Nelly
남녀의 평범하지 않은 관계를 이야기한다. 9년째 함께 사는 커플 앞으로, 10년 전 헤어진 남자가 나타났다. 흔한 삼각관계도 드니의 손길에 잡히면 달라진다. 그는 표현하기 힘든 것에 도전하기 때문이다.
Delphine Souriceau
The story revolves around Joëlle and Kamel Mrabti, key members of staff for Montfermeil's new mayor, Emmanuelle Joly—but the couple is also in the process of divorcing. The whole staff is working together on the implementation of a wacky new policy that features the creation of the Montfermeil Intensive School of Languages, where seven of the 62 languages spoken in this town on the outskirts of Paris will be taught. The policy is a great success and effectively revitalises the town, but life is no less complicated for the mayor's staff. Joëlle and Kamel are at war with each other and are each in love with mysterious blind dates. Shadowy traitors in the administration are seeking to sabotage Ms Joly's good work. Suspicions fall on Kamel.
Lucie Fisher
Petite voix bouddhiste (voice)
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
Madame Argante
Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.
Self
In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews.
A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.
Herself
Louise, la mère de Marie
Okay, Marie is a little tired of the insouciance of her husband Sam, framework sup unemployed for 2 years. Agree, it is very tempted to be seduced by this beautiful stranger who made him the Court. Okay, there is also the daughter piano competition... If this balance light and crazy about standing, an unexpected event throws the family on an even crazier way.
Blanche Rey
Antoine Rey looks for a special gift for his sister Melanie on her 40th birthday. He decides to surprise her with a trip to the French Island of Noirmoutier, where they spent many summers as children until their mother's death. On the drive back to Paris, Melanie is seriously injured in a car accident...
Florelle
Holed up in a small Normandy town, Louise hides from her ghosts as she looks after grumpy old Theo, the retired lighthouse keeper who shares her passion for ornithology. As she wanders the twisted shores, observing birds and people alike, Louise also keeps track of old Florelle, another broken soul who searches the beaches, seemingly waiting for the crashing waves to return something to her. Observing the locals' reactions to Lambert's return, the heir of a family lost at sea, Louise is intrigued by his past but, at the same time, attracted to him. As their relationship deepens, they start to unravel the web of secrets that have haunted the small village for decades. Together, they struggle to uncover the truth that could set them both free.
Self
A documentary about the making of Luis Bunuel's 1972 film.
Self
Catherine
A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.
Self
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Lucie
Emile is a 70-ish former horticulturalist who once raised bonsai trees "because they don't take up too much room." Indeed, his whole existence is safe and uneventful to a fault, somewhat juiced by friendship with raucous fishing companion Edmond. Still, they trade pleasantries rather than confidences -- so Emile is shocked when it turns out his elderly pal watches porn, paints nudes and shags women who are his contemporaries that he meets online.
Bulle Ogier
Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals.
Herself
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Madeleine
Doña Inês
Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?
In the Bellinsky family: there is Solomon the father, 80 years old, brimming with life. He is fighting not to be buried too quickly, between tap dance lessons under the high patronage of Fred Astaire and the search for a companion... The mother, Geneviève, dreams of only one thing: quietly continuing her infantilisation, with her household help, protector and guardian angel, Mr Mootoousamy.
Mme Markovitch
Princess de Blamont-Chauvry
General Montriveau, having returned from the Napoleonic Wars in despair, quickly becomes enamored with Duchess Langeais. Across a series of nocturnal visitations, the Duchess mercilessly toys with her hot-tempered suitor, as the machinations of a shadowy conspiracy unfold in the background.
Séverine Serizy
38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.
Angèle
As Gentille opens, Fontaine Leglou is walking down a Paris street, and stops to confront a man whom she suspects is following her. She tells him he looks normal, but she's sorry, she doesn't have time to have coffee with him. When he convincingly protests that he was not following her, she apologizes and asks him to have coffee. Fontaine would seem to have a relatively good life. She works as an anesthetist at a fancy mental hospital, and she's got a live-in Nobel Prize-winning arctic scientist boyfriend, Michel, who seems to love her. But there's clearly something nagging at her. She walks around in a perpetually distracted state, and frequently mistakes other peoples' identities and their intentions. When Michel proposes to her, she needs some time to digest it before she responds.
