Fernando E. Solanas

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation.

Solanas en filmación is an unpublished documentary about the cinematographic direction work of Fernando “Pino” Solanas during the shooting of the movie El viaje.

Fifty intense minutes for the viewer to review the history of the company and the political, social and economic consequences that the bankruptcy and the various scams carried out by Vicentin have had and still have in the lives of thousands of Argentines and Argentines and in the fabric of the national economy.

Documantary film on the dispute for the hegemony of the Latin American continent between conservative forces and popular movements.

Documentário que reflete o problema da fumigação e da contaminação por agrotóxicos.

Documentário que reflete o problema da fumigação e da contaminação por agrotóxicos.

Documentário que reflete o problema da fumigação e da contaminação por agrotóxicos.

Documentário que reflete o problema da fumigação e da contaminação por agrotóxicos.

Documentário que reflete o problema da fumigação e da contaminação por agrotóxicos.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

"Impure Gold" is a tour around some of the open pit mining with cyanide that corporations have settled in the Argentine northwest San Juan, La Rioja, Catamarca, Tucuman Salta - and the reaction of the surrounding populations from the contamination.

Debtocracy (Dividocracia) é um documentário que conta sobre a raiz da crise ecônomica grega.

Documentary about the independence and history of Latin America.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

After Memoria del saqueo, La dignidad de los nadies, Argentina latente and La próxima estación, Solanas begins with Oro puro a diptych on the plundering of mineral resources (metals and hydrocarbons). This remarkable and powerful documentary denounces the open-pit cyanide mining operations carried out by multinationals in the northwest with the support of politicians, exposes the progressive contamination of soil and water, and exalts social resistance movements through moving individual and collective examples.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

The history of the Argentine railways, from 1857 until the crisis of the current transport system. The closing of branches of the railway lines turned towns whose main source of work was the train into ghost towns. The privatization of the lines caused the dismissal of tens of thousands of workers as well as the deterioration of public service, causing in turn the increase of motor transport and the multiplication of automobile accidents.

An extensive interview with Fernando Solanas and an important amount of unpublished material, the documentary describes the process of making the most influential film of Latin American cinema. It was done exclusively to accompany its home release.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. Written by Gonz30

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Paris, 1980. Um grupo de artistas argentinos se refugia no país, como forma de fazer frente aos duros tempos da ditadura militar argentina. Lá eles enfrentam todas as dificuldades típicas que assolam os latino-americanos para se estabelecerem nos chamados países do primeiro mundo. Na solidão do exílio, buscam conexão com sua identidade e cultura através de apresentações de tango e se empenham na montagem do espetáculo Tanguedia (tango + tragédia + comedia): “O Exílio de Gardel”.

Paris, 1980. Um grupo de artistas argentinos se refugia no país, como forma de fazer frente aos duros tempos da ditadura militar argentina. Lá eles enfrentam todas as dificuldades típicas que assolam os latino-americanos para se estabelecerem nos chamados países do primeiro mundo. Na solidão do exílio, buscam conexão com sua identidade e cultura através de apresentações de tango e se empenham na montagem do espetáculo Tanguedia (tango + tragédia + comedia): “O Exílio de Gardel”.

Paris, 1980. Um grupo de artistas argentinos se refugia no país, como forma de fazer frente aos duros tempos da ditadura militar argentina. Lá eles enfrentam todas as dificuldades típicas que assolam os latino-americanos para se estabelecerem nos chamados países do primeiro mundo. Na solidão do exílio, buscam conexão com sua identidade e cultura através de apresentações de tango e se empenham na montagem do espetáculo Tanguedia (tango + tragédia + comedia): “O Exílio de Gardel”.

Paris, 1980. Um grupo de artistas argentinos se refugia no país, como forma de fazer frente aos duros tempos da ditadura militar argentina. Lá eles enfrentam todas as dificuldades típicas que assolam os latino-americanos para se estabelecerem nos chamados países do primeiro mundo. Na solidão do exílio, buscam conexão com sua identidade e cultura através de apresentações de tango e se empenham na montagem do espetáculo Tanguedia (tango + tragédia + comedia): “O Exílio de Gardel”.

