Eli Anne Linnestad

It's July 29, 1981. In the majestic St Paul's Cathedral in London, Lady Diana Spencer marries Prince Charles. The same day, another celebration takes place in the canteen of a Norwegian small-town factory. It’s the newly-weds LIV and TERJE'S wedding party. In the pram lies their new-born daughter, DIANA, who, like her famous namesake, will be facing a lot of chaos in the years to come thanks to her parents. The wedding, and following years, are less glamorous than the royal counterpart, but indisputably much more fun. Through the eyes of Diana, we witness the rollercoaster of her parent’s marriage. To her, they are the worst parents in the world. Miles away from doing a decent job, constantly fighting yet still in love by the time Diana is preparing for her own marriage 30 years later.

작은 마을 플로이크파에 겨울이 다가오지만 눈은 내리지 않고, 지역 신문에서는 석 달째 눈이 올 거라는 기사를 내는 바람에 사람들의 불만은 이만 저만이 아닌 상황. 마음이 급해진 신문사 편집장은 동네 발명가를 찾아가 눈 내리는 기계를 만들어 달라 조르고, 기계의 성능이 완벽하지 않은데도, 편집장은 몰래 창고에 숨어들어가 기계를 가지고 나온다. 기계의 오작동으로 마을에는 폭설이 쏟아지기 시작하고 우리의 히어로 솔란과 루드빅은 폭설로부터 마을을 구해야만 하는데...

Follows the Junior Olsen Gang as they hunt down missing tax money stolen from a bank in 1835.

A warm, dramatic story about eleven-year-old Alise's encounter with a wild horse on the run.

A drama focused on Norwegian society in the 1970s, an era politically influenced by Marxism and Leninism.

행복한 가정의 외동딸로 태어난 디나는 어릴적 자신의 실수로 사랑하는 엄마를 잃게 된다. 그 순간 디나의 모든 것이 사라져 버렸다. 어린 소녀 디나는 분노에 찬 아빠의 학대와 무관심 속에 세상과 단절 된 채 아름다운 야생의 처녀로 성장하게 된다. 첼로의 아름다운 선율과 과외선생 록만이 그녀의 유일한 친구일 뿐. 록이 떠나자 아빠의 친구 제이콥(제라르 드빠르디유)은 디나의 독특한 매력에 매료되어 그녀와의 결혼을 감행한다. 그러나 행복은 그녀에게서 멀어져만 간다. 그렇게 끊임없이 이어지는 불행한 운명의 굴레는 시작되는데.

When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and female-obsessed virgin in his 40s. After two years, the men are released and provided with a state-funded apartment and stipend with the hope they will be able to live on their own.

Jan's fastfood-business is going bankrupt, his girlfriend has left him, and he is being exploited by his live-in father. Therefore, he has nothing to lose when he gets mixed up in the kidnapping of famous rock star Iver Mo. But Jan has never been able to do anything right his whole life, and there are others who want to get their hands on the ransom money.

Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.

A great crazy-comedy from Wam & Vennerød. Bryllupsfesten (English: The wedding party) is a 1989 Norwegian comedy film written by Petter Vennerød, and directed by Vennerød and Svend Wam, starring Knut Husebø and Eli Anne Linnestad. Businessman Carl Otto "Totto" Holm (Husebø) is on the verge of bankruptcy, and plans a staged robbery of the family's Munch engraving.

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

"He Who Hangs By a Thread" - Work and conflicts at a clothes factory with only female workers, where we meet the the suffering and tired low paid sewers.

Bjørn is released from prison after serving time for robbery . He's decided to change his life and get the help of a friend working as guard at a swimming pool . He soon realizes that not everyone will forget his past and when he tries to reunite with his wife their children , problems arise. Bjørn feels ostracized and life as criminal seems all the more tempting.

Marion is born limp and with a scarred face. Georg is also limp after a car accident. it takes more than a man to go together.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.