Odile De Castellane
Tired of their stressful parisian lifestyle, Caroline and Bertrand decide to start a new life, running a traditional gîte in deepest Provence. It is not long before they start to question the wisdom of this move – the buldings are in a state of near-dilapidation, their friend and supposed partner Sophie has walked out on them, and they are but a stone’s throw from a far more attarctive holiday home, catering for gay men. Will this change be as good as a rest or the start of a nightmare?
Beatrice
Marianne, a young cellist discovers that her father had a mistress who is still alive. Her journey to find this mysterious woman takes her to places and people from her childhood that she thought she'd left behind forever.
Rose
Seaside takes place in a small coastal town on the Bay of Somme. The year-round inhabitants find ways to make their lives work; Paul, a lifeguard in the summer, works at the grocery all winter. His mother, Rose (Ogier) likes to play the slots just about anytime; his girlfriend Marie works in the local factory - the town's biggest business - but watching the summertime vacationers each year just makes her increasingly curious about what else might be out there. From these and several other stories, aided by close, revealing observations, we see a community perched between transition and stasis.
Anna
After reading a postcard that her mother let go in the wind, a woman learns that she has a twin.
Claude Sabrié
A gay young man is recruited into an illicit love triangle to watch a much older man’s sexual liaison, but ends up witnessing what turns out to be his murder. The next day the young man's opera diva mother informs him that his estranged father has been in Paris... until the previous night when he was murdered. Seeking help with a psychiatrist, the young man comes across an eccentric actress who has come totally unhinged by the death of that psychiatrist, the infamous Docteur Rey. At first mistaking her for the doctor, the young man embarks on a madcap mystery, reminiscent of an Agatha Christie novel, with Paris as the backdrop.
Laurence's Mother
Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.
Madame Nadine, la patronne
Madam Nadine manages with pride the "Vénus Beauté" Salon which offers relaxation, massage and make-up services. The owner and her three beauticians: Samantha, Marianne and Angèle are pros. Contrary to her friend Marianne, who still dreams of the big day, Angèle no longer believes in love. Marie, the youngest of the three employees, discovers love in the hands of a sixty year-old former pilot, who risks everything...
Évelyne Bordier
In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...
Mrs. Ford
Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her husband (William Baldwin), who is trying to help her recover. Which is real is the question as the story unfolds.
La dame du cimetière
Three women live together in an old rectory on the seashore. Alda lends her body to a string of carnal relationships but never commits her feelings. Olga, the elder sister, has opted for a reclusive life as the soul of the household. Her daughter, Sigga, is a young adolescent. The house harbors a finely balanced marriage between desire and memory—until Olga’s destiny tips the scales.
Mireille
점차 쇠락해가는 프랑스 영화 감독 ‘르네 비달’은 고전 명작 "뱀파이어"를 리메이크하려는 계획을 세우고 홍콩 여배우 ‘장만옥’을 뱀파이어 집단의 우두머리 ‘이마 베프’역으로 캐스팅한다. 그러나 파리에 도착한 그녀를 기다리는 건 창작의 활기가 사라진 썰렁한 현장과 불편한 의상, 그리고 지친 기색을 감추지 않는 감독뿐. 결국 막다른 골목에 놓인 "이마 베프"는 완성을 눈 앞에 두고 길을 잃게 되는데…
Benoit's Mother
Benoit has planned out his life. Unfortunately he has forgotten the military duty. After he is called to duty he tries everything to get around. He goes to a psychiatrist who gives him medicine against depression. As this doesn't work out he tries suicide. The story gets even worse as he is told by a military doctor that he is HIV positive. Benoit tumbles down into the drug scene. Then he goes to Italy and meets Claudia. Things seem to improve, but only for a short time...
Jeanne
The quiet agony of a mother whose daughter grows up to pursue her own life is chronicled in this realistically presented French drama. The Circuit Carole of the title refers to a motorbike racetrack. Jeanne and her 20-year old daughter Marie share a small apartment in a working-class Parisian neighborhood; the two live harmoniously, but the daughter is restless and anxious to set out on her own. Marie then takes a job in a northern suburb and their lives are forever changed. The racetrack is near her work; Marie is enthralled by the racers and their fast machines. Along with her new boyfriend, a racer, Marie begins riding herself. She then moves out of her mother's flat, leaving Jeanne bereft of companionship and a purpose in her life. Her silent, deeply internalized grief eventually drives her completely mad.
