Screenplay
Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
Producer
Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
Director
Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
Writer
In a countryside house where they are meant to explore the troubles in their sexuality, three women spend days and nights apprehending their inner demons. A serene German therapist and a kind-hearted social worker supervise them, help them and try to maintain the fragile balance of the group. During 26 days, in the midst of summer, Geisha, Léonie and Eugénie will have to refrain from breaking down, tame the whispers from present times and consider the future.
Director
In a countryside house where they are meant to explore the troubles in their sexuality, three women spend days and nights apprehending their inner demons. A serene German therapist and a kind-hearted social worker supervise them, help them and try to maintain the fragile balance of the group. During 26 days, in the midst of summer, Geisha, Léonie and Eugénie will have to refrain from breaking down, tame the whispers from present times and consider the future.
Director
A musical and visual journey of Renegade Breakdown, Marie Davidson & L’Œil Nu's 2020 album.
Screenplay
앙토냉은 항상 아내 에글랑틴의 착하고 인내심 강한 성격을 이용하려 한다. 반면 여동생 솔베그에게는 끊임없이 실망만을 안겨 준다. 또 한편으로는 카시오페에 대한 강한 끌림과 욕망을 지울 수 없다.
Producer
앙토냉은 항상 아내 에글랑틴의 착하고 인내심 강한 성격을 이용하려 한다. 반면 여동생 솔베그에게는 끊임없이 실망만을 안겨 준다. 또 한편으로는 카시오페에 대한 강한 끌림과 욕망을 지울 수 없다.
Director
앙토냉은 항상 아내 에글랑틴의 착하고 인내심 강한 성격을 이용하려 한다. 반면 여동생 솔베그에게는 끊임없이 실망만을 안겨 준다. 또 한편으로는 카시오페에 대한 강한 끌림과 욕망을 지울 수 없다.
Director
In "Spaces #2", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "cnfnmnt e/scp(i)sm" is Denis Côté's submission.
Producer
정체를 알 수 없는 자인 윌콕스는, 시골을 맴돌며 산과 강을 따라 걷고 황량한 도로를 건너 공공시설의 혜택을 몰래 누리거나 음식을 훔치며 산다. 그는 문명을 등진 영웅처럼 보이기도, 어떤 방향성도 가지지 않은 떠돌이처럼 보이기도 한다.
Screenplay
정체를 알 수 없는 자인 윌콕스는, 시골을 맴돌며 산과 강을 따라 걷고 황량한 도로를 건너 공공시설의 혜택을 몰래 누리거나 음식을 훔치며 산다. 그는 문명을 등진 영웅처럼 보이기도, 어떤 방향성도 가지지 않은 떠돌이처럼 보이기도 한다.
Director
정체를 알 수 없는 자인 윌콕스는, 시골을 맴돌며 산과 강을 따라 걷고 황량한 도로를 건너 공공시설의 혜택을 몰래 누리거나 음식을 훔치며 산다. 그는 문명을 등진 영웅처럼 보이기도, 어떤 방향성도 가지지 않은 떠돌이처럼 보이기도 한다.
Writer
인구가 215명뿐인 작은 외딴 마을에서 한 남자가 차 사고로 숨지게 된다. 망연자실한 마을 사람들은 비극의 전말과 관련하여 이야기하기를 꺼린다. 그 시점부터 그의 가족을 비롯한 몇몇 사람들에게 시간은 이제 아무 의미를 갖지 못하게 되고, 하루하루는 기약 없이 늘어져만 간다.
Director
인구가 215명뿐인 작은 외딴 마을에서 한 남자가 차 사고로 숨지게 된다. 망연자실한 마을 사람들은 비극의 전말과 관련하여 이야기하기를 꺼린다. 그 시점부터 그의 가족을 비롯한 몇몇 사람들에게 시간은 이제 아무 의미를 갖지 못하게 되고, 하루하루는 기약 없이 늘어져만 간다.
Producer
Jean-François, Ronald, Alexis, Cédric, Benoit and Maxim are gladiators of modern times. From the strongman to the top-class bodybuilder, to the veteran who has become a trainer, they all share the same definition and obsession with overcoming their limitations. They are waiting for the next competition, working hard in the gym and following extreme diets.
