Self
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Writer
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Director
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Himself
체코 출신 감독이자 애니메이터, 인형 제작자인 얀 슈반크마예르는 독창적이고 초현실적인 연출을 통해 애니메이션 거장으로 인정받은 한편, 테리 길리엄과 퀘이 형제 등 후배 감독에게도 큰 영향을 끼친 예술가다. 그는 1964년 첫 단편[마지막 속임수 The Last Trick]를 만든 이래 2018년 [벌레 Insect]까지 34편의 장·단편을 작업했다. 이 다큐멘터리는 [벌레]를 연출한 뒤 기획된 것으로, 그의 오랜 동료들과 예술적 동반자인 부인의 인터뷰, 그리고 대표작 [앨리스 Alice](1988)를 비롯한 다양한 작품의 자료 화면을 활용해 완성되었다. 유쾌하면서도 시적이며, 체코식 유머가 깃든 그의 진솔한 모습은 한 예술가의 초상을 보여주는 데 부족함이 없다.
Himself
Writer
어느 작은 마을의 극단 연기자들이 차페크 형제의 희곡 「곤충 극장」을 연습 중이다. 리허설 도중, 연기자들의 개별 인생사는 극중 등장인물들의 운명과 만나 혼재된다.
Director
어느 작은 마을의 극단 연기자들이 차페크 형제의 희곡 「곤충 극장」을 연습 중이다. 리허설 도중, 연기자들의 개별 인생사는 극중 등장인물들의 운명과 만나 혼재된다.
Interviewee
One of the best Czech composers of film soundtracks is often described as a genius of film scores. He was not afraid to experiment and the timelessness of his work is proven by the admiration of the world, including the generation who came to know his music only after his death.
Self
A tortuous journey, in the company of the Spanish painter Salvador Dalí, around the figure of the enigmatic and visionary French poet Raymond Roussel (1877-1933).
Writer
Eugene, an aging man, leads a double life – one real, the other in his dreams. He goes to see a psychoanalyst, who tries to interpret the meaning of his dreams. Eugene finds a way of entering his dream-world at will and finds out about his childhood and what really happened to his parents.
Director
Eugene, an aging man, leads a double life – one real, the other in his dreams. He goes to see a psychoanalyst, who tries to interpret the meaning of his dreams. Eugene finds a way of entering his dream-world at will and finds out about his childhood and what really happened to his parents.
Experimental documentary about Japanese experimental musician Otomo Yoshihide. Includes interviews with multiple musicians, artists, and writers as well as live footage.
Director
A collection of short films by 16 European directors.
Director
Featuring all 26 entries in the official filmography, this is the world's first complete DVD edition of the short films by the legendary Czech Surrealist filmmaker-animator Jan Švankmajer. Technically and conceptually astonishing in their own right, these films are also as remarkable for their philosophical consistency as for their frequently mind-boggling imagery. This package also includes a bonus short, Johanes Doktor Faust (1958), the longer cut of 'The Cabinet of Jan Švankmajer' with a new introduction by the Quay Brothers, the documentary Les Chimeres des Švankmajer (2001), interviews with Jan and Eva Švankmajer and examples of their work in other media. There's also a chance to see some Švankmajer special effects, created when he was banned from directing his own films.
Director
A collection of short films by 16 European directors.
Production Design
어머니의 장례식장에서 돌아오는 길에 후작의 초대를 받아 그의 성에 머물던 장 베를로트는 우연히 신성모독적인 의식과 난교 장면을 목격한다. 후작은 충격과 혐오감으로 성을 떠나려는 베를로트에게 그가 앓고 있는 공포를 치유하자고 권유하며 뮐로프 박사가 운영하는 정신병원으로 데려간다. 그 곳에서 그는 간호사 샤를로트를 만나고, 과거에 병원에서 일어났던 사건들을 알게 된다.
Screenplay
어머니의 장례식장에서 돌아오는 길에 후작의 초대를 받아 그의 성에 머물던 장 베를로트는 우연히 신성모독적인 의식과 난교 장면을 목격한다. 후작은 충격과 혐오감으로 성을 떠나려는 베를로트에게 그가 앓고 있는 공포를 치유하자고 권유하며 뮐로프 박사가 운영하는 정신병원으로 데려간다. 그 곳에서 그는 간호사 샤를로트를 만나고, 과거에 병원에서 일어났던 사건들을 알게 된다.