Katia
Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?
Self
You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.
Louise
시몬은 자신의 유일한 친구인 경찰 미키의 잠복수사를 돕다가 일어난 총격 사건 후 미키를 쏜 자들을 추적한다. 살인도 서슴지 않는 폭력배 막스는 순수한 청년 조니와 함께 지낸다. 성깔 있는 막스는 조니가 귀찮지만 대가 없이 자신을 따르는 모습에 그와 함께 지낸다. 거리에서 목숨을 연명하던 그들에게 조직은 청부살인을 제안한다.
Françoise
Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.
Madeleine Béjart
A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."
The mother
The story of a dysfunctional family in Northern France. Dad is a mean abusive drunk pharmacist, mom is addicted to pills and has incestuous desire for her son, the son is skipping school to fish and daughter is mentally handicapped.
Self - Actor
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.
Joa
Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.
Constance
여성들하고만 일하는 유명한 연기 지도 선생 콩스탕스에게서 연기를 배우는 한 연기자반을 맴돈다.
Cornelia
A mediocre musician goes on the road in search of the world's greatest guitar maker
Genia
The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.
Actrice n° 1
Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.
Apolline
Like every year, five old friends come together in a chalet in the middle of a Canadian snow desert. Henri, his wife Apolline, brother-in-law Maxence, Jean and Paul are waiting for cozy evenings with board games and good food - a typical ski holiday. But on the first day Henri announces that he knows about the affair between Apolline and Jean. An oppressive mood spreads in the secluded hut until the spiral of jealousy and sadism kills one from its midst.
Suzie
Swaying between pleasure and despair, Elric throws himself into his pathological passion for the casino. Meeting Suzie could have saved him, but the young woman also sinks into gambling hell. The couple then start getting involved in the fearsome world of professional cheaters.
Mademoiselle Betty
A woman goes to Cannes and, lost in its chaos and unable to obtain tickets, ends up watching it on television from her hotel room.
Mlle Tita
A publisher seeks information on a writer who died long ago.
Writer
1980년, 파리. 오토바이를 타다 넘어진 밥티스트를 마리가 도와주며 두 사람은 처음 만난다. 각종 기행을 벌이며 거리를 맴도는 밥티스트와 애인을 찾고 있는 마리는 그 후로도 계속 마주치다 결국 함께 걷기 시작한다. 파리 시내를 특정 패턴으로 잘게 나눈 지도를 사이에 둔 채 두 사람의 여행은 점차 기묘한 느낌을 더해간다.
Scenario Writer
1980년, 파리. 오토바이를 타다 넘어진 밥티스트를 마리가 도와주며 두 사람은 처음 만난다. 각종 기행을 벌이며 거리를 맴도는 밥티스트와 애인을 찾고 있는 마리는 그 후로도 계속 마주치다 결국 함께 걷기 시작한다. 파리 시내를 특정 패턴으로 잘게 나눈 지도를 사이에 둔 채 두 사람의 여행은 점차 기묘한 느낌을 더해간다.
Marie
1980년, 파리. 오토바이를 타다 넘어진 밥티스트를 마리가 도와주며 두 사람은 처음 만난다. 각종 기행을 벌이며 거리를 맴도는 밥티스트와 애인을 찾고 있는 마리는 그 후로도 계속 마주치다 결국 함께 걷기 시작한다. 파리 시내를 특정 패턴으로 잘게 나눈 지도를 사이에 둔 채 두 사람의 여행은 점차 기묘한 느낌을 더해간다.
Agatha
18세의 어느 화창한 날, 아가타는 누군가와 사랑을 했었다. 지금 성인이 된 아가타는 바캉스 기간 동안 탐정소설을 쓰며 범죄의 재구성에서 쾌락을 느낀다. 영화의 대사들은 에드가 앨런 포우의 작품을 연상하게 하며, 이 영화가 그리는 아가타의 사랑에 대한 집착은 신화적 차원으로 전화한다.
Lucienne
Jean (Niels Arestrup), the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole (Christine Boisson) and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up - perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean's "other woman" has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story.