Paris, 1980. Um grupo de artistas argentinos se refugia no país, como forma de fazer frente aos duros tempos da ditadura militar argentina. Lá eles enfrentam todas as dificuldades típicas que assolam os latino-americanos para se estabelecerem nos chamados países do primeiro mundo. Na solidão do exílio, buscam conexão com sua identidade e cultura através de apresentações de tango e se empenham na montagem do espetáculo Tanguedia (tango + tragédia + comedia): “O Exílio de Gardel”.

Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

Peronist view of its history between the fall in 1955 and the electoral triumph of 1973 using a metaphor of the poem Martin Fierro.

Lengthy interviews, exclusive to this movie, with Juan Peron, describing his military career and the reforms he instituted as leader of the Argentine government.

Lengthy interviews, exclusive to this movie, with Juan Peron, describing his military career and the reforms he instituted as leader of the Argentine government.

Documentary with staged events about a poor rural family in Argentina.

Documentary with staged events about a poor rural family in Argentina.

A series of interviews with Juan Domingo Perón in Madrid, where he was exiled. Filmed between June and October 1971, Perón talks about the current situation of the Justicialist movement and the steps to be taken to win the presidential elections again.

Atual e profético, as preocupações e alertas de Pino Solanas nesta trilogia em 1968 não foram ouvidas e se transformaram nas calamidades que conhecemos durante as décadas seguintes. O conjunto de documentários mostra a História Moderna da América Latina. Dividido em três partes: 1 - “Colonialismo e Violência”; 2 - “Ato Para a Libertação”, o qual é dividido em dois grandes momentos: Crônica do peronismo (1945-1955) e Crônica da Resistência (1955-1966); e 3 - “Violência e Libertação”

Atual e profético, as preocupações e alertas de Pino Solanas nesta trilogia em 1968 não foram ouvidas e se transformaram nas calamidades que conhecemos durante as décadas seguintes. O conjunto de documentários mostra a História Moderna da América Latina. Dividido em três partes: 1 - “Colonialismo e Violência”; 2 - “Ato Para a Libertação”, o qual é dividido em dois grandes momentos: Crônica do peronismo (1945-1955) e Crônica da Resistência (1955-1966); e 3 - “Violência e Libertação”

Atual e profético, as preocupações e alertas de Pino Solanas nesta trilogia em 1968 não foram ouvidas e se transformaram nas calamidades que conhecemos durante as décadas seguintes. O conjunto de documentários mostra a História Moderna da América Latina. Dividido em três partes: 1 - “Colonialismo e Violência”; 2 - “Ato Para a Libertação”, o qual é dividido em dois grandes momentos: Crônica do peronismo (1945-1955) e Crônica da Resistência (1955-1966); e 3 - “Violência e Libertação”

Atual e profético, as preocupações e alertas de Pino Solanas nesta trilogia em 1968 não foram ouvidas e se transformaram nas calamidades que conhecemos durante as décadas seguintes. O conjunto de documentários mostra a História Moderna da América Latina. Dividido em três partes: 1 - “Colonialismo e Violência”; 2 - “Ato Para a Libertação”, o qual é dividido em dois grandes momentos: Crônica do peronismo (1945-1955) e Crônica da Resistência (1955-1966); e 3 - “Violência e Libertação”

Atual e profético, as preocupações e alertas de Pino Solanas nesta trilogia em 1968 não foram ouvidas e se transformaram nas calamidades que conhecemos durante as décadas seguintes. O conjunto de documentários mostra a História Moderna da América Latina. Dividido em três partes: 1 - “Colonialismo e Violência”; 2 - “Ato Para a Libertação”, o qual é dividido em dois grandes momentos: Crônica do peronismo (1945-1955) e Crônica da Resistência (1955-1966); e 3 - “Violência e Libertação”