Fernando E. Solanas

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Solanas en filmación is an unpublished documentary about the cinematographic direction work of Fernando “Pino” Solanas during the shooting of the movie El viaje.

Fifty intense minutes for the viewer to review the history of the company and the political, social and economic consequences that the bankruptcy and the various scams carried out by Vicentin have had and still have in the lives of thousands of Argentines and Argentines and in the fabric of the national economy.

Documantary film on the dispute for the hegemony of the Latin American continent between conservative forces and popular movements.

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

Debtocracy seeks the causes of the Greek debt crisis and proposes solutions sidelined by the government and the dominant media. It follows countries like Ecuador that created debt Audit Commissions and tracks this process in Greece.

Documentary about the independence and history of Latin America.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

An extensive interview with Fernando Solanas and an important amount of unpublished material, the documentary describes the process of making the most influential film of Latin American cinema. It was done exclusively to accompany its home release.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

(1968)로 세계 다큐멘터리사에 한획을 그었던 페르난도 솔라나스의 최근작. 영화는 경제공황으로 최악의 상황에 몰린 아르헨티나의 현실을 되짚는다. 2001년 10월에 있었던 아르헨티나 시민들의 시위장면을 보여주면서 영화를 시작한 페르난도 솔라나스는 질문한다. “도대체 아르헨티나에 무슨 일이 있었던 걸까?” 은 요즘 유행하고 있는 마이클 무어식의 다큐멘터리와는 거리가 있다. 이 영화가 선택한 방식은 질문에 철저히 구조적으로 대답해보는 것이다. 각각 “끝없는 빚더미, 경제 모델, 민영화” 등 토픽에 따라 10개의 챕터로 나눠져 있으며, 그 맥락을 따라 아르헨티나의 경제가 무너져온 이유들을 영화는 꼼꼼히 따져본다. 1970년대부터 2000년대를 오가며 아르헨티나를 망친 요인들을 하나씩 파헤쳐본다. 그 중심에는 장기집권의 시대를 연 대통령 카를로스 메넴이 있으며, 부정부패의 무리들이 있다. 영화는 그저 이들의 행태를 비판만 하기보다는 끊임없이 현재의 관계 안에서 인과성을 찾아내려 노력한다. 페르난도 솔라나스는 휘황찬란하게 치장된 공관 내부와 암울했던 지난 역사 자료들을 병치시키며 웅장한 대조의 설득력을 발휘한다. 시종일관 의도와 기법이 조화를 이루고 있는 은 아르헨티나에 관한 사회학적 보고서인 동시에 근래 보기 드문 전통적 다큐멘터리 양식의 교본이다.

Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

아르헨타니가 군사독재정치에서 벗어나 민주주의 국가로 바뀐 1983년. 플로리알은 정치범죄자로 5년간 감옥에 수감되었다가 출감한다. 플로리알은 출감 후 자신의 아내인 로지에게 가지 않고 부에노스아이레스의 거리를 방황한다. 동료들의 죽음에 대한 슬픔과 자신의 친한 친구인 로베르토와 아내 로지의 간통 사실에 머리가 어지러운 플로리알은 수감되기 전에 군사독재정치의 폭압에 시달리던 아르헨티나의 암울함에서 느닷없이 희망으로 가득찬 부에노스 아이레스의 거리로 내던져진 현실이 믿기지 않아 낯설고 어색하기만 하다. 너무나 꿈만 같고 정신이 없는 플로리알은 거리를 방황하면서 죽은 동료들의 혼령을 만나게 된다. 한편 그의 아내 로지는 플로리알의 출감 사실을 전해듣고 불안에 떨며 그를 기다리는데...

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

Lengthy interviews, exclusive to this movie, with Juan Peron, describing his military career and the reforms he instituted as leader of the Argentine government.

Lengthy interviews, exclusive to this movie, with Juan Peron, describing his military career and the reforms he instituted as leader of the Argentine government.

Documentary with staged events about a poor rural family in Argentina.

Documentary with staged events about a poor rural family in Argentina.

A series of interviews with Juan Domingo Perón in Madrid, where he was exiled. Filmed between June and October 1971, Perón talks about the current situation of the Justicialist movement and the steps to be taken to win the presidential elections again.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.