Director
어머니의 장례식장에서 돌아오는 길에 후작의 초대를 받아 그의 성에 머물던 장 베를로트는 우연히 신성모독적인 의식과 난교 장면을 목격한다. 후작은 충격과 혐오감으로 성을 떠나려는 베를로트에게 그가 앓고 있는 공포를 치유하자고 권유하며 뮐로프 박사가 운영하는 정신병원으로 데려간다. 그 곳에서 그는 간호사 샤를로트를 만나고, 과거에 병원에서 일어났던 사건들을 알게 된다.
Director
For the past 40 years, Jan Svankmajer (Faust, Conspirators of Pleasure) has been hailed as one of cinema's most consistently surprising, wildly imaginative, and remarkable surrealists of our time. Utilizing a delirious combination of puppets, humans, stop-motion animation, and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty, and perversely visceral. KimStim (and Kino) is proud to to offer this collection of remarkable short works from an artist that has mesmerized audiences the world over and has inspired filmmakers from the Brothers Quay to Tim Burton and Terry Gilliam.
Production Design
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Producer
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Costume Design
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Story
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Screenplay
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Director
When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.
Set Designer
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
Art Direction
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
Writer
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
Director
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
Art Direction
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Production Design
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Author
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Director
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Himself
Švankmajer demonstrates the darkly humorous approach to life and politics which the Czech authorities at one time regarded as so subversive that they banned him from film-making for eight years.
Production Design
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Writer
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Director
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Writer
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Production Design
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Director
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Himself
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.
Director
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.
Art Direction
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Writer
The last moments of a creature made out of fruits and vegetables.
Writer
A human body gradually reconstructs itself as its various component parts crowd themselves into a small room and eventually, after much experimentation, sort out which part goes where.
Writer
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Director
The last moments of a creature made out of fruits and vegetables.
Director
A human body gradually reconstructs itself as its various component parts crowd themselves into a small room and eventually, after much experimentation, sort out which part goes where.
Director
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Production Design
앨리스(크리스티나 코호토바 분)는 진열장을 깨고 나온 흰 토끼를 쫓아 가다가 지하 세계로 떨어진다. 앨리스가 도착한 이상한 나라에는 요상한 캐릭터들이 즐비하다. 흰 토끼는 뜯어진 가슴팍 사이로 손을 집어 넣어 몸에서 톱밥이 묻은 시계를 끄집어내는 박제이고, 애벌레는 핏발이 선 의안과 의치로 무장한 낡은 양말이다. 3월 토끼는 다 낡아서 눈이 떨어져 가는 인형이며, 도어 마우스는 살아 움직이는 여우 목도리다. 미친 모자 장수는 목제인형이고, 카드에서 방금 나온 듯한 하트여왕은 무엇이든 보이기만 하면 목을 잘라낸다. 얀 슈반크마예르의 첫 장편 애니메이션. 루이스 캐롤의 동화 속 어린 앨리스의 이야기에서 영감을 얻었다.
Author
앨리스(크리스티나 코호토바 분)는 진열장을 깨고 나온 흰 토끼를 쫓아 가다가 지하 세계로 떨어진다. 앨리스가 도착한 이상한 나라에는 요상한 캐릭터들이 즐비하다. 흰 토끼는 뜯어진 가슴팍 사이로 손을 집어 넣어 몸에서 톱밥이 묻은 시계를 끄집어내는 박제이고, 애벌레는 핏발이 선 의안과 의치로 무장한 낡은 양말이다. 3월 토끼는 다 낡아서 눈이 떨어져 가는 인형이며, 도어 마우스는 살아 움직이는 여우 목도리다. 미친 모자 장수는 목제인형이고, 카드에서 방금 나온 듯한 하트여왕은 무엇이든 보이기만 하면 목을 잘라낸다. 얀 슈반크마예르의 첫 장편 애니메이션. 루이스 캐롤의 동화 속 어린 앨리스의 이야기에서 영감을 얻었다.
