Juan Quintáns

In the mythical Reus neighborhood, two families dispute control of the area. One of them fights to recover their place and the other to resolve unfinished business. The conflict generates a spiral of violence that causes a confrontation between the new generations.

Two families on neighboring farms on the border between Brazil and Uruguay. Decades drive these people away. The physical proximity is separated by a fence and the set of prejudices, inexplicable hatred and lack of generosity. In the end of the year, between Christmas and New Year, the families gather on their respective farms. What nobody knows is that a love between two young people is about to break this barrier that is much bigger than the fence that divides the fields. The passion between Rodrigo and Juliana could be the point of recovery for a relationship marked by so many years of hatred, but, like Shakespeare's original story, the human being is much more complex and inexplicable. Whether in Verona, Italy, or on a border farm. Tragedy lives inside people and is sometimes impossible to control.

민주주의가 위기에 처한 시대, 그 위험을 경고하는 다큐멘터리. 《엘레나(Elena)》를 연출했던 페트라 코스타 감독은 정치적 사건들과 개인적 경험을 바탕으로 브라질 역사에서 가장 극적인 시기를 돌아본다. 감독은 이제껏 볼 수 없었던 내밀한 기록들을 바탕으로 전 대통령인 지우마 호세프와 룰라 다시우바 등 주요 정치 지도자들의 성장과 퇴장을 다루는 데 그치지 않는다. 감독 자신의 가족이 얽힌 정치와 업계의 과거사를 가감 없이 조명하면서 대립과 갈등만 남은 양극화된 사회를 깊이 있는 시선으로 응시한다.

A woman is alone in her yellow cage

A woman is alone in her yellow cage