Ezequiel Romero

Filmes

The Wound is Where the Light Enters
Colorist
15 children born of war in the LRA and Kormojong conflicts in Northern Uganda come together to create a performance based on their memories.
The Wound is Where the Light Enters
Cinematography
15 children born of war in the LRA and Kormojong conflicts in Northern Uganda come together to create a performance based on their memories.
Nemesis
Camera Operator
An underworld kingpin's past catches up with him when he returns to London, igniting an explosive chain of events which ends in revenge and murder.
Sad Hill Unearthed
Colorist
Em outubro de 2015, um grupo de fãs do filme "The Good, the Bad and the Ugly" (Sergio Leone, 1966) visitou a locação da sequência final do filme em Burgos (Espanha). Abandonado há 49 anos e cobertos pela vegetação, esses voluntários quiseram desenterrar e trazer de volta à vida o icônico Cemitério Sad Hill. A notícia se espalhou rapidamente e todo fim de semana pessoas de toda a Europa começaram a visitar o local para ajudar na sua reconstrução. Sad Hill Unearthed explora os sonhos dos fãs e suas motivações, mas também como a arte, música e cultura influencia as pessoas e se torna uma experiência de busca transcendental.
Delphyne
Director of Photography
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).