Eli Anne Linnestad

No mesmo dia em que Lady Diana se casou com o Príncipe Charles, outro casamento, menos importante, acontecia a quilômetros de distância: a festa dos noivos Liv e Terje, acompanhados de sua filha recém-nascida, também chamada Diana.

The small town of Pinchcliffe is experiencing a great lack of snow, which is why the inventor Reodor Felgen is asked to create a snow machine. However, things does not go as planned.

Follows the Junior Olsen Gang as they hunt down missing tax money stolen from a bank in 1835.

A warm, dramatic story about eleven-year-old Alise's encounter with a wild horse on the run.

A drama focused on Norwegian society in the 1970s, an era politically influenced by Marxism and Leninism.

In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the household servants. Dina grows up wild and unmanageable, with her only friend being the stable boy, Tomas. She summons her mother's ghost and develops a strange fascination with death as well as a passion for living.

Elling (Per Christian Ellefsen), um homem de 40 anos com problemas mentais, passou os últimos dois anos em um hospital psiquiátrico, onde foi internado após a morte da mãe. Um programa de socialização faz com que ele vá viver num apartamento em Oslo com outro doente mental da mesma idade, Kjell Bjarne (Sven Nordin). No início até as atividades mais corriqueiras, como ir à esquina ou atender ao telefone, se tornam grandes desafios. Mas aos poucos a dupla vai se adaptando à nova realidade, perseguindo seus objetivos: enquanto Elling se descobre um poeta, Kjell Bjarne procura uma mulher para perder a virgindade.

Jan's fastfood-business is going bankrupt, his girlfriend has left him, and he is being exploited by his live-in father. Therefore, he has nothing to lose when he gets mixed up in the kidnapping of famous rock star Iver Mo. But Jan has never been able to do anything right his whole life, and there are others who want to get their hands on the ransom money.

Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.

A great crazy-comedy from Wam & Vennerød. Bryllupsfesten (English: The wedding party) is a 1989 Norwegian comedy film written by Petter Vennerød, and directed by Vennerød and Svend Wam, starring Knut Husebø and Eli Anne Linnestad. Businessman Carl Otto "Totto" Holm (Husebø) is on the verge of bankruptcy, and plans a staged robbery of the family's Munch engraving.

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

"He Who Hangs By a Thread" - Work and conflicts at a clothes factory with only female workers, where we meet the the suffering and tired low paid sewers.

Bjørn is released from prison after serving time for robbery . He's decided to change his life and get the help of a friend working as guard at a swimming pool . He soon realizes that not everyone will forget his past and when he tries to reunite with his wife their children , problems arise. Bjørn feels ostracized and life as criminal seems all the more tempting.

Marion is born limp and with a scarred face. Georg is also limp after a car accident. it takes more than a man to go together.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.