A short film that can act as a companion piece to Le Pont du Nord.
narrator
Essay on the history of Los Angeles
Pascale La greffière
(voice)
One of Werner Schroeter's most important and inventive works, this threadbare evocation of Jean Genet's notorious Querelle depicts the erotic adventures of two sailors through the world's seaports in the manner of a cut-rate silent movie.
Geneviève Derhode
In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.
Hilde Krieger
어느 집단이 있다. 집단 구성원들은 모두 제각각이다. 힐데는 역사 선생이고, 루돌프는 음반 가게에서 판매원으로 일하며, 페트라는 은행장과 결혼했고, 수잔느는 페터의 비서로 일하고, 에드가는 이따금 작곡가로 활동하지만 아버지의 돈으로 산다. 아프리카에서 돌아온 킬러가 집단에 들어온다. 군대서 탈영한 군인 두 명도 가담한다. 하지만 "작전"에 참가하게 되는 사람은 그들 중 꼭 한 명뿐이다. 그러다가 킬러가 경찰에 피살되자 흥분한 집단은 지하조직에 가입한다. 은행을 습격하여 집단은 외국으로 도망갈 비용을 훔친다. 페트라도 경찰에게 피살되자 집단은 자신들 속에 배신자가 있다는 것을 알게 된다.
아무도 없는 파리의 거리와 공원, 그리고 텅빈 방의 이미지 위로 남자(브누아 자코)와 여자(마르그리트 뒤라스)의 나레이션이 흐른다. 파리의 남녀들이 독일 점령군이 설치했던 비밀 전화선을 이용해 사랑의 말을 나누는 가운데 시간은 멈춘 듯 느껴지고 무의미해 보이던 이미지에는 점차 정서가 깃들기 시작한다.
Marcelle
An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.
Ariane
An English novelist is lured, with disconcerting and disorienting results, into purchasing a crumbling mansion by what he imagines are the deliberately "literary" ploys of its housekeeper and two mysterious, lurking women.
Viva
겨울의 마지막 초승달과 봄의 첫 보름달 사이, 죽은 자들이 지상으로 돌아오는 40일의 시간. 그 카니발 기간동안 달의 여신 레니와 태양의 여신 비바는 신비의 힘을 가진 반지를 차지하기 위해 대결을 벌인다. 그러나 반지는 그만 인간들의 수중에 떨어지고, 이제 피에로와 그의 누이 루시, 그리고 그의 애인 잔느를 둘러싼 결투가 벌어진다.
Murderous soul
Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.
Claire
Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.
Ariane
당시로써는 파격적인 성적인 문제를 과감하게 다루어 화제가 되었던 영화.
Marguerite, Morins tidligere kone
After having been rescued from suicide, a young man is the object of a bet by his doctor that the doctor can help him recover his joy in life. Ironically, the doctor's life is not a very happy one either, and his boast has a hollow sound. For one thing, although he seemingly has a "happy divorce," in which he, his ex-wife and her new husband are all great pals, it's not true. He wants his wife back. All sorts of complications arise out of these lies and distortions.
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Janine
Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.
Writer
내성적인 성격의 도서관 사서 줄리는 공원 벤치에서 마술에 대한 책을 읽고 있다. 나이트 클럽의 마술사 셀린느는 그녀의 곁을 지나가다가 여러 가지 물건을 떨어뜨린다. 줄리는 그것들을 되돌려 주려고 쫓아가지만 셀린느는 줄리가 자신을 추격한다고 생각해 계속 달아난다. 이 사건을 계기로 줄리와 셀린느는 친한 친구 사이로 발전한다.
Camille
내성적인 성격의 도서관 사서 줄리는 공원 벤치에서 마술에 대한 책을 읽고 있다. 나이트 클럽의 마술사 셀린느는 그녀의 곁을 지나가다가 여러 가지 물건을 떨어뜨린다. 줄리는 그것들을 되돌려 주려고 쫓아가지만 셀린느는 줄리가 자신을 추격한다고 생각해 계속 달아난다. 이 사건을 계기로 줄리와 셀린느는 친한 친구 사이로 발전한다.
