Valérie Dréville

다큐멘터리 작가 알리스 디옵의 첫 장편 극영화다. 여성을 주제로 강의하면서 메디아의 현대적 버전을 저술하던 라마가 딸을 살해한 여성의 재판과 마주한다.

The story revolves around Joëlle and Kamel Mrabti, key members of staff for Montfermeil's new mayor, Emmanuelle Joly—but the couple is also in the process of divorcing. The whole staff is working together on the implementation of a wacky new policy that features the creation of the Montfermeil Intensive School of Languages, where seven of the 62 languages spoken in this town on the outskirts of Paris will be taught. The policy is a great success and effectively revitalises the town, but life is no less complicated for the mayor's staff. Joëlle and Kamel are at war with each other and are each in love with mysterious blind dates. Shadowy traitors in the administration are seeking to sabotage Ms Joly's good work. Suspicions fall on Kamel.

The iconic book ”Europeana: A Brief History of the Twentieth Century” by Patrik Ouředník, first published in 2001, thanks to the imagination of the French filmmaker has transformed into an apocalyptic chronicle of the last century. A straightforward testimony of scientific rationality, which led the society to a spiritual crisis and resulted in six genocides, is accompanied with melancholic Mahlerian echoes of La Belle Époque when the world was just getting ready for the century that negated all humanity. The film raises the question whether Europe in post-history and post-humanity, sweetly anaesthetized to collective unconsciousness, will pretend as if nothing had happened.

Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

This film is composed of fragments escaped from Qu’ils reposent en révolte (Des figures de Guerres). Fragments of voices, laughter and rage, snatches of words, images and memory, the words near and far; the breathe of the wind, the gesture of the sun at the sunset, the reflections red-blood; the raids of the police, processions, warriors, court of injustice ... For a map of the violence inflicted on migrants, the repetition of the colonial movement, and the unacceptability of the “world as it is”.

This film is a newsreel, which presents some views, scenes and mo-ments of the class struggle in Madrid. The “Movimiento 15-M” is the first major “movement” in the beginning of the 21st century. A deep movement, trans-border and trans-historical which reactivates and works ideas and concepts that were long thought to be forgotten: demos, logos, revolution ...

Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.

그들을 만난 순간, 비밀이 시작됐다. 프랑스 유명 에디터에게 찾아온 치명적 인터뷰 스캔들! 일과 가정 모두에 완벽함을 추구하는 프랑스 ‘엘르’ 매거진의 유명 에디터 ‘안느(줄리엣 비노쉬)’. 그녀는 새로운 기획기사 취재를 위해 두 명의 여대생과 인터뷰를 갖게 된다. 겉보기에 여느 평범한 대학생과 다를 바 없는 ‘샤를로트(아나이스 드무스티어)’. 고급 아파트에서 화려한 라이프 스타일을 누리고 있는 ‘알리샤(조안나 쿠릭)’. 하지만 남들과는 다른 비밀스러운 삶을 살고 있는 그들의 충격적인 고백이 이어지고, ‘안느’는 두 여대생과 치명적인 스캔들에 휘말리며, 숨겨져 왔던 욕망에 눈을 뜨게 되는데…

Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.

A psychologist discovers troubling links between Nazism and modern-day big business.

Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.

James Faulkner plays Lew Millar, a renowned private eye who is hired by a gangster to be his bodyguard. When Millar arrives at the criminal's French hideaway, the gangster is already dead. Among the people Millar investigates are the gangster's brother, the man's sister-in-law, and their teenage daughter. A judge may also offer insight into the case, as well as Millar's own past.

Dr. Bruno Sachs, the only medical practitioner in a small French town, seems on the surface to be compassionate and dedicated. However, in private he is not happy in his work and does not like most of his patients. Here he meets Pauline Kasser, a young woman, and they are attracted to each other...

A young man who has just committed a hold-up finds refuge in an old house.

A medical intern finds himself drawn into a world of international intrigue after discovering a shrunken human head in his luggage.

Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.

Mise-en-scène of the classic tragedy of Sofocles, carried out by Antoine Vitez in the National Theatre of Chaillot

갱단의 일 원인 카르멘은 일당과 함께 털고자 하는 은행의 무장경찰을 사랑하게 된다. 그녀가 그를 유혹하고자 하는 바람에 두 명의 동료가 비극적인 결말을 맞게 된다. 줄거리 자체는 아주 평범해 보이지만 뒤죽박죽 얽힌 네러티브와 몇몇 장면의 독특한 처리 방식 때문에 묘한 분위기가 연출된다. 특히, 은행습격장면은 그것을 바라보는 냉소적인 시선으로 인해 익살맞은 장면으로 둔갑한다. 이 영화는 영화사학자들과 영화광들로부터 가장 큰 호평을 받은 고다르 감독의 후기 걸작이다.

1919년, 건축가 포르벡 공작은 그의 성에 손님들을 초청하여 영원한 행복의 상태에 이르는 체험을 하라고 권유한다. 대신 그들은 ‘행복의 사원’이라 불릴 이 성에 영원히 머물러야 한다. 포르벡은 이 안에서 새로운 사회를 건설하고자 하지만 정념은 이 계획을 파괴하고야 만다. 1982년, 이 성은 실험적인 시도를 행하는 학교로 바뀌어 있는데…. 현실과 교차되는 내면적 환타지의 세계로 몰입하는 레네의 작가적 경향이 뚜렷하게 표현된 작품으로 평가받았다.

장은 우연히 보러 간 연극에서 여배우 자닌을 만난다. 이내 두 사람은 깊은 사이로 발전하게 된다. 장은 그녀와 함께 살기 위해 아내와 아이들을 버리고 집을 나온다. 그러나 장이 친구의 배신으로 국장직에서 밀려나게 되고 그 스트레스로 신장병이 재발하게 되면서 두 사람의 사랑에 위기가 찾아온다. 그러던 어느날, 장의 아내가 몰래 자닌에게 찾아와 자신이 죽을 병에 걸렸음을 알리며 마지막 남은 시간을 남편과 함께 보낼 수 있게 해달라고 부탁한다. 자닌은 장과 헤어진 후 여배우에서 디자이너로 변신한다. 한편 르네는 아버지의 고루한 농장 경영에 환멸을 느끼고 집을 뛰쳐나와 파리의 의류회사에 취직한다. 보잘것없는 학력이지만 르네는 타고난 성실근면함으로 말단 직원에서 직원 200명을 거느린 공장장으로 승진하게 된다. 그러나 최신 공정이 도입되고 경쟁이 치열해지면서 르네의 위치는 점점 불안해지게 되고, 결국 경쟁에서 밀려나 지방에 있는 공장으로 자리를 옮기게 된다. 가족들과도 헤어져 회사를 위해 온몸을 바쳐 일하지만 희망은 점점 멀어져간다. 결국 르네는 회사의 디자이너 자닌으로부터 레스토랑의 매니저로 가라는 굴욕적인 제안을 받게 된다. 자닌은 2년이라는 시간이 흘렀어도 여전히 그를 잊지 못한다. 르네에게 회사의 방침을 전달하러 내려간 시골에서 그녀는 우연히 그렇게 그리워하던 장을 만나지만 그의 아내가 여전히 건강하다는 이야기를 듣고 자신이 속았음을 깨닫는데...

Secretaries by profession, Joëlle and Béatrice are invited to spend a dream stay in Marrakech. However, this invitation is actually the result of a misunderstanding, Joëlle having been mistaken for the daughter of her boss, an important CEO. But it does not matter after all, because once arrived there, in a luxury hotel, the two young women are determined to seduce all the handsome boys on vacation.