Robert Alazraki

A young couple whose relationship is challenged when the husband is rendered impotent after being shot at the front.

작은 상점을 운영하며 가족들과 평범한 나날을 보내던 ‘안느’는 어느 날 기억 속에 묻어두었던 지난 날의 사랑 ‘장-루이’의 소식을 듣게 된다. 세계적인 카레이서로 명성을 떨쳤던 그가 지금은 치매로 기억 속을 헤매고 있다는 사실에 깊은 생각에 잠긴 안느. 그가 유일하게 기억하는 사람이 자신이라는 말에 오랜 고민 끝에 그를 찾아 간다. 수십 년 만에 마주한 두 사람. 그러나 남자는 그녀를 알아보지 못한 채 자신이 사랑했던 한 여자의 이야기를 시작하는데…

영화 음악 작업차 인도를 찾은 자유로운 파리지엥 앙투안은 대사관 만찬 자리에서 엉뚱한 매력을 지닌 여인 안나를 만난다. 자신과는 너무도 다른 스타일의 안나에게 호기심을 느낀 앙투안은 사랑의 신을 찾으러 간다는 그녀의 여행에 동참하기로 하고 인도 사람들처럼 기차를 타고 갠지스 강의 도시, 바라나시로 떠난다. 그리고 마법 같은 여정의 끝에서 뜻밖의 기적과 만나게 되는데…

A war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the Alps with his new girlfriend. But his life is turned upside down the day that his best friend tries to reconcile him with his family by telling them a big lie.

Upon the sudden death of President Georges Pompidou, the French right is taken aback. Who will succeed him? It is finally Valéry Giscard d'Estaing, aged 48, elected with the support of Jacques Chirac, who is then appointed Prime Minister. Their alliance seems strong, but it will quickly crack.

At 40, Alice has everything a woman of her age could want - everything except one vital accessory: a man. Since her husband was killed in a road accident a few years ago, she has resisted all attempts to start a relationship with another man, despite the best efforts of her closest friends Pénélope and Isabelle. As a last resort, the latter decide to offer Alice a stay at the Hôtel Normandy, the ideal place for her to turn over a new leaf...

Chloé, Léonie and Pénélope, three friends who have not set eyes on each other for many years, are reunited in a notary’s office. It appears that Chloé’s aunt, with whom they used to spend their summer holidays, has died and bequeathed them her house in the country. The three young women agree to spend the weekend at the house, to clear it out so that they can sell it. As soon as they arrive at the house, old memories come flooding back. It is the beginning of a very long weekend...

Eddie, Dov, Yvan and the others ... Our warm friends have migrated from the moribund Sentier to the flourishing suburb of Aubervilliers ... Where the old Jewish entrepreneurs left the ground to young courageous and dynamic Chinese wholesalers ... The little band is as close to each other as in previous episodes, and life goes on at the mercy of small family events and business. Dov still seems frivolous, enterprising Eddie, chilled Yvan, casual Karine, resolute Sandra, naive Chochana, irresponsible Serge and mythomaniac. As for Patrick, he is in love and the happy elected is far from easy to access. Everything would be fine until a bad wind brings its share of adversity seriously compromising the cohesion of the group. Will they succumb under the storm to the turmoil, or, once again, by mutual aid, cunning and skill, will they triumph over the crisis with panache?

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

This film, the first in what has become a semi-autobiographical trilogy for Smihi, follows the everyday experiences of Mohamed-Larbi Salmi against the changing Moroccan society. In 1950s Tangier, Larbi Salmi is a young, timid, pre-teen, boy, trying to make sense of the gentle religious upbringing of his father, the secular education offered him in French school, and his budding desires for the forbidden pleasures of the cinema and the women he meets through it.

Set during the Iraq-Iran war in the 80s, the film tells of a tragicomic road trip set in Iraq's Kurdistan.

Patrick Lechat learns that his father, the famous writer Jo Lechat, whom he never knew, has just died leaving a colossal fortune. "Good thing!" Patrick Lechat and his family are currently in a very bad situation.

In modern-day London, three men (Craig Ferguson, Jimi Mistry and David Morrissey) and three women (Olivia Williams, Jane Horrocks and Catherine McCormack) fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers, who engage in an ongoing conversation about sex. A winning romantic comedy, Born Romantic is the second feature by British writer-director David Kane of This Year's Love fame.