Countess Palewski
Nightclub singer La Paloma succumbs to the persistent courting of a chubby rich admirer and marries him. Before the marriage, she was thought to be dying, but soon she is well. She believes her husband's love has cured her, but her efforts to love him begin to fade as she discovers true love with her husband's old school friend.
Rita
A bored undertaker, married to an ex prostitute, falls in love with a transsexual.
Camille
Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.
Marie, the singer
Pierre used to be a top level football player but he quit. Now he is both a prestidigitator and a stool pigeon, benefiting from the protection of the chief inspector. In his dreams he is haunted by the horrors he saw (he took part in ?) during the Algerian War. Pierre lives with Marie, a young singer who performs at the same cabaret as him. Lately Marie has decided to start a career in the showbiz and Pierre is worried. Nothing alarming happens though, until a diabolical inspector, jealous of his superior, decides to manipulate Pierre. He also puts pressure on Poussin, Marie's pianist, and on Joseph, the night club's master of ceremony. What he wants is to compromise his superior and take his place. Will Pierre escape this ruthless trap?
Irene
Rico is a not too successful screen-player. He is also a repressed sex addict. His life changes when he starts to talk to his own penis, which incredibly answers him! All his relationships and views about reality are seriously impacted by his new "friend", his penis! The "two" in fact, often have different opinions, and sometimes the personality of "it" is stronger than its owner.
Marie Dorval
The film depitcs the life of the French author George Sand.
Mathieu is collected from the hospital by his wife, and dropped of at an apartment. His wife returns home to their son. The next time she sees him, he confesses that he is in love with another woman. This woman, who is identical to his wife, visits him. After making love, she leaves. She then returns. Mathieu shoots her - or does he shoot a mirror?
Liliane Guerec Nodier
Barely out of the psychiatric hospital where he went to seek care, Gilbert Nodier commits several assaults to have some money.
Pauline/Emilie
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
Florence
미란다 공화국의 대사 돈 라파엘은 6명의 부르주아들과 함께 근사한 만찬을 가지려 하지만 그때마다 기이한 상황에 처하며 좌절을 겪는다.
Vivian
Viviane, a French Consul's wife, is in New Guinea to find exotic feathers for export to Paris. She encounters four European travelers who are en route to "La Vallée": The Valley, high in the Guinean mountains, is shown on maps as 'obscured by clouds' and is beyond their previous experiences. Viviane joins their trek to find rare feathers and soon becomes entwined in their journey. Their extended stay with the Mapuga tribe brings a denouement between western and indigenous values before their final quest toward the 'Valley of the Gods'.
Odile
In 1917, the First World War is raging. Julien is from Luxemburg, so instead of having to go to war he studies piano in Paris. One day his friend Jacques, also a musician and now a fighter pilot on the front, invites him to spend a few days in his family's empty house in Bray. The housekeeper, a beautiful stoic woman lets Julien in, but his friend is late and he is obliged to wait. In the meantime, he starts reminiscing of the pre-war days spent with his friend and Jacques' girlfriend Odile.
Rosemonde
Two men, arty though somewhat staid, are drawn to the spirited and quixotic Rosemonde....
Pauline / Emilie
While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.
Julia
Céline is a free-spirited woman is married to a dull, middle manager Philippe. Her husband's co-worker pegged her as a household ornament because of the union. She befriends a woman who shows her how to juggle the couple's living expenses to get what she wants. As she asserts her independence and gradually frees herself from her husband's claustrophobic world, she turns to painting and writing about the inequity between genders.
La seconde voleuse
A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.
Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes violent confrontations.
Pierre is a middle-aged factory worker with plenty of unresolved anger. After his father's death, his mother feels compelled to move in with him. Having just moved there with his beautiful girlfriend, he begins to feel the pressure. When the May Day revolt begins, he goes crazy.
Claire
Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.
Marie
The husband, the wife and the lover than isn’t truly. The husband and the lover working in the manufacture of a material that will not come apart. However, it is the woman who ends up breaking.
Gigi la Folle
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
La chanteuse du cabaret (uncredited)
Poupée and her (so-called) brother Paulo share an apartment in Paris. They dream of becoming actors. In the meantime, life goes on, nothing happens, until Poupée meets François.
Mariquita
Base on Paul Féval's "Le Bossu" ("The Hunchback")
