Franco Prosperi

PCP is unexplainably released into the Frankfurt water supply and sends the zoo inhabitants crazy. One evening after a malfunction of zoo security the gonzo critters rampage through the city eating and killing whatever they fancy, wreaking a night of bloody terror. It's up to regular Italian-trash whipping girl Lorraine De Selle and obnoxious Super Mario lookalike zookeeper John Aldrich to sort it out.

PCP is unexplainably released into the Frankfurt water supply and sends the zoo inhabitants crazy. One evening after a malfunction of zoo security the gonzo critters rampage through the city eating and killing whatever they fancy, wreaking a night of bloody terror. It's up to regular Italian-trash whipping girl Lorraine De Selle and obnoxious Super Mario lookalike zookeeper John Aldrich to sort it out.

PCP is unexplainably released into the Frankfurt water supply and sends the zoo inhabitants crazy. One evening after a malfunction of zoo security the gonzo critters rampage through the city eating and killing whatever they fancy, wreaking a night of bloody terror. It's up to regular Italian-trash whipping girl Lorraine De Selle and obnoxious Super Mario lookalike zookeeper John Aldrich to sort it out.

A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.

Voltaire, a 16th century author was furious that learned members of a "civilized" society could claim that the apparent senseless violence and mayhem wrought by disasters, war, disease, man's cruelty, etc. was actually only a part of some 'greater good'. After all, God (being perfect) could not 'logically' have created anything but the 'best of all possible' universes.

Voltaire, a 16th century author was furious that learned members of a "civilized" society could claim that the apparent senseless violence and mayhem wrought by disasters, war, disease, man's cruelty, etc. was actually only a part of some 'greater good'. After all, God (being perfect) could not 'logically' have created anything but the 'best of all possible' universes.

Voltaire, a 16th century author was furious that learned members of a "civilized" society could claim that the apparent senseless violence and mayhem wrought by disasters, war, disease, man's cruelty, etc. was actually only a part of some 'greater good'. After all, God (being perfect) could not 'logically' have created anything but the 'best of all possible' universes.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

아프리카 식민지 시대의 종말에 대한 다큐멘터리로, 밀렵, 폭력, 살인, 부족 학살 행위를 묘사합니다.

아프리카 식민지 시대의 종말에 대한 다큐멘터리로, 밀렵, 폭력, 살인, 부족 학살 행위를 묘사합니다.

아프리카 식민지 시대의 종말에 대한 다큐멘터리로, 밀렵, 폭력, 살인, 부족 학살 행위를 묘사합니다.

The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.

A mondo doc detailing the wild and weird world of women... around the world.

A mondo doc detailing the wild and weird world of women... around the world.

아프리카나 남미 정글의 오지가 아닌 현대 문명 사회의 한 복판에서 일어나는 잔혹한 살상과 재난에 초점을 맞춰 '문명 속에 도사린 야만의 얼굴'을 리얼하게 조명했으며, 수 많은 죽음의 얼굴(The Many Face Of Death)이라는 부제가 있는데, 격동의 80년대를 시간적 배경으로 세계 도처에서 행해지거나 발생한 잔혹하고 야만적인 살육과 끔찍한 재난의 현장을 여과없이 보여주고 있다. 두려움 모르는 카메라맨들이 목숨을 걸고 필름에 담은 생생한 장면들이 런닝타임 내내 관객들을 경악의 세계로 끌어 당긴다.