Director
앨리스(크리스티나 코호토바 분)는 진열장을 깨고 나온 흰 토끼를 쫓아 가다가 지하 세계로 떨어진다. 앨리스가 도착한 이상한 나라에는 요상한 캐릭터들이 즐비하다. 흰 토끼는 뜯어진 가슴팍 사이로 손을 집어 넣어 몸에서 톱밥이 묻은 시계를 끄집어내는 박제이고, 애벌레는 핏발이 선 의안과 의치로 무장한 낡은 양말이다. 3월 토끼는 다 낡아서 눈이 떨어져 가는 인형이며, 도어 마우스는 살아 움직이는 여우 목도리다. 미친 모자 장수는 목제인형이고, 카드에서 방금 나온 듯한 하트여왕은 무엇이든 보이기만 하면 목을 잘라낸다. 얀 슈반크마예르의 첫 장편 애니메이션. 루이스 캐롤의 동화 속 어린 앨리스의 이야기에서 영감을 얻었다.
Director
Svankmajer's music video for Hugh Cornwell's "Another Kind of Love."
Writer
A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat...
Director
A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat...
Animation
It is a story of three veterans released from the army. During one night spent camping in the country they one by one wake up and meet three elvish brothers. Each of the veterans is given a magic item - one gets magic harp that provides him with servants by wish, other one endless pouch of gold and the last one owns magic hat that can create all the staff excluding money and people.
Art Designer
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Writer
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Director
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Production Design
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Writer
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Director
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Writer
A three-part depiction of various forms of communication.
Director
A three-part depiction of various forms of communication.
Writer
In this animated version of Edgar Allan Poe's story, a traveller arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother's senses have become painfully acute, while his sister has become nearly catatonic.
Director
In this animated version of Edgar Allan Poe's story, a traveller arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother's senses have become painfully acute, while his sister has become nearly catatonic.
Title Designer
Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.
Art Direction
Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.
Art Designer
When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...
Animation
When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...
Writer
"The Castle of Otranto" is animation/short/mockumentary based on "The Castle of Otranto", a 1764 novel by Horace Walpole, the first Gothic novel. The novel takes place in Otranto in southern Italy. In Jan Svankmajer's mocumentary, the amateur archaeologist Dr Vozáb has set to prove that the supernatural ghost love story takes place not in Italy but in Otranto Castle near Nachod in Czechoslovakia.
Director
"The Castle of Otranto" is animation/short/mockumentary based on "The Castle of Otranto", a 1764 novel by Horace Walpole, the first Gothic novel. The novel takes place in Otranto in southern Italy. In Jan Svankmajer's mocumentary, the amateur archaeologist Dr Vozáb has set to prove that the supernatural ghost love story takes place not in Italy but in Otranto Castle near Nachod in Czechoslovakia.
Story
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Screenplay
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Art Direction
Director
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Writer
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Director
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Screenplay
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Story
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Director
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Writer
The age-old story of Don Juan, played by giant puppets.
Writer
A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...
Director
The age-old story of Don Juan, played by giant puppets.
Director
A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...
Screenplay
Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..
Director
Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..
Editor
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Writer
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Director
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Screenplay
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Story
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Director
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Editor
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Producer
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Writer
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Director
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Art Direction
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Screenplay
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Art Direction
A small, animated figure learns how to use a whip, a pair of wings and a house.
Screenplay
A small, animated figure learns how to use a whip, a pair of wings and a house.
Director
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Director
A small, animated figure learns how to use a whip, a pair of wings and a house.
Art Direction
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Screenplay
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Director
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Writer
In this early stop-motion film by Czech surrealist Jan Svankmajer, a device consisting of a clock, a pendulum, a faucet and a bucket enacts a series of events whenever the clock chimes.
Director
In this early stop-motion film by Czech surrealist Jan Svankmajer, a device consisting of a clock, a pendulum, a faucet and a bucket enacts a series of events whenever the clock chimes.
Art Direction
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Screenplay
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Story
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Director
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Art Direction
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Screenplay
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Story
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Director
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
