Lázaro Ramos

Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.

Ingrid Guimarães and Lázaro Ramos hit the ground running on Prime Video. The two Brazilian stars are joined by Juliette, Tia Má, Luana Martau, Lindsay Paulino, Pablo Sanábio and other special guests to talk about CHANGE with a lot of humor and irony. In a sequence of comic sketches, they reflect on struggles and lessons that brought us all to 2023.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.

When executive Ricardo is found shot dead in the seat of his car without suspicion, Inspector Espinosa and police officer Daia are in charge of the case and soon begin to investigate the people closest to the victim. But when everyone involved in the case mysteriously disappears, the situation takes on unexpected proportions.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.

What does Brazilian cinema tell us? What does Brazilian cinema tell us about black actresses and actors? ‘Pressed, Ripped Apart’ makes use of archival sources to retrieve the trajectory of black actresses and actors who, between absences and delimited presences, between the fallacy of a racial democracy – based on the harmony among Brazil’s diverse identities – and erasure of identity, strain the history of Brazilian audiovisual and above all, our own history.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. When he's at a dead end, he discovers the opportunity to become a football manager by leading some boy from the neighborhood to becoming the new Neymar of international soccer. Going through the suburbs of Rio, he finds Glanderson, a young boy with an enormous talent for soccer despite missing two toes. With good humor, high hopes, and a lot of mistakes, the quixotic duo tries their best to make their dream come true.

The 28-year history of the Olodum Theater Band, Latin America's longest-running black theater company. Created in Salvador in 1990, in partnership with the Olodum Cultural Group, the company was responsible for launching names such as Lázaro Ramos and Érico Brás. Gathering archive images and interviews with Bando members, collaborators and other guests, the group's trajectory is built.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

Laerte, a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world.

Based on 'Death of a Man in the Balkans (2012)', an original feature film of Miroslav Momcilovic, 'Sorria, Você Está Sendo Filmado' ('Smile, You're Being Filmed') tells the story of a suicide, in only one shot of 80 minutes, from the perspective of a web cam which only the suicidal knew was on, giving the viewer the feeling of watching everything from his window. "From the screenplay to the shooting, we are doing a kind of reality cinema," sets this movie director Daniel Filho.

어딜 가나 사고를 치고 다니는 말썽꾸러기 페르난도. 언제나 장난감들과 비디오 게임만 하는 페르난도가 걱정되는 마음에 아버지는 여러 방법을 시도하다가 ‘폭풍 대장 이야기’라는 책을 페르난도에게 선물한다. 책에 푹 빠진 페르난도는 머나먼 땅 캄차카에 잡혀 있는 폭풍 대장을 구하러 가기로 결심한다. 아프리카와 인도, 중국을 거치며 페르난도와 장난감 친구들은 넓은 세상을 구경하고, 갖은 고비를 넘기며 돈독한 우정을 쌓게 되는데…

A man, who creates pasts for a living, struggles to find his own past while a mysterious woman takes a dangerous step.

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

This communist and parliamentarian leader was arrested and tortured, and became famous for having written the "Minimanual of the Urban Guerrilla". Greatest name of the left-wing militancy in Brazil in the 1960s, Carlos Marighella acted in the main political events of Brazil between the 1930s and 1969 and was considered enemy number one of the Brazilian military dictatorship. His life was a great act of resistance and courage.

Walter is an absent father and husband who works in a hospital without time for his family. His redemption happens when his wife sends him to the birthday cake for her daughter, but she does not know is that during the return trip home, the impossible will happen so that everything goes wrong.

During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

The short tells the story of a boy who, in his last recovery test at school, has the task of writing a text in 15 minutes. During the creative process, the boy embarks on a musical universe full of characters and myths from the 80's revived in four musical numbers packed with reinterpretations of Sérgio Mallandro's hits.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

In Nordestina, a small town lost in the Brazilian badlands, young Karina dreams of becoming an actress and leaving to explore the world. Before losing his love, Dona Nazaré’s son, Antônio, takes the first step in a kamikaze crusade to bring the world to Karina. For that, Antônio leaves town and announces, in a TV show that he will set off on a sensational adventure: a trip into the future, starting from Nordestina’s square. A story where dreams contradict reality, geographical and political conditions threaten to block life, and love plays the part of the transforming element.

A journey into the psyche of Atanásio, a doorman in Copacabana, confused while attempting to understand his desires and aspirations.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

거부할 수 없는 매력의 섹시한 그녀, 까리나 섹시하고 아름다운 외모를 밑천 삼아 스트립쇼를 하며 생활을 이어나가던 까리나는 새로운 인생을 찾기 위해 정든 집과 친구 곁을 떠나기로 결심한다. 잠시 쉬며 차편을 알아볼 겸 들른 바에서 자신이 타야 할 차는 이미 떠나고 없다는 바텐더. 상심하던 까리나에게 날디노와 데코라는 청년이 나타나 자신의 보트를 함께 타고 가자는 제안을 한다. 물론 은밀한 거래와 함께.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.

This beloved Brazilian parody of Shakespeare in Love tells the story of Miguel's relentless furiculite. For better or worse, it is his aim to conquer every single ass in the county, right up to the toughest of them all: the governor's.

