Heinz Stussak

1차 세계 대전이 한창이던 1915년 5월, 오스트리아 소년 ‘안드레아스’는 누나의 결혼식에서 만난 한 이탈리아 소녀에게 첫눈에 반한다. 그녀는 자신의 매형이 된 ‘안젤로’의 여동생 ‘프란체스카’. 두 사람은 첫 만남에 급속도로 서로에게 빠져들지만, 전쟁이 그들이 사는 산골짜기 마을에까지 덮치며 원치 않는 이별을 하게 된다. 한편, 전쟁 소식이 전해진 직후 아슬아슬하게 마을을 빠져 나간 안젤로는 이탈리아군에 징집돼 오스트리아군과 맞서게 된다. 그러던 중 소대를 이끄는 ‘니콜라’ 대위가 세운 오스트리아인 전멸 계획에 대해 알게 되면서 산 아래에 두고 온 가족 걱정에 발을 동동 구른다. 죽을 각오로 오스트리아군의 진영을 찾아 간 안젤로는 그들의 계획을 오스트리아군에 알리고, 안드레아스와 안젤로는 사랑하는 이들을 구하기 위해 목숨을 걸고 골짜기 아래로 내려가는데...

로버트와 수잔은 평온한 호숫가의 집에서 살고 있다. 알렉스와 타마라는 비엔나의 성매매업소에서 일한다. 그들의 삶은 알렉스의 무모한 은행 강도행각으로 인해 충돌하게 되고, 비극적인 죽음의 여파는 아무도 예측할 수 없는 파괴적인 결말로 이끈다 오스트리아의 도발적인 감독 괴츠 스필만의 최신작. "보복"은 서로 관련이 없어 보이는 네 사람의 삶이 어떻게 얽히고 영향을 주고 받는지를 보여준다. 비엔나에서 살고 있는 알렉스와 타마라는 성매매업소에서 일하고 있다. 로버트와 수잔나는 비엔나에서 몇 시간 거리의 한적한 시골에 살고 있다. 어느 날 알렉스는 자신이 저지른 무모한 강도행각 때문에 경찰 로버트와 대치하게 된다. 이 과정에서 타마라가 죽음을 맞게 되면서 네 사람의 운명은 돌이킬 수 없이 얽히게 된다. 스필만 감독은 분노와 복수, 속죄와 같은 감정을 억제된 연출을 통해서 담아낸다. 간결한 형식의 은 전통적인 의미에서의 해피엔딩은 아니지만 감독은 다음과 같이 표현하고 있다.“ 근본적으로는 내 영화에는 긍정이라는 빛이 반짝이고 있다. 인생은 결코 실수라고 할 수 없으며 어떤 삶이라도 모두 의미를 담고 있게 마련이다." (2008년 13회 부산국제영화제)

Evi, a young single mother, works as a seasonal waitress in a winter sports village. She is young and wants to live on the edge and get all the enjoyment she can out of life. When she drinks, Evi feels completely herself, free and inhibited. But her excesses reveal themselves to be the ticking of a time bomb.

Chronicles the life of one of Israel's founding fathers, Teddy Kollek, from his days as a Zionist leader to his rescue of 3,000 Jews and his 29 years as mayor of Jerusalem.

Garbage men. Garbage women. They swarm out daily to eliminate the excrement of the good life from the metropolitan circuits. The film documents the thorny path from a Viennese civil servant's comfortable life into the Privatopia of Greater Los Angeles. Our protagonists are five trash collectors. They live in Vienna, Genova, Amsterdam, New York and Los Angeles.

The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and makes her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.

"The Treasure Hunter" is a portrait of writer, publisher and book collector Hermann Gail, who in his youth gave up on life as the result of a terrible sin. He was saved through an unconditional devotion to art.

We do not doubt the existence of humans. On the other hand, we still do not know why we exist or how we came into existence. This film deals with man's eternal dream to discover his origins.

Documentary about farmers in the Austrian Alps.

Nine persons sign up for a self-awareness course at an isolated country estate. Dr. Romero, a charismatic therapist, and his assistants confront the patients with their problems. Cut off from the rest of the world, the participants are increasingly drawn into the therapy's spell.

