Colorist
15 children born of war in the LRA and Kormojong conflicts in Northern Uganda come together to create a performance based on their memories.
Cinematography
15 children born of war in the LRA and Kormojong conflicts in Northern Uganda come together to create a performance based on their memories.
Camera Operator
An underworld kingpin's past catches up with him when he returns to London, igniting an explosive chain of events which ends in revenge and murder.
Colorist
Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.
Director of Photography
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