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

브라질의 남부의 작은 항구도시 포르토 알레그레를 배경으로 하는 이야기는 노동자 계층의 청춘 캐릭터 일군을 둘러싸고 벌어진다. 고교를 중퇴하고 복사가게에서 일하는 열아홉의 안드레는 이웃집 실비아를 좋아한다. 옷가게 판매원으로 일하는 실비아에게 말을 걸고 싶지만 돈이 없어 옷을 사러 가지 못한다. 안드레의 동료 마리네스는 잘빠진 몸매로 외국인들을 사귀지만, 그녀를 위해 목숨이라도 내놓을 카르도소는 그녀의 주변에 머문다. 이들의 공통점은 이곳을 떠난 ‘다른 삶’이다. 안드레는 상황을 타개할 묘안을 발견한다. 그는 복사기를 이용해 위조지폐를 만들어 실비아를 찾아가고, 점점 더 많은 시간을 보내게 된다. 사랑에 빠진 두 남녀는 점점 더 많은 돈이 필요해진다. 자신이 사랑 실비아가 의붓아버지에게 학대받는 것을 알게 된 안드레는 실비아를 구해내고 새로운 삶을 살겠다는 꿈을 꾼다. 과연 가진 것 없는 젊은이들의 의기투합은 현실의 덜미를 벗어날 수 있을까. 감독의 고향을 배경으로 한 이 영화는 40대 감독의 작품이라곤 믿기 어려울 만큼 청춘의 감수성이 살아있다. (2005년 리얼판타스틱영화제)

남미 최대의 감옥 카란디루. 과밀수용으로 폭력과 전염병이 급속도로 번져가던 어느 날 에이즈 치료와 예방교육을 위해 한 의사(드라우지오 바렐라)가 도착한다. 바렐라는 카란디루에 발을 들여놓는 순간부터 거친 수감자들의 칼부림을 목격하고 열악한 환경에 몸서리치지만, 수 많은 환자들을 외면하지 못해 그곳에 남기로 한다. 감옥 한 쪽에 마련된 간이 진료실은 ‘이곳에 죄 지은 사람은 없다’는 수감자들의 각양각색 사연들이 오가는 특별한 공간이 된다. 자기는 원래 좀도둑에 불과했다고 주장하는 우연한 살인범 에보니, 아내‘들’의 사랑다툼이 방화로 이어져 감옥신세까지 지게 되었다는 미워할 수 없는 바람둥이 하이니스, 이름과는 정반대로 트랜스젠더 레이디 디와 사랑에 빠지고 옥중결혼식까지 올리는 행운의 사나이 투 배드(Too bad)... 바렐라는 다양한 죄수들을 만나 각각의 너무나 인간적인 범죄의 뒷이야기에 귀를 기울인다. 얼핏 보면 온갖 범죄자들이 모인 무법천지, 그러나 나름의 엄격한 위계질서를 가지고 움직이던 카란디루의 최대행사인 축구시합이 열리던 날! 축구장 밖에서 일어난 사소한 싸움이 카란디루 전체의 폭동으로 번지게 되고... 경찰기동대의 잔혹한 진압으로 카란디루는 순식간에 끔찍한 피바다를 이룬다. 운 좋게도 비극의 그날 카란디루를 잠시 떠나있었던 바렐라는 살아남은 자들의 생생한 고백을 전해듣는다.

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.

A mother, with her three daughters, exacts revenge on her former fiancé for killing her husband and sons.

요리의 천부적인 재능을 타고난 매력만점의 '이사벨라'(페넬로페 크루즈 분)는 레스토랑을 운영하는 남편 '토니뇨'와 함께 브라질 해안의 바히아라는 도시에서 살고 있다. 이사벨라가 각종 천연 양념과 재료들을 섞어 자신만의 요리법으로 만든 음식물은 늘 토니뇨의 정열을 자극한다. 행복하기만 한 이사벨라의 문제는 선천적으로 타고난 멀미증. 직접 움직이지 않으면 멀미를 해내는 그녀는 사랑을 나눌 때조차 주도권을 쥐고 움직여야 한다. 그런 이사벨라를 감당할 수 없어 토니뇨는 외도를 한다. 그 현장을 포착한 이사벨라는 충동적으로 짐을 싸서 어린 시절부터 가장 가깝게 지냈던 친구 모니카가 있는 샌프란시스코로 향한다. 요리사가 되어 새로운 인생을 살려는 계획이 생각만큼 쉽지 않자 이사벨라는 바다의 여신에게 도움을 청한다. 다음날 이사벨라는 전혀 새로운 여자가 된 느낌을 받는다. 그리고 파트타임 요리강사 자리도 구한다. 어느 날, 야심만만한 젊은 TV 프로듀서인 '클리프'는 이사벨라의 아름다움을 발견하고 그녀에게 매혹된다. 그는 이사벨라의 매력을 활용하여 라는 요리쇼 프로그램을 만든다. 이사벨라의 이국적인 관능미와 천부적인 재능이 조화된 는 삽시간에 인기프로그램으로 떠오르는 대박을 터뜨린다. 한편 자신의 잘못을 뉘우친 토니뇨는 바히안 음악을 연주하는 순회밴드를 이끌고 이사벨라를 찾아 미국으로 온다. 우여곡절 끝에 이사벨라의 요리쇼를 본 토니뇨는 당장 방송국으로 향한다. 그리고 그녀의 쇼에서 음악을 연주하면서 이사벨라의 마음을 돌리기 위해 갖은 노력을 다한다. 이사벨라는 야망이 점점 커져 가는 클리프와 진심으로 사랑했던 토니뇨 사이에서 갈등하고 자신의 인생에 대해서도 다시 한번 생각하게 된다. 자신의 수호천사인 바다의 여신과 모니카에게 도움을 구한 이사벨라는 진정한 행복을 찾아 토니뇨 곁으로 돌아간다.

A poor family, lives in a city near Salvador. The father is cleaner and, mother and daughter help making small services. Until they decide to try the luck in the big city and the father, Raimundo, get a job near Pelourinho, next to a dance academy. The daughter, Carla, in contacting music, discovers her true vocation and becomes a very successful dancer. But she does not let himself take away from fame and back to his origins, meets with poor children and teaches them to dance.