Director
Jean-François, Ronald, Alexis, Cédric, Benoit and Maxim are gladiators of modern times. From the strongman to the top-class bodybuilder, to the veteran who has become a trainer, they all share the same definition and obsession with overcoming their limitations. They are waiting for the next competition, working hard in the gym and following extreme diets.
Writer
Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.
Director
Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.
Director
겨울이 끝나지 않는다. 깊은 숲 속, 산 중턱, 거리와 심지어 집 안 깊숙한 곳까지 스며든 침묵이 온 마을을 지배한다. 분명히 무슨 일이 있었지만, 목격자들은 어디에 있는가. (2016년 제17회 전주국제영화제)
Director
영화제 때문에 방문한 리스본에서 평범한 듯 예외적인 시간을 보내는 배우, 두 명의 리스본 관광 가이드들 사이에 벌어진 일, 타인의 꿈에 들어갈 수 있는 이상한 기계, 인어와 가면을 쓴 남자들이 벌이는 비현실적 모험 이야기가 차례로 펼쳐진다.
Writer
In Lisbon, Claudia offers guided tours in and out of the city. At night, she kills time with her sister in a modest apartment. In Lisbon, lonesome Martinho is fluent in Italian and guide tourists all around town. In Lisbon, a band is jamming. They perform improvisational noise jazz. In Lisbon, a mysterious phenomenon fills the air. Claudia and Martinho’s lonely hearts will discreetly meet to the sound of music.
Director
In Lisbon, Claudia offers guided tours in and out of the city. At night, she kills time with her sister in a modest apartment. In Lisbon, lonesome Martinho is fluent in Italian and guide tourists all around town. In Lisbon, a band is jamming. They perform improvisational noise jazz. In Lisbon, a mysterious phenomenon fills the air. Claudia and Martinho’s lonely hearts will discreetly meet to the sound of music.
Writer
Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.
Director
Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.
Screenplay
Two recently released prisoners learn to live in a sugar shack deep in the forest.
Director
Two recently released prisoners learn to live in a sugar shack deep in the forest.
Writer
A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.
Director
A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.
Director of Photography
Writer
Director
Screenplay
퀘벡 지역의 외진 마을에 살고 있는 장-프랑수와는 딸을 외부세계로부터 보호하기 위해 집에서만 교육한다. 이 둘의 단순하지만 약간은 위태로워 보이는 삶 속에 몇몇 사건들이 파고들어, 그들을 가둔 벽에 균열을 일으킨다. (2011년 제12회 전주국제영화제)
Director
퀘벡 지역의 외진 마을에 살고 있는 장-프랑수와는 딸을 외부세계로부터 보호하기 위해 집에서만 교육한다. 이 둘의 단순하지만 약간은 위태로워 보이는 삶 속에 몇몇 사건들이 파고들어, 그들을 가둔 벽에 균열을 일으킨다. (2011년 제12회 전주국제영화제)
Director
Six men. The forest. The menace is there somewhere. Armed, ready, looking for action, they wander, day and night, striving for a confrontation.
Director
한 치 앞도 보이지 않는 숲에서 적을 찾아 헤매는 6명의 군인들. 섬에 모여 셰익스피어의 희곡을 준비하던 중 다른 배우들이 자신을 따돌린다는 사실을 알게된 루이사. 강철 공장으로 옮겨지는 선철의 하루살이. 로카르노국제영화제 황금표범상과 은표범상이 빛나는 캐나다 퀘백영화를 대표하는 작가 드니 코테, 세익스피어 3부작을 통해 세계적인 작가로 거듭난 아르헨티나의 젋은 피 마티야스 피녜이로, 실험영화의 거두이자 아메리칸 아방가르드의 전설 제임스 베닝이 들려주는 세 이야기.
Writer
An introverted man runs a "car cemetery" where people come to find parts for old vehicles.
Director
An introverted man runs a "car cemetery" where people come to find parts for old vehicles.
Writer
Caught in the tensions of the returning Pierrot, an ex-con, and the neighboring outlaws, Coralie attempts to distance herself from an ambiguous if not tormented past. Set against a busy highway, the butting houses dominated by a boss loosing sight of his operation are suspended as an anarchic surge approaches.
