Ranko Pauković

In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?

아랍계 덴마크 가족과 12년이란 시간을 함께 하면서 그들의 좋고 나쁜 시절을 있는 그대로 묘사하는 하이브리드 다큐멘터리 작품이다. 팔레스타인 인 아버지와 덴마크 인 어머니 그리고 세 아들들은 1960년대와 70년대 덴마크에 도착했던 초창기 이민자들에게 발생했던 문화적 만남의 결과를 보여준다.

Seen through the eyes of a priest, a crime reporter and a hitman, this documentary examines the thin line between good and evil in one of the most dangerous cities in the world: San Pedro Sula, Honduras.

The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.

“Robberies, shootings, fights, burglaries, weed plantations.” Jose sums up life in his neighborhood in the southern part of Rotterdam. He longs to ride with the notorious stunt bike group known as Team Domina on their illegal “ride-outs” through the city. There are sometimes more than 100 riders, doing extended wheelies and other stunts amid the busy traffic. The riders set off from the southern suburbs and head for the wealthier north bank of the river. In a ride-out, the kids from the south manage to get themselves seen by the northerners—but also by the police, who crack down on their dangerous stunt riding.

For multiple generations from a small Bosnian mining town, the dark coal mine Breza is the fulfillment of professional dreams and a symbol of progress, as well as the cause of the biggest tragedy. Sakiba, an enthusiastic woman with strong opinions, stands tall among the majority male miners. She can’t get her head around division of jobs to ‘female’ and ‘male’, an opinion she has fought since she landed a miner’s job at the age of nineteen. Walking down the dark tunnels with loose safety regulations, she talks about appreciation for natural light and retirement, when she hopes to try some new mindfulness techniques her colleague reads about online. Sakiba was never welcome to drink along a male colleagues in a local bar when payday comes, but she ends up dancing to the beats of well-known Yugoslav rock band celebrating her hero.

For multiple generations from a small Bosnian mining town, the dark coal mine Breza is the fulfillment of professional dreams and a symbol of progress, as well as the cause of the biggest tragedy. Sakiba, an enthusiastic woman with strong opinions, stands tall among the majority male miners. She can’t get her head around division of jobs to ‘female’ and ‘male’, an opinion she has fought since she landed a miner’s job at the age of nineteen. Walking down the dark tunnels with loose safety regulations, she talks about appreciation for natural light and retirement, when she hopes to try some new mindfulness techniques her colleague reads about online. Sakiba was never welcome to drink along a male colleagues in a local bar when payday comes, but she ends up dancing to the beats of well-known Yugoslav rock band celebrating her hero.

No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.

No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.

No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.

No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.

Nicu, a homeless street kid, is adopted by the notorious 'Bruce Lee' and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this 'King of the Underworld' may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.

폴라로이드 필름이 생산중지된다는 소식을 듣고 떠나는 아티스트 스테파니 슈나이더 (Stefanie Schneider)의 사진여행 이야기

40년째 다운증후군 환자를 위한 학교에 다니는 친구들은 학교가 지루하기만 하다. 어느새 50대에 가까워진 그들은 이제 독립한 성인으로 존중받을 자유를 원한다. 집을 사려 돈을 모으고, 사랑하는 연인과 미래를 약속하며, 직업을 찾기도 하지만, 가족들은 여전히 그들을 성인으로 인정해주지 않는다. (2017년 제 14회 EBS 국제다큐영화제)

Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

남편과 사별한 매혹적인 미망인 ‘레이디 수잔’ 그녀는 아름다운 미모와 뛰어난 언변으로 남녀불문 사람들을 유혹하고 조종한다. 그녀의 딸 ‘프레데리카’를 돈 많고 멍청한 귀족 ‘제임스 경’과 결혼 시키려 하는데 자신과 밀회를 즐기던 남자 ‘레지널드’와 ‘프레데리카’가 사랑에 빠지면서 계획이 꼬이고 만다.

A film about borders and border checkpoints, poetically following the people that come into contact with them - one way or another. Borders is about men and women dreaming of a better life in Europe and the high price they often have to pay for it - if they succeed at all. Without taking an immediate moral stance, the film follows the route that many immigrants take from the heart of Africa to the centre of Europe, stopping at each border: Nigeria, Niger, Burkina Faso, Mali, Senegal , Mauritania, Morocco, Spain, France, Belgium, and finally, the Netherlands.

Through the eyes of grandmother Rumidjah, a poor old Christian woman living in the slums of Jakarta, we see the economical changing society of Indonesia and the influence of globalization reflected in the life of her juvenile granddaughter Tari and her sons Bakti and Dwi.

After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.

A group of drop-outs, losers and criminals are travelling in a stolen Mercedes seemingly aimlessly along numerous derelict houses and impassable roads to eventually end up on an old decaying state farm in Crimea, the southern tip of the former Soviet Union, where the mother, wife and daughter of one of them live. The men kill time with smoking, drinking and staring in front of them, but an undercurrent tension is brewing. On the last night they have a party that is equally destructive as their life

Three generations of one family weather the challenges of living in modern-day Indonesia, the largest Muslim community on the globe.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

A less-than-qualified and far-from-perfect priest is mistakenly named the new pope. As the pontiff, he must deal with Vatican corruption, the Mob and the reappearance of his old lover.

제2차 세계대전 중 히틀러는 나찌의 최고 그룹이며 정치-군사-과학 분야의 리더격인 터미네이트를 터키로 보내기로 한다. 그곳에다 제4의 독일을 건설하고자 하는 것. 정보를 입수한 연합군은 라이트 소령에게 새독일 정부방해작전을 지시한다. 소령은 즉시 군수용소에 있는 12명의 사형수와 무기징역수를 선발하여 특별 훈련을 시킨 후 터미네이트를 실은 특급 열차에 침투시킨다. 포기했던 목숨을 되찾으려는 사형수의 극한 불능과 독일 최정예집단의 명예가 맞붙은 오리엔드 특급. 가공할 격전이 유고에서 발칸까지 계속된다.