R.I.P Rest in Pieces is an intimate portrait of artist Joe Coleman, who is known around the world as a shamanic, moral voice diagnosing the ills of 21st century America. Coleman holds nothing back, telling us of a world wracked with tumorous cities, perversion, divorce, violence, atomic bombs, and a human race destroying itself simply because we are born.

A film about jailed refugees waiting for deportation and the many conflicts which affect their personal fates, the efforts of refugee organizations and the problems of the affected authorities.

"What happens with a person after his death? What does the final destination look like? What happens with our bodies? How are we prepared for our last voyage?" A film on how we deal with death. The aging and the decay of the body, free of taboos. Death as a part of life and as the last companion. Janos Keser, the modern Charon, occupation: master of dissecting.

When Hitler's infamous "Anschluss" annexed Austria to Germany in 1938, the lives of 130,000 Jewish Austrians were placed at risk. Over the next three years, some 30,000 managed to emigrate to the United States, settling mainly in New York City. In Austrian filmmaker Egon Humer's brilliant and moving documentary EMIGRATION N.Y., twelve Viennese Jews -- seven women, five men -- recount their lives as children in Austria, as emigrants, as New Yorkers. Deceptively simple in style, the film gathers striking emotional power as its subjects (who include Amos Vogel, co-founder of the New York Film Festival) offer fresh and often surprising views on their experience of exile and assimilation.

A human being has no sensory organ for time. We perceive it, and what is it which we are perceiving thereby? To what extent does our contemporary society influence the way we experience it? Why has time become a dominating factor in the mordern world?

A human being has no sensory organ for time. We perceive it, and what is it which we are perceiving thereby? To what extent does our contemporary society influence the way we experience it? Why has time become a dominating factor in the mordern world?

A human being has no sensory organ for time. We perceive it, and what is it which we are perceiving thereby? To what extent does our contemporary society influence the way we experience it? Why has time become a dominating factor in the mordern world?

Industrial mass murder in the Third Reich, atrocities in other wars, cruelty perpetrated by "normal" citizens: "obedience" appears to be the key to this behavior.

A hot summer in Vienna: Kameni Grad - City of Stone. Four groups of young people, whose parents come from the former Yugoslavia: Alma and Mircla, Sascha and Dragan, Nenad and his friends, and Marina and her little brother Branko. A subculture which, full of confidence, integrates itself into the local community, yet without denying its origins.

A flare shoots through the night. "Red brothers" against right-wing extremists; immigrant groups against right-wing "louts"; knives and tear-gas against baseball bats. "WADADENG, WADADENG, listen to my 9 mm go BANG" ... Rap and hip-hop in Vienna.

"Guilt and Memory" is a contemporary history about four former high-ranking Austrian Nazis. On the subject of "dealing with memory", Marcel Ophüls writes, "Memory cannot be artificially activated - neither by events nor by censorship ... It has to be a personal act of remembering."

The Soviet Union is the Soviet Union. There's no way out. What's needed is an iron fist, a Stalin, a Hitler or whoever: the rule of an iron fist is certainly what's needed now. A journey into the ravaged landscape of the soul of Russian youth, an intimate study of the human factor in the social catastrophe.

The Soviet Union is the Soviet Union. There's no way out. What's needed is an iron fist, a Stalin, a Hitler or whoever: the rule of an iron fist is certainly what's needed now. A journey into the ravaged landscape of the soul of Russian youth, an intimate study of the human factor in the social catastrophe.

The Soviet Union is the Soviet Union. There's no way out. What's needed is an iron fist, a Stalin, a Hitler or whoever: the rule of an iron fist is certainly what's needed now. A journey into the ravaged landscape of the soul of Russian youth, an intimate study of the human factor in the social catastrophe.

The Loiblpass is situated in the mountains between Austria and Yugoslavia: 12km from the village of Neumarktl and 10km from Ferlach in Carinthia. Between 1943 and 1945, political prisoners from the Mauthausen concentration camp drove a tunnel into the mountains at an altitude of 1200m. To this day, two people have been linked by this tunnel: Janko Tisler was an engineer in charge of the building site in 1944; today he lives in Krize, south of the tunnel. Dr. Sigbert Ramsauer, the SS doctor of the camp at the site then, at the age of 80 still practises in Klagenfurt. Janko Tisler fights against forgetting, Dr. Ramsauer wishes he were forgotten. The history of the tunnel has become theirs as well.

Documentary about a small town in Austria.