes adrift. His son, Simon, undertakes to make a film with and on him, to try to bring him back to life, "by force with others"

Lepetit, an ambitious and determined man, is named the new CEO of a department store. His mission is to improve the store's financial position. He decides that the human factor will be his catchword and introduces new methods, which he also applied to himself. But tensions slowly arise between members of the staff.

Mona is the girlfriend of Pierre, who is a member of a rather pathetic rock band in France. Their hero is the singer "Johnny Valentine " who, seeing that Mona is being neglected, decides to make her his own.