Eli Anne Linnestad

It's July 29, 1981. In the majestic St Paul's Cathedral in London, Lady Diana Spencer marries Prince Charles. The same day, another celebration takes place in the canteen of a Norwegian small-town factory. It’s the newly-weds LIV and TERJE'S wedding party. In the pram lies their new-born daughter, DIANA, who, like her famous namesake, will be facing a lot of chaos in the years to come thanks to her parents. The wedding, and following years, are less glamorous than the royal counterpart, but indisputably much more fun. Through the eyes of Diana, we witness the rollercoaster of her parent’s marriage. To her, they are the worst parents in the world. Miles away from doing a decent job, constantly fighting yet still in love by the time Diana is preparing for her own marriage 30 years later.

Веселый и любопытный Солан и его друг — пессимист и меланхолик Людвиг — живут в маленькой деревушке вместе с изобретателем Реодором Фельгеном. Спокойную жизнь героев омрачает лишь одно — в канун Рождества в деревне до сих пор не выпал снег. Реодор, желая порадовать друзей, создает самую мощную в мире снежную пушку. Но, к сожалению, есть человек, который хочет использовать машину в корыстных целях — это редактор местной газеты Фриман. Чтобы повысить продажи своего издания, Фриман обещает читателям рекордное количество снега — и, конечно, для этого ему понадобится изобретение Реодора. Редактор своими действиями вызывает настоящую снежную бурю, и тогда Солана и Людвиг решают бросить ему вызов, чтобы остановить разбушевавшуюся стихию и вернуть Рождество.

Follows the Junior Olsen Gang as they hunt down missing tax money stolen from a bank in 1835.

A warm, dramatic story about eleven-year-old Alise's encounter with a wild horse on the run.

A drama focused on Norwegian society in the 1970s, an era politically influenced by Marxism and Leninism.

Дина была еще совсем маленькой, когда случившееся по ее вине несчастье навсегда отвернуло от нее отца. Девочка жила в полнейшем одиночестве, и только забота друга семьи Джейкоба смогла остановить ее прогрессирующее безумие. Дина выросла и превратилась в красавицу, но так и осталась для всех странной девушкой, от которой можно ждать самых невероятных выходок. Однако влюбленного в нее Джейкоба это не пугало несмотря на значительную разницу в возрасте и общественное мнение, он женится на Дине. Что не принесет счастья ни ей, ни ему…

Рассказанная с грустной улыбкой история двух душевнобольных, подружившихся в клинике и по выходе решивших держаться друг друга и впредь, еще и свидетельство благополучия норвежского общества: когда сумасшедшие могут, не испытывая финансовых проблем, устраивать свою личную жизнь наравне с дееспособными гражданами за счет государства - это прекрасно. Кино Норвегии сегодня.

Jan's fastfood-business is going bankrupt, his girlfriend has left him, and he is being exploited by his live-in father. Therefore, he has nothing to lose when he gets mixed up in the kidnapping of famous rock star Iver Mo. But Jan has never been able to do anything right his whole life, and there are others who want to get their hands on the ransom money.

Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.

A great crazy-comedy from Wam & Vennerød. Bryllupsfesten (English: The wedding party) is a 1989 Norwegian comedy film written by Petter Vennerød, and directed by Vennerød and Svend Wam, starring Knut Husebø and Eli Anne Linnestad. Businessman Carl Otto "Totto" Holm (Husebø) is on the verge of bankruptcy, and plans a staged robbery of the family's Munch engraving.

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

"He Who Hangs By a Thread" - Work and conflicts at a clothes factory with only female workers, where we meet the the suffering and tired low paid sewers.

Bjørn is released from prison after serving time for robbery . He's decided to change his life and get the help of a friend working as guard at a swimming pool . He soon realizes that not everyone will forget his past and when he tries to reunite with his wife their children , problems arise. Bjørn feels ostracized and life as criminal seems all the more tempting.

Marion is born limp and with a scarred face. Georg is also limp after a car accident. it takes more than a man to go together.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.