The big-screen debut from Scottish stage director David Kane, This Year's Love is a comedy about the romantic misadventures of six young people in Camden, North London. The marriage of tattoo artist Danny (Douglas Hanshall) and dressmaker Hannah (Catherine McCormack) gets off to a less-than-inspiring start when Danny finds out Hannah has already been fooling around with a friend's husband, so Danny takes a walk and Hannah splits with a friend to get drunk. At the airport, where the newly-weds were supposed to leave for a honeymoon, Danny meets a cleaning woman named Mary (Kathy Burke) and is immediately infatuated, while Hannah is picked up by a scruffy artist named Cameron (Dougray Scott). Elsewhere, Liam (Ian Hart), a geeky comic-art enthusiast who shares an apartment with Cameron, finds romance with Sophie (Jennifer Ehle), a single mother and full-time neurotic.

말없이 떠나버린 엘리자베스를 잊지 못하는 존은 그녀의 소장품을 경매하는 파리로 날아간다. 혹시 그녀를 만날까 했지만 그녀는 나타나지 않는다. 허탈감에 빠진 존은 그녀의 소장품을 모두 사버리는 것으로 사랑을 대신한다. 그런 존 앞에 레아가 나타난다. 엘리자베스의 친구라고 소개하는 그녀는 이전에 존이 엘리자베스에게 선물했던 스카프를 두르고 있었다. 존은 엘리자베스의 소식을 듣기 위해 그녀 주위를 맴돈다.

During a happy evening, the famous professor Levy, one of the masters of cardiac surgery, collapses, struck by a heart attack. His whole life comes back to him, and in particular his childhood, enlightened by a loving and beloved mother.

Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Jacques asks a public writer to compose love letters for a beautiful stranger that he pretends he has just met.

Victor is a legal advisor who finds himself abandoned by his wife and fired the same day. He tries to seek comfort from different friends and family members, but everyone he meets is concerned with their own problems. His morale begins to falter when he realizes that no one cares about him.

여름 방학을 보냈던 시골 별장을 그리워하는 마르셀을 위해 엄마는 매주 주말마다 별장에 가기로 한다. 하지만 즐거움도 잠시, 가방과 보따리를 메고 4시간을 걸어야 하는 길은 꼬마 마르셀에게 벅차다. 주변에서 운하 관리인을 하고 있는 아버지의 제자 부지그는 마르셀 가족에게 별장으로 가는 지름길을 알려준다. 개인 소유지를 지나가는 길이기에 함부로 들어가선 안 되지만, 마르셀의 가족은 결국 지름길로 향한다. 마치 모험을 하듯 지름길을 지나가는 마르셀 가족은 그 곳에서 특별한 사람들을 만나게 되는데... 의 아버지에 관한 이야기에 이어 마르셀 파뇰의 ‘어린 시절의 추억’ 중 어머니에 관한 기억을 영화화한 작품. 새 학기가 시작되고 마르셀은 시골에서 보냈던 여름방학 생활을 잊지 못해, 가족들 모두는 주말마다 시골에서의 한때를 보내기로 결정한다.

교사인 아버지와 재단사인 어머니를 둔 마르셀에게 있어 아버지는 신에 가까운 존재였다. 어머니는 장에 가실 때마다 마르셀을 교실에 맡기셨고 이런 순간마다 자신보다 큰 아이들을 가르치시는 아버지가 무척 존경스러웠다. 그러던 어느날 '어머니는 아이를 벌 주셨습니다'라는 칠판 글씨를 보고 '엄마는 나 벌 안줘'라고 반박했고, 제대로 글을 배운 적이 없는 마르셀이 글씨를 읽자 아버지는 무척 기뻐했으나 어린 아이는 아이답게 자라길 바라는 어머니는 마르셀에게 책도 교실도 금지시켰다. 마르셀의 동생이 태어나자 아버지는 공립학교로 전임을 갔고 노처녀였던 이모가 고급 공무원이며 부자인 이모부와 결혼했다. 그 여름 이모의 가족과 마르셀의 가족은 시골 농장으로 휴가를 떠났다. 마르셀에게 있어 신과 같던 존재였던 아버지는 이모부와 같이 있을 땐 경쟁적인 관계가 되었고, 특히 사냥에 있어서는 이모부를 따라가지 못한다. 어떻게 해서든 아버지가 자신에게 있어 제 자리를 찾기 원한 마르셀은 아버지와 이모부 몰래 사냥터에 따라가 아버지 앞으로 새를 몰아주려 하지만 길을 잃어버린다. 그러나 그곳에서 우연히 만난 릴리의 도움으로 길을 찾는다. 그 순간 총소리가 들리고 마르셀 앞에 새가 떨어진다. 아버지가 잡은 새였던 것이다. 드디어 사냥에 성공한 아버지. 그로 인해 마르셀은 아버지를 다시 만나게 된 것이다. 릴리와의 우정도 깊어만 가는데 어느덧 휴가의 마지막이 다가오고 있었다. 도시로 돌아가기 싫어진 마르셀은 릴리의 도움으로 가출을 시도하고, 릴리와 산으로 들어온 마르셀은 가정의 중요함을 깨닫고 다시 집으로 돌아온다.

Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.

Simon, a Jewish police inspector, arrests Karim, a Muslim, in the bust of a drug smuggling cargo ship, only to realize that Karim is an undercover agent from the military intelligence, whose mission he was not aware of. The two men pursue the narc investigation, which will lead them to confront middle eastern terrorists together.

A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, Protée — a man of great nobility, intelligence and beauty — and the intricate nature of relationships in a racist society.

In 1956, with the independence of Morocco, the Fedala conference in Tangier is set in a city of turmoil.

It was during one of his missions in Norway that Antoine learned of his wife's death. He leaves his experimental submarine and returns to Paris. Helene was found in the Seine and had taken barbiturates. Even though he had not been with Hélène for six years, he knew her well enough to believe that she was incapable of committing suicide. So who and why?

French rocker Johnny Halliday stars as a professional thief just released from jail. He returns to stealing to support his family. After several successful thefts, he decides to include his under-aged kid into the "family business".

When Peter, Margaux's American writer husband, leaves Paris in a funk and heads home, she finds herself the single parent of two near teens. She also gets a new assignment at work: to find, sign, and promote new rock singers. She discovers a duo, Jeremy and Michel, and jump-starts their music careers. Jeremy is attracted to the older Margaux, asserts himself with her, befriends her children, and neglects Michel and their music. The kids go to New York to be with their father Peter, freeing Margaux to respond to Jeremy. Does that relationship have any future? And what of the musical duo?

Liberty Belle tells the story of a group of student's involvement with a group who oppose the French Algerian war. The film premiered at the 1983 Cannes Film Festival.

In a building on the Boulevard Haussmann in Paris lives ten-year-old Roger, who is surrounded by women - his great-grandmother, his grandmother, and his mother Nicole. Living in an exclusively feminine environment, the boy wishes more than anything else to have a masculine presence around. His dream comes true when he meets Jacques, who's madly in love with Nicole and who is about to completely turn the boy's life upside down.

Félix, disguised as Father Christmas, hands out leaflets advertising a sexy Christmas party. His place is taken by an African Santa Claus and he returns to his caravan only to find his girlfriend Josette about to leave him. When he comes after her, she takes refuge at "SOS Distress", run by two neurotics, Thérèse and Pierre.

David, a Jewish filmmaker in his thirties, is working on a screenplay with autobiographical overtones. His girlfriend, Anna, with whom he lives, finds his story very narcissistic.

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

An Italian lumberjack named Giovanni falls in love with a girl named Louise. What starts off as a whirlwind romance devolves Louise becoming a prisoner of passion.

In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.

The old farm worker Pipe is old enough to retire. Even so he cannot imagine a life without work. So he keeps on doing his job and wonders what to do with his additional financial means.

1835년, 노르망디의 작은 마을. 청년 피에르 리비에르는 어머니와 여동생 그리고 어린 남동생까지 모두 살해한다. 이 끔찍한 사건을 벌인 후 체포된 피에르는 재판을 기다리는데, 그는 그동안 어떤 일이 있었는지 써내려 가기 시작한다. 프랑스 철학자 미셸 푸코는 실제 일어났던 존속살해사건에 대한 방대한 자료들을 정리해 동명의 책을 펴냈고, 이를 알리오가 영화화했다. 알리오는 「카이에 뒤 시네마」의 편집인이자 시나리오작가인 파스칼 보니체와 세르주 투비아나와 함께 각색 작업을 했으며, 사건이 일어났던 마을에서 실제 주민들을 섭외해 촬영하여 긴장감과 리얼리티를 배가시켰다.

Based on the idea by Roland Topor (screenwriter of Roman Polanski's The Tenant), this very curious completely silent melodrama tells the story of Mona, who has left her father, the railway gatekeeper, after being raped on the train track. She is kidnapped and taken to a Parisian whorehouse. However, a disinherited prince, Dudu who tries to rescue her, is himself kidnapped and forced to serve as a male prostitute. The two captives meet there and fall in love. They are taken away by different rich people - he to an Arab "harem," she to a surgeon's home.

The real life and the parallel life of two women. A delirium that results from their confusion and their expectation. The mixture of reality and imagination ending in emptiness.

A father plans to kill in the same day the nine members of the jury who condemned his son to death.