Director
Caught in the tensions of the returning Pierrot, an ex-con, and the neighboring outlaws, Coralie attempts to distance herself from an ambiguous if not tormented past. Set against a busy highway, the butting houses dominated by a boss loosing sight of his operation are suspended as an anarchic surge approaches.
Director
Without dialogues, Maϊté shows us an adolescent who goes to a big city to a black metal concert.
Director
After a lengthy virtual relationship over the Internet, Milena and Philip take the plunge and agree to finally meet. Having lived in Montreal for over a decade, Milena, an immigrant of Bulgarian descent, accepts to greet her correspondent Philip, a flirtatious photographer from Sofia. Out in an isolated cottage in Quebec's countryside, the couple abandon themselves to one another. Between periods of cultural clashes and fleshly pleasures, the two assess each other and the possibilities for true love. But strange, uncanny events soon disrupt Milena and Philip's quiet intimacy as secrecy and silence slowly set in -nihilproductions
Writer
Christian has commited a crime, a crime of compassion. A troubled soul, he must now flee not only the law, but the deep ethical consequences of his act. The path he sets upon leads him to where all roads end : a small community by the name of Radisson, 1500km north of Montreal. Slowly, he starts his life anew among his new neighbours, a new job, a new interest in life. His story drifts along, somewhere between fiction and reality…
Director
Christian has commited a crime, a crime of compassion. A troubled soul, he must now flee not only the law, but the deep ethical consequences of his act. The path he sets upon leads him to where all roads end : a small community by the name of Radisson, 1500km north of Montreal. Slowly, he starts his life anew among his new neighbours, a new job, a new interest in life. His story drifts along, somewhere between fiction and reality…
Director
A man and his toys make for an uneasy ballad.
Director
In a hotel meant for sex meetings, a woman cleans the rooms, making them ready for the new clients, as we hear her voice in the sound track, in a marked contrast between the imagined and the real sexuality.
Screenplay
Two red-clad women are pursued by an insistent, yet weary stranger. An existential stroll on the nocturnal pavement of a gloomy Montreal, carried by the sounds of punk rock music.
Director
Two red-clad women are pursued by an insistent, yet weary stranger. An existential stroll on the nocturnal pavement of a gloomy Montreal, carried by the sounds of punk rock music.
Screenplay
Much is said about farmers, but what about them, truly?
Director
Much is said about farmers, but what about them, truly?
Screenplay
All the sugar daddies have died ; a city is born. Fictional exercise carried out in situ, in which hope and distress rub shoulders in a chaotic, scrap metal city under constant construction.
Director
All the sugar daddies have died ; a city is born. Fictional exercise carried out in situ, in which hope and distress rub shoulders in a chaotic, scrap metal city under constant construction.
Director
Éric St-Amand and Mika Dionne are 9 and 10 years old, going nowhere fast in the heat of a New Brunswick summer. The luminous, idyllic flipside to the Old Fashion Waltz.
Director of Photography
A couple's impasse is refracted through the world’s great tragedies, and the news of "what is happening in Kosovo”. A tender, indifferent, cynical and bittersweet slice of melodrama.
Screenplay
A couple's impasse is refracted through the world’s great tragedies, and the news of "what is happening in Kosovo”. A tender, indifferent, cynical and bittersweet slice of melodrama.
Director
A couple's impasse is refracted through the world’s great tragedies, and the news of "what is happening in Kosovo”. A tender, indifferent, cynical and bittersweet slice of melodrama.
Sound Designer
An old fashioned waltz. Flirting with horror cinema, here is the portrait of an aging New Brunswick population, unfolding like a found footage object equally elegiac as it is nightmarish.
Screenplay
An old fashioned waltz. Flirting with horror cinema, here is the portrait of an aging New Brunswick population, unfolding like a found footage object equally elegiac as it is nightmarish.
Director
An old fashioned waltz. Flirting with horror cinema, here is the portrait of an aging New Brunswick population, unfolding like a found footage object equally elegiac as it